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Força i Pell Living Capsules Solitude Lullaby Formigario Sonoro Tactame A Virtual A Sonora A Carinhosa As_automatas.web File.img.mp3 Earth Pulse Anthozoa Digitalis Silent Mode 2.0: Body Silent Mode Technological Sensitive Where do the bubbles go Vibratory Body Inside Voice Porn Oasis Knot in the throat/videomapping Keys Anguish Massager The box Atucanation Fare Place They say Brazil is polarized Artificial Tanning Cradle Four Islands The chatterboxes Other objects and experiences Other video Interviews Serviços Resultados de busca Anthozoa Digitalis, 2020 Ilana Bonder & Joana Burd Interactive installation with AR. Interactive installation with augmented reality technology that invites the audience to touch with their eyes. An empty environment becomes visually tactile through a virtual organism that appears as the user walks. Touch is invoked through colors, textures, objects and sounds. In a parallel reality, this living organism reacts virtually to each user differently. In these times of social distance, our digital communication is carried out through the 'visual organ', as well as through touch, that is, with the fingers, in the phenomenon of the touchscreen. In this experience, the touch and the route are guidelines for the discovery of a new virtual world, or even an interior to be unveiled. 1/1 Images of Aveiro Criatech Digital creativity & technology. October 12-18, 2020 Museu de Aveiro/Santa Joana – Capela dos Claustros, Aveiro, Portugal Aveiro Criatech

Força i Pell Living Capsules Solitude Lullaby Formigario Sonoro Tactame A Virtual A Sonora A Carinhosa As_automatas.web File.img.mp3 Earth Pulse Anthozoa Digitalis Silent Mode 2.0: Body Silent Mode Technological Sensitive Where do the bubbles go Vibratory Body Inside Voice Porn Oasis Knot in the throat/videomapping Keys Anguish Massager The box Atucanation Fare Place They say Brazil is polarized Artificial Tanning Cradle Four Islands The chatterboxes Other objects and experiences Other video Interviews Serviços Resultados de busca Knot in the throat, 2019 Mapped projection over wire, paper and plaster sculptures. Arduino with presence sensor, 2 speakers 4ohms 15w. Variable dimension Knot in the throat is a collective of sculptures that react with visual and sound forms to the audience's presence. In a representation of virtual entities and through a presence sensor, the sculptures behave reacting with humanoid expressions (eyes) and with sound elements. 1/1 Why do voice assistants have a female voice? From the second decade of the 21st century, the most well-known voice assistants are virtually functional and have a female voice. Cortana (Microsoft), Alexa (Amazon) and Siri (Apple) are algorithms created by mostly male teams. Their submissive, seductive, helpful and available voices that respond our sound signal puts many questions in terms of gender, whereas the woman's place in her virtual objectification as a service provider.

Performance Força i Pell Living Capsules Solitude Lullaby Formigario Sonoro Tactame A Virtual A Sonora A Carinhosa As_automatas.web File.img.mp3 Earth Pulse Anthozoa Digitalis Silent Mode 2.0: Body Silent Mode Technological Sensitive Where do the bubbles go Vibratory Body Inside Voice Porn Oasis Knot in the throat/videomapping Keys Anguish Massager The box Atucanation Fare Place They say Brazil is polarized Artificial Tanning Cradle Four Islands The chatterboxes Other objects and experiences Other video Interviews Serviços Resultados de busca Living Capsules, 2022 -2023 This page is dedicated to a series of exhibitions and workshops that have been born from our art-sociology collaboration, as part of the Biohybrid Bodies project . We embarked on a journey to explore the possibilities of coexisting with Living Machines, combining our sensory approaches with creative and sociological imaginations. Our goal was to delve into the realm of new biohybrid technologies and their transformative impact on the distinction between living and non-living entities. Our primary investigation revolves around understanding how we perceive and navigate these blurred boundaries, which led us to create an immersive artistic experience. Techniques studied: Multisensory experience and performance , data sonification , the landscape of sound, microscopic image, voice recording, and AI images . SOME OF OUR OUTCOMES ARE LISTED BELOW 1. PARTICIPATORY PERFORMANCE: Biohybrid Buzz: an activation through tasting frequencies. In this piece, participation takes place in an immersive 3D audio experience that combines data sonification and sound spatialization, revealing the connections between biohybrid bodies, human senses, and living machines. During this exploration, participants will have the opportunity to savor a capsule made with the Brazilian flower known as Jambu, Electric Daisy, or Buzz Buttons, which has the peculiar characteristic of inducing mouth vibrations. Simultaneously, there is an enveloping surround sound experience with low frequencies, providing a unique sensory experience. This experience will simultaneously activate the receptors present in the mouth and skin, merging two senses into a singular sensation: vibration. Future dates and places: [10th of June 2023 LONDON] (further details & tickets he re ) [15th of June 2023 OXFORD] (further details & tickets here) Sound Lab, Royal College of Arts, RCA, UK. 1/1 workshopvoicean AI 2. WORKSHOP: Data sonification and Living Machines In this workshop, we will share our recent research in collaboration with sound artist Nikolas Gomes , focusing on the combination of new practices through material and sensory engagements. Participants will explore data sonification techniques and have the opportunity to create and compose sound pieces based on the revealed data. Future dates and places: [20th of May 2023] PARIS (more information here ) [10th of June 2023 LONDON] (further details & tickets here ) [12th of June 2023 OXFORD] (scheduled) [Sep 2023 BARCELONA] - (To be confirmed) 40x copy 03_workshop_Credits_Ram_Shergill.jpeg.jpeg 1/1 Microscope imaging of the Jambu Flower 3. Imagens microscópicas da Flor de Jambu Collaborator: Dr. Tchern Lenn (Microscopy and Imaging Technician Cancer Research UK, UCL) On November 16, 2022, we were warmly welcomed by Dr. Tchern Lenn, Microscopy and Imaging Technician, in his Laboratory. After an initial conversation and a brief explanation about the project, he presented us with two microscopic visualizations of the Jambu flower. It was an intense and contemplative experience to closely observe the morphology, cellular composition, pistils, plant tissues, and other elements present in the natural structure of Jambu. The captured material was later enhanced by adding cyclic movements to the static images. 1/1 Data and sonification 4. DATA SCIENCE STUDIES Collaborators: Dr. Xueming Xia e Dr. Han Wu (Department of Chemical Engineering, UCL) At the end of 2022, we had the privilege of learning about four distinct techniques through the expertise of Dr. Xueming Xia, a specialist in research instrumentation, and Dr. Han Wu, the manager of the Laboratories at the Centre for Nature Inspired Engineering. During these visits, we had the opportunity to explore the inner waves of Jambu, its chemical components, and a vast amount of data that was later translated into sound through the practice of data sonification. The techniques used were: UV-Vis, Visible spectrophotometry - measures the absorption of light by the element (in this case, blue/cyan light). FTIR, Fourier-transform infrared spectroscopy - analyzes the infrared absorption spectrum of a sample. TGA, Thermogravimetric analysis - shows the weight loss of the sample as it is heated. GC, Gas Chromatography - uses gas to separate elements for analysis. Below, you can listen to how the data tables sound like. 5. DATA SONIFICATION TECHNIQUES Based on the two questions: a) Is there any way to treat and process the table of data without so much programming and/or repetitive work? and b) Is there any way to transform data into sound in a more playful way that facilitates trial and error? Nikolas Gomes created an, I application for data sonification. This application needed to have a graphical interface that facilitates the use for users with no background in programming, as well as how to allow the loading of ready-made audios (samples) to serve as material sound for sonification. The first version of the software was developed with the main objective of sonifying the chemical and molecular data of the flower and fruit of Jambu, collected in the laboratory by Burdand Barker. This data was displayed in tables in .csv format, which can be loaded into SuperCollider using the CSVFileReader function. 1/1 6. FOTOGRAFIA ESPECULATIVA Collaborators: Ram Shergill (photographer) Daen Palma Huse (model) & Luiza Kessler (model and performer) We’ve also worked with Ram Shergill - a photographer and critical posthuman bodying researcher. Following conceptual discussions, we brought prototype Living Capsules to a photoshoot where models experimented and posed with them. With a playful tone and experimental mood, we sought to discover and capture intimate/sensory body-capsule moments, penetrate/blur body-capsule boundaries, and create hybrid aesthetics between technology/nature. 1/1 7. OTHER PROTOTYPES We are still prototyping other projects with the ideas of Living Capsules and a couple of publications that may be shared in the near future. Support: Leverhulme Trust, Santander Investigación, and European Social Fund, from 'AGAUR' Agency for Management of University and Research Grants, Department of Business and Knowledge of Catalunya, Spain. Collaborators: Antônia Spohr Moro (Producer) Dr. Carey Jewitt (Research Supervisor, UCL) Dr. Han Wu (Scientific Consultant, UCL) Daen Palma Huse (Model) Dr. Tchern Lenn (Microscopy and Imaging Technician, UCL) Franccyne Kuser Fegalo (Food Technologist) Luiza Kessler (Model and Artist) Louise Carpenedo (Video Recording) Dr. Marti Ruiz (Research Supervisor) Nikolas Gomes (Sound Consultant and Composer) Ramandeep Shergill (Photographer) Dr. Xueming Xia (Research Instrumentation Technician, UCL) Currently being developed at Knowledge Lab, UCL, London. p.s. We want to explore if/how these works interact with our audiences' imagination of future technologies, bodies, and societies. If you are interested in participating in a short (15min) post-performance interview, please get in touch with Ned (edmund.barker@ucl.ac.uk) for more details.

