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Força i Pell Living Capsules Solitude Lullaby Formigario Sonoro A Virtual A Sonora A Sonora A Carinhosa As_automatas.web File.img.mp3 Earth Pulse Anthozoa Digitalis Silent Mode 2.0: Body Silent Mode Where do the bubbles go Keys Anguish Massager The box Atucanation Fare Place Four Islands The chatterboxes Other objects and experiences Other video EarthPulse, 2021 Artists: Darya Efrat (IL), Joana Burd (BR) e João Dias-Oliveira (PT) Technique: Mixed-media Installation EarthPulse is an immersive environment that invites the public to engage in experiencing vibrations as a corporal and collective reminder that earth is a living organism, one which we inhabit and whose energy and behavior we constantly alter. [+] With this project, we wish to bring the powerful planetary movement of tectonic plates and their continuous dissemination of energy closer to us, as a way to reflect on risk and instability. The audience steps onto a grass-covered wooden platform, and through sound, bass-vibrations and touch, experiences the earth as a living organism - one which we inhabit and whose energy and behavior we continuously alter. What instability does the movement of the earth present? How vulnerable are we? By reflecting upon the earth’s inherent and continuous movement, Earthpulse portrays a corporal-temporal journey, connecting to the past, and by inviting the public to experience the space in the present - offers a future. 1/1 1/1

Força i Pell Living Capsules Solitude Lullaby Formigario Sonoro A Virtual A Sonora A Sonora A Carinhosa As_automatas.web File.img.mp3 Earth Pulse Anthozoa Digitalis Silent Mode 2.0: Body Silent Mode Where do the bubbles go Keys Anguish Massager The box Atucanation Fare Place Four Islands The chatterboxes Other objects and experiences Other video Carina Macedo e Joana Burd Hole, 2018 Video 1'37'' Hologram, 2016 Video performance for a hologram Video with plastic folding. To make the hologram display at home click here: DIY 3D Hologram Pyramid Nutritive rat, 2015 Vídeo 2'24'' Separation attempt, 2015 Video 1'20"

Master in Visual Arts, focuses her research on the dialogue between sculpture, digital media and technology. Sound Art Installations Art Residencies Vibration Formigario Sonoro, 2023 Solitude Lullaby, 2022 Formigario Sonoro, 2023 Biohybrid Buzz, 2022-23 Living Capsules, 2022 Living Capsules, 2022 The Cuddler (La Cariñosa), 2021 The Virtual (La Virtual), 2021 The Sonora (La Sonora), 2021 Earth Pulse, 2021 Colab Darya Efrat | João Dias-Oliveira La Sonora, 2021 Earth Pulse, 2021 Colab Darya Efrat | João Dias-Oliveira Anthozoa Digitalis, 2020 Colab Ilana Bonder Anthozoa Digitalis, 2020 Colab Ilana Bonder Anthozoa Digitalis, 2020 Colab Ilana Bonder Silent Mode, 2019 Invitation - Silent Mode, 2019 Silent Mode, 2019 Fare Place, 2016-2019 Colab Cadu Peixoto Fare Place, 2016-2019 Colab Cadu Peixoto Fare Place, 2016-2019 Colab Cadu Peixoto Power, 2015-2020 Home, 2015-2020 Keys, 2015-2020

Força i Pell Living Capsules Solitude Lullaby Formigario Sonoro A Virtual A Sonora A Sonora A Carinhosa As_automatas.web File.img.mp3 Earth Pulse Anthozoa Digitalis Silent Mode 2.0: Body Silent Mode Where do the bubbles go Keys Anguish Massager The box Atucanation Fare Place Four Islands The chatterboxes Other objects and experiences Other video As_automatas.web, 2021 Digital modeling and web programming Collaborators: Guilherme de Leon, Julia Garcia and Rodrigo Barbosa. (audio- interaction available just in Portuguese) A set of virtual sculptures that communicate different animations and texts about the relationship between the body-woman-mechanism and its place in the history of technology. By touching the touchscreen with a finger, the audience can interact with the sculptures, creating different streams of information, bringing the shapes closer or further apart.

Força i Pell Living Capsules Solitude Lullaby Formigario Sonoro A Virtual A Sonora A Sonora A Carinhosa As_automatas.web File.img.mp3 Earth Pulse Anthozoa Digitalis Silent Mode 2.0: Body Silent Mode Where do the bubbles go Keys Anguish Massager The box Atucanation Fare Place Four Islands The chatterboxes Other objects and experiences Other video Atucanation, 2016 Interactive object Acrylic, arduino, key buttons, electronics components and wires. Code by Matheus Schiaffino 90 x 130 x 70 cm Interactive object in which the interactor commands a sound orchestra of notifications. As a conductor of chaos, the public is invited to relive the memory of calls and invocations of hidden messages, which are not present in the program. The origin of the expression Atucanation comes from the word in portuguese: Atucanar (direct transitive verb) means upsetting (someone or yourself), annoying (up), pestering (up), disturbing (up). 1/1

Força i Pell Living Capsules Solitude Lullaby Formigario Sonoro A Virtual A Sonora A Sonora A Carinhosa As_automatas.web File.img.mp3 Earth Pulse Anthozoa Digitalis Silent Mode 2.0: Body Silent Mode Where do the bubbles go Keys Anguish Massager The box Atucanation Fare Place Four Islands The chatterboxes Other objects and experiences Other video "Força i Pell" (Strength and Skin), 2023 This piece emerged from a dynamic interplay between bodies, vibrations, and machines, as two artists interacted with a vibrational sculpture, producing low-frequency resonances amplified by two subwoofers. This immersive experience invites the audience to engage in a fusion of visual and audio-tactile sensations, challenging modes of listening and encouraging them to physically feel the vibrations on their skin as the movements of the performers intertwine. In the presentation, techniques such as 3D sculpture and machine learning were used to create synthetic and natural voices. The interactive sculpture draws inspiration from the "Las Automatas" series, with its initial prototype acting as the input device. Within this interaction, the object transforms itself into a touch-based sound controller, capable of translating tactile interactions on its surface, including touches and gestures. As the artists move intuitively, the device's ability to transcode code into auditory expressions becomes palpably evident, resulting in a unique and immersive sensory experience. About the performers: Cata Aguayo is a performing artist, teacher, and researcher specializing in trapeze and contemporary dance. She graduated from ESACTO in Toulouse and UNSAM in Buenos Aires, and she is a co-founder of the Franco-Uruguayan company Olga CirqAnalogique. She directs the Aerial Research Laboratory at the Bonita Cooperative in Barcelona and works with various French and Spanish companies as a performer and choreographer. www.olgacirqanalogