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Força i Pell Living Capsules Solitude Lullaby Formigario Sonoro Tactame A Virtual A Sonora A Carinhosa As_automatas.web File.img.mp3 Earth Pulse Anthozoa Digitalis Silent Mode 2.0: Body Silent Mode Technological Sensitive Where do the bubbles go Vibratory Body Inside Voice Porn Oasis Knot in the throat/videomapping Keys Anguish Massager The box Atucanation Fare Place They say Brazil is polarized Artificial Tanning Cradle Four Islands The chatterboxes Other objects and experiences Other video Interviews Resultados de busca File.img.mp3 colab with Leo Caobelli for the project 10 Desertos de Erros . Selected for Rumos Itaú Cultural, Brazil ​ What is image and what is sound when the specifics of each language are transformed into binary code? In file.img.mp3 this question will not have an answer, but it will open up possibilities for thinking about formats. Used to saving files with extensions that characterize them as a type of media, here the names are shuffled to create images. Moving the cursor triggers random audios that are scattered (or concentrated) in a certain area of ​​the chosen image. Among the thousands of images present in the HD database, four were selected to be the activation guides for a set of sounds that range from music to operating system audios, including game voices and an infinity of errors.mp3.

Força i Pell Living Capsules Solitude Lullaby Formigario Sonoro Tactame A Virtual A Sonora A Carinhosa As_automatas.web File.img.mp3 Earth Pulse Anthozoa Digitalis Silent Mode 2.0: Body Silent Mode Technological Sensitive Where do the bubbles go Vibratory Body Inside Voice Porn Oasis Knot in the throat/videomapping Keys Anguish Massager The box Atucanation Fare Place They say Brazil is polarized Artificial Tanning Cradle Four Islands The chatterboxes Other objects and experiences Other video Interviews Resultados de busca Tactame, 2022-2021 ​ Colectivo DEL MIG: Blanca Somoza, Helena Gali, Ignasi Padró, Joana Burd Mario Salinero, Neus Martinez Farran and Sara Jansen. Operates from Barcelona, ​​ES. ​ We live in a hyper-connected world. In a context where technology is in constant contact with our body. Our hands become tools and through them we touch illuminated screens, communicate, love and create connections. Fingers that point, but that also seek contact and interaction. In a play of lights, the artists present more than 500 hands drawn virtually and printed with additive manufacturing. In different scenes we observe a multiplication of shadows, which can sometimes create a moment of paisa and sensitize our eyes. About the Tactame project: This project (Tacta'm) is an intervention on the street that has also been adapted as an indoor installation. A reflection that starts from the loss of human contact as a result of the pandemic. An attempt to stimulate curiosity through contact. The ultimate goal is to place sensors in such a way as to encourage this interaction between the hand and passers-by in the city. 1/1

Força i Pell Living Capsules Solitude Lullaby Formigario Sonoro Tactame A Virtual A Sonora A Carinhosa As_automatas.web File.img.mp3 Earth Pulse Anthozoa Digitalis Silent Mode 2.0: Body Silent Mode Technological Sensitive Where do the bubbles go Vibratory Body Inside Voice Porn Oasis Knot in the throat/videomapping Keys Anguish Massager The box Atucanation Fare Place They say Brazil is polarized Artificial Tanning Cradle Four Islands The chatterboxes Other objects and experiences Other video Interviews Resultados de busca Anthozoa Digitalis, 2020 Ilana Bonder & Joana Burd Interactive installation with AR. ​ Interactive installation with augmented reality technology that invites the audience to touch with their eyes. An empty environment becomes visually tactile through a virtual organism that appears as the user walks. Touch is invoked through colors, textures, objects and sounds. In a parallel reality, this living organism reacts virtually to each user differently. In these times of social distance, our digital communication is carried out through the 'visual organ', as well as through touch, that is, with the fingers, in the phenomenon of the touchscreen. In this experience, the touch and the route are guidelines for the discovery of a new virtual world, or even an interior to be unveiled. ​ 1/1 Images of Aveiro Criatech Digital creativity & technology. October 12-18, 2020 Museu de Aveiro/Santa Joana – Capela dos Claustros, Aveiro, Portugal Aveiro Criatech

Força i Pell Living Capsules Solitude Lullaby Formigario Sonoro Tactame A Virtual A Sonora A Carinhosa As_automatas.web File.img.mp3 Earth Pulse Anthozoa Digitalis Silent Mode 2.0: Body Silent Mode Technological Sensitive Where do the bubbles go Vibratory Body Inside Voice Porn Oasis Knot in the throat/videomapping Keys Anguish Massager The box Atucanation Fare Place They say Brazil is polarized Artificial Tanning Cradle Four Islands The chatterboxes Other objects and experiences Other video Interviews Resultados de busca Vibrating Body, 2018 Wood, video (loop 2 ') and mapped projection. 150 x 200 cm From the desire to instigate movement and body space I invited dancer and performer Paula Finn to make a visual record that involved the vibratory movement. In the rehearsal I took vibrating motors with small batteries to be handled freely. Paula showed me how we could propagate the vibratory sensitivity through the joints, guiding the energy with the motors in a more localized way or transferring it to the whole body. From the significant body to the significant body, I directed the camera's focus to fragments of Paula's body in motion. The result of such repetitive movements by the performer turned into a mapped projection with three circular videos of two minutes. ​ ​ 1/1

Força i Pell Living Capsules Solitude Lullaby Formigario Sonoro Tactame A Virtual A Sonora A Carinhosa As_automatas.web File.img.mp3 Earth Pulse Anthozoa Digitalis Silent Mode 2.0: Body Silent Mode Technological Sensitive Where do the bubbles go Vibratory Body Inside Voice Porn Oasis Knot in the throat/videomapping Keys Anguish Massager The box Atucanation Fare Place They say Brazil is polarized Artificial Tanning Cradle Four Islands The chatterboxes Other objects and experiences Other video Interviews Resultados de busca Vírus, 2016 Mouse and needles 16 x 7 x 5 cm Wallet, 2016 Keyboard internal circuit, transparent tape and a "one real" banknote. 20 x 8 cm ​ Teleprompter, 2017 Dual screen glass projection 240 x 140 cm ​ Alberto Semeler e Joana Burd The fugitive, 2016 Techno-Installation HD television, Arduino, RaspberryPi and ultrasonic sensor. ​ “The fugitive” was an experiment idealized together with the artist and professor Alberto Semeler, in which the observer's movement is the driver of the image's becoming. The closer the viewer gets to the screen, the more the image escapes, reducing to just one pixel. ​ Cadu Peixoto e Joana Burd Tomada de Consciência , 2016 Socket mirror, wooden case, connecting pipe wire, brushed steel ruler. 43 x 38 cm ​ The expression "Tomada de Consciência " in Portuguese means "awareness-raising" or even "becoming conscious" of something. It also could mean "Conscious Power Plug" if you literally translate the words, since "Tomada" means at the same time "power plug" and 'taking". ​ * This art work was part of the exhibition "Will to Execution" in 2016 created collectively with the artist Cadu Peixoto selected via the Public Open Call of Porto Alegre City Hall, for the occupation of Galeria Iberê Camargo at Usina do Gasômetro, Brazil. ​ Cadu Peixoto e Joana Burd Garoupa, 2016 Matte vinyl and gold foil sticker. 140 x 300 cm Most abundant fish off the Brazilian coast, also known as merelaço, piracuca or sea chicken. They reach huge sizes, up to 3 meters and over 300 kilograms in weight. Tasty, white flesh has bright colors and inhabits tropical oceans living near the rocks, as it is intelligent and hides from possible human threats. Active predator is hermaphrodite, early in sexual maturation are females and later become males. Animal chosen from the wide Brazilian fauna for the back side of the 100.00 (one hundred) reais banknote. ​ * This art work was part of the exhibition "Will to Execution" in 2016 created collectively with the artist Cadu Peixoto selected via the Public Open Call of Porto Alegre City Hall, for the occupation of Galeria Iberê Camargo at Usina do Gasômetro, Brazil. ​

Sound Art Installations Art Residencies Vibration Formigario Sonoro, 2023 Biohybrid Buzz, 2022-23 Formigario Sonoro, 2023 Tactame, 2022 File.img.mp3 Solitude Lullaby, 2022 Living Capsules, 2022 Living Capsules, 2022 Tactame, 2022 The Cuddler (La Cariñosa), 2021 The Virtual (La Virtual), 2021 The Sonora (La Sonora), 2021 Earth Pulse, 2021 Colab Darya Efrat | João Dias-Oliveira La Sonora, 2021 Earth Pulse, 2021 Colab Darya Efrat | João Dias-Oliveira Anthozoa Digitalis, 2020 Colab Ilana Bonder Anthozoa Digitalis, 2020 Colab Ilana Bonder Anthozoa Digitalis, 2020 Colab Ilana Bonder Inside Voice, 2018 Inside Voice, 2018 Inside Voice, 2018 Porn Oasis, 2019 Colab Leo Caobelli Porn Oasis, 2019 Colab Leo Caobelli Porn Oasis, 2019 Colab Leo Caobelli Technological sensitive, 2018 Technological sensitive, 2018 Technological sensitive, 2018 Silent Mode, 2019 Invitation - Silent Mode, 2019 Silent Mode, 2019 Show More

Força i Pell Living Capsules Solitude Lullaby Formigario Sonoro Tactame A Virtual A Sonora A Carinhosa As_automatas.web File.img.mp3 Earth Pulse Anthozoa Digitalis Silent Mode 2.0: Body Silent Mode Technological Sensitive Where do the bubbles go Vibratory Body Inside Voice Porn Oasis Knot in the throat/videomapping Keys Anguish Massager The box Atucanation Fare Place They say Brazil is polarized Artificial Tanning Cradle Four Islands The chatterboxes Other objects and experiences Other video Interviews Resultados de busca A Carinhosa, 2021 Mega Arduino, 2 Nema 19 engines, 15 pieces with digital fabrication, aluminum tubes and 12v source "A carinhosa” (could be also translated as cuddler) is a sculpture that starts from programmed obsolescence as it is made up of recycled engines and an adaptation of a damaged printer. In addition to its oval shape, it has attached to its body a set of electronics and various parts printed with a 3D printer. As the audience approaches, the sculpture's arms slightly move horizontally, evoking the idea of ​​affection, translated as a mechanical dance in movement. ​ ​ * This work is part of a series called “As Autômatas”, in which each sculpture, virtual or real, manifests a different “emotional performance”. There is a formal line common to all the sculptures, as they are positioned on the wall, are activated by the human presence and identify as feminine, which is why their names are preceded by the article “a” (the). ​ 1/1 1/1

Força i Pell Living Capsules Solitude Lullaby Formigario Sonoro Tactame A Virtual A Sonora A Carinhosa As_automatas.web File.img.mp3 Earth Pulse Anthozoa Digitalis Silent Mode 2.0: Body Silent Mode Technological Sensitive Where do the bubbles go Vibratory Body Inside Voice Porn Oasis Knot in the throat/videomapping Keys Anguish Massager The box Atucanation Fare Place They say Brazil is polarized Artificial Tanning Cradle Four Islands The chatterboxes Other objects and experiences Other video Interviews Resultados de busca Joana Burd and Laura Pujol They say Brazil is polarized, 2019 LCD-hacked monitor, notebook, wireless keyboard, printed magnifying glass with polarizing filters. 150 x 120 x 155 cm ​ "They say that Brazil is polarized” is an interactive installation composed of a hacked monitor, a notebook a wireless keyboard and laser printed magnifying glass. The art work invites the public to type in text software created by us, and to manipulate the magnifying glass objects that reveal the image of the monitor. In addition to proposing interaction with writing, it is through the magnifying glass that the mirror image of the screen is discovered - a webcam positioned in front of the writer. In this technological gadget designed by artists Joana Burd and Laura Pujol, the image is revealed as a double mirror - the audience is reflected and writes reflections at the same time. The work was designed especially for Casa Baka's Registro no.3 exhibition also consists of an analyzer device of a supposed or evident polarity of Brazil. ​ ​ 1/1 1/1