Força i Pell Living Capsules Solitude Lullaby Formigario Sonoro Tactame A Virtual A Sonora A Carinhosa As_automatas.web File.img.mp3 Earth Pulse Anthozoa Digitalis Silent Mode 2.0: Body Silent Mode Technological Sensitive Where do the bubbles go Vibratory Body Inside Voice Porn Oasis Knot in the throat/videomapping Keys Anguish Massager The box Atucanation Fare Place They say Brazil is polarized Artificial Tanning Cradle Four Islands The chatterboxes Other objects and experiences Other video Interviews Serviços Resultados de busca Formigário Sonoro, 2023 Formigário Sonoro is a biofabricated and biohybrid ecosystem that investigates relationships between surveillance, cooperation and tactile listening for insects and humans. In the image we penetrate the intimacy of a community, in its environments and details. The activation between cause and effect is carried out through sensors and microphones, where energy, rhythm and frequency are driven by behaviour and displacement in the rooms. 00:00 / 03:30 1/1 Such sound immersion was mixed from the capture and communication between two residences: that of the ants and that of artists in the 8th edition of KinoBeat Festival. Between two sonic axes, the first is presented from the abdominal and tactile vibrations in the inner dialogue of the communities. The second is driven by the anthill's chemical superorganism. The sensors of capturing light, ultrasonic movement, temperature and humidity guide the code in which the protagonists of the composition are the ants, in their way of walking, crossing, communicating and building a house. Techniques: Digital fabrication, data sonification, audio mixing, raspberry pi programming. Process: Capture of sounds in the residential environments, capture of sensor data, image, and video reproduction Support: 8th Kino Beat Festival Created at: Casa de Cultura Mario Quintana, Porto Alegre, BR. 1/1

Força i Pell Living Capsules Solitude Lullaby Formigario Sonoro Tactame A Virtual A Sonora A Carinhosa As_automatas.web File.img.mp3 Earth Pulse Anthozoa Digitalis Silent Mode 2.0: Body Silent Mode Technological Sensitive Where do the bubbles go Vibratory Body Inside Voice Porn Oasis Knot in the throat/videomapping Keys Anguish Massager The box Atucanation Fare Place They say Brazil is polarized Artificial Tanning Cradle Four Islands The chatterboxes Other objects and experiences Other video Interviews Serviços Resultados de busca A Sonora, 2021 Raspberry pi, arduino, ldr sensor, ultrasonic sensor, pir sensor. Programming in reaper. "A Sonora" is an acoustic sculpture. We listen to a 5 min piece created in collaboration with Mariana Carvalho (BR) and Sellu Herraiz (ES) that reveals a sound-bass that transpass the digestion of the human body. Through three different sensors, we incorporate words, noises, invitations to a physical interaction or we activate a motor with a contact microphone that reveals the internal noise of the machine. * This work is part of a series called “As Automatas”, in which each sculpture, virtual or real, manifests a different “emotional performance”. There is a formal line common to all the sculptures, as they are positioned on the wall, are activated by the human presence and identify themselves as feminine, which is why their names are preceded by the article “a”. Collaborators: Mariana Carvalho (BR), Nikolas Gomes (PT) and Sellu Herraiz (ES). 1/1

Força i Pell Living Capsules Solitude Lullaby Formigario Sonoro Tactame A Virtual A Sonora A Carinhosa As_automatas.web File.img.mp3 Earth Pulse Anthozoa Digitalis Silent Mode 2.0: Body Silent Mode Technological Sensitive Where do the bubbles go Vibratory Body Inside Voice Porn Oasis Knot in the throat/videomapping Keys Anguish Massager The box Atucanation Fare Place They say Brazil is polarized Artificial Tanning Cradle Four Islands The chatterboxes Other objects and experiences Other video Interviews Serviços Resultados de busca As_automatas.web, 2021 Digital modeling and web programming Collaborators: Guilherme de Leon, Julia Garcia and Rodrigo Barbosa. (audio- interaction available just in Portuguese) A set of virtual sculptures that communicate different animations and texts about the relationship between the body-woman-mechanism and its place in the history of technology. By touching the touchscreen with a finger, the audience can interact with the sculptures, creating different streams of information, bringing the shapes closer or further apart.