Força i Pell Living Capsules Solitude Lullaby Formigario Sonoro Tactame A Virtual A Sonora A Carinhosa As_automatas.web File.img.mp3 Earth Pulse Anthozoa Digitalis Silent Mode 2.0: Body Silent Mode Technological Sensitive Where do the bubbles go Vibratory Body Inside Voice Porn Oasis Knot in the throat/videomapping Keys Anguish Massager The box Atucanation Fare Place They say Brazil is polarized Artificial Tanning Cradle Four Islands The chatterboxes Other objects and experiences Other video Interviews Resultados de busca Silent mode, 2019 sound art installation 7'40" loop 5.1 audio ​ "Silent mode" is an invitation to pause to listen with the skin, with the body. An immersive environment in which the public is invited to sit on an acoustic bench surrounded by speakers. The narrative that runs through the speakers is based on texts on improvisation by Walter Smetak, in which the voice of the recorded artists is slowly transcoded into smartphone vibration patterns. ​ It is possible to feel the installation through cochlear (auditory) and bone (tactile) listening. Although the title of the work encourages silence, we witness a landscape of noise in 5.1 surround audio. ​ 1/1 For the installation's sound system an immersive environment is created configuring the spatialization of ambisonic surround audio. The sound distribution occurs in the three axes (height, width and depth), from six individual audio channels, resulting in a sensory and perceptive engaged zone for those who are in the installation. ​ In addition to the five channels of spatial distribution of sound, there is also a sixth audio channel dedicated to body listening, using a subwoofer speaker located inside the wooden bench in the center of the space. A low frequency effect channel is offered which transmits impact, pressure and weight, leading to extra auditory and bone sensory sensations. ​ In the transcoding of the sound a vocoder is used. The voice is transformed into a mini-motor vibration from sampling ringtones. The use of this sample becomes the carrier of the voice formant, so that the recitation of the poem seems to be done by the device. 1/1 Creation and direction Joana Burd Sound design Nikolas Gomes Ferranddis Interpreters Bruno Fernandes and Bê Smidt Image capture and editing Carina Macedo _________________________________________________________________ ​ Texts read by interpreters are adapted from the book Walter Smetak (2019). O enxerto do Takaká e outros textos. Editora: Edufba. Edição: 1ª. ISBN: 978-85-232-1832-4. ​ The laugh without laughter The laughter without laugh The cried laugh The laugh of ignorance The laugh replacing the speech The laugh replacing the answer The answer replacing the laughter ​ As artists, we transform “silence” into images and sounds. Images and sounds transform the artist into silences. Silence is the great source of the single cause. If there were no rumors, the silence would be very boring. Rumors are the faithful reproduction of silences. We are losing sight of the silences. We create machines that are much more sensitive than our human senses. So; we put "silent mode" on the machines so that they do not disturb our silence. Because machines also have their own lives: the noise. The “human” machine, on the other hand, is quieter, does not perceive its inner noise. In this digital world we have new possibilities for speech and new formats of silence.

Força i Pell Living Capsules Solitude Lullaby Formigario Sonoro Tactame A Virtual A Sonora A Carinhosa As_automatas.web File.img.mp3 Earth Pulse Anthozoa Digitalis Silent Mode 2.0: Body Silent Mode Technological Sensitive Where do the bubbles go Vibratory Body Inside Voice Porn Oasis Knot in the throat/videomapping Keys Anguish Massager The box Atucanation Fare Place They say Brazil is polarized Artificial Tanning Cradle Four Islands The chatterboxes Other objects and experiences Other video Interviews Resultados de busca Technological Sensitive, 2018-2020 Crystal resin, stained glass varnish, orange squeezer spring, screws and two mini vibration motors. 35 x 35 x 40 cm The audience must press their hand against the hand object. Such action compresses a metal spring and makes the object vibrate when connecting its internal circuit. The perception of the vibratory tactility of the created system varies according to the pressure and the size of the contact area. Collaborators: André Diestel and Carina Macedo. ​ ​ 1/1 The impulse of ˜Technological Sensitive˜ is to generate strangeness because it is a familiarly “organic” hand transformed into a machine, translucent and vibratory. In the counterflow of programmed obsolescence, this work reuses components from two mobile phones and an orange squeezer. The translucent material (crystal resin) admits that there is no intention to hide the threads or any machinic demonstration of the sculpture.