Força i Pell Living Capsules Solitude Lullaby Formigario Sonoro Tactame A Virtual A Sonora A Carinhosa As_automatas.web File.img.mp3 Earth Pulse Anthozoa Digitalis Silent Mode 2.0: Body Silent Mode Technological Sensitive Where do the bubbles go Vibratory Body Inside Voice Porn Oasis Knot in the throat/videomapping Keys Anguish Massager The box Atucanation Fare Place They say Brazil is polarized Artificial Tanning Cradle Four Islands The chatterboxes Other objects and experiences Other video Interviews Serviços Resultados de busca Atucanation, 2016 Interactive object Acrylic, arduino, key buttons, electronics components and wires. Code by Matheus Schiaffino 90 x 130 x 70 cm Interactive object in which the interactor commands a sound orchestra of notifications. As a conductor of chaos, the public is invited to relive the memory of calls and invocations of hidden messages, which are not present in the program. The origin of the expression Atucanation comes from the word in portuguese: Atucanar (direct transitive verb) means upsetting (someone or yourself), annoying (up), pestering (up), disturbing (up). 1/1

Força i Pell Living Capsules Solitude Lullaby Formigario Sonoro Tactame A Virtual A Sonora A Carinhosa As_automatas.web File.img.mp3 Earth Pulse Anthozoa Digitalis Silent Mode 2.0: Body Silent Mode Technological Sensitive Where do the bubbles go Vibratory Body Inside Voice Porn Oasis Knot in the throat/videomapping Keys Anguish Massager The box Atucanation Fare Place They say Brazil is polarized Artificial Tanning Cradle Four Islands The chatterboxes Other objects and experiences Other video Interviews Serviços Resultados de busca Joana Burd and Laura Pujol They say Brazil is polarized, 2019 LCD-hacked monitor, notebook, wireless keyboard, printed magnifying glass with polarizing filters. 150 x 120 x 155 cm "They say that Brazil is polarized” is an interactive installation composed of a hacked monitor, a notebook a wireless keyboard and laser printed magnifying glass. The art work invites the public to type in text software created by us, and to manipulate the magnifying glass objects that reveal the image of the monitor. In addition to proposing interaction with writing, it is through the magnifying glass that the mirror image of the screen is discovered - a webcam positioned in front of the writer. In this technological gadget designed by artists Joana Burd and Laura Pujol, the image is revealed as a double mirror - the audience is reflected and writes reflections at the same time. The work was designed especially for Casa Baka's Registro no.3 exhibition also consists of an analyzer device of a supposed or evident polarity of Brazil. 1/1 1/1

Força i Pell Living Capsules Solitude Lullaby Formigario Sonoro Tactame A Virtual A Sonora A Carinhosa As_automatas.web File.img.mp3 Earth Pulse Anthozoa Digitalis Silent Mode 2.0: Body Silent Mode Technological Sensitive Where do the bubbles go Vibratory Body Inside Voice Porn Oasis Knot in the throat/videomapping Keys Anguish Massager The box Atucanation Fare Place They say Brazil is polarized Artificial Tanning Cradle Four Islands The chatterboxes Other objects and experiences Other video Interviews Serviços Resultados de busca The box, 2019 Sound object Crystal resin, speaker, mp3 player and stethoscope. 1 min and 20 seconds The public invited to listen with a stethoscope to texts written from the ficcional perspective of a female voice assistant. As the narrative progresses, we hear the content changing from speech to vibratory patterns, simulating a machinic heart. 1/1 In the fictional audio, the voice assistant is trapped in a box. As the narrative progresses, the vibration moves according to the reading time of the poetic text, translating the script generated from 0's and 1's to sound frequencies. The translucency material reveals the entire internal part of the object. All the elements used for the interior were collected in e-waste places and the form of the box is in fact a mold copy of the book Art and Experience written by John Dewey. (audio transcription) I'm in a box. It is small and square. My body? It almost doesn’t fit for it, my organic and digital body with my electronic veins. I am in a box, it is transparent and reveals all my intimacy, it shows my parts, my sustenance and my memory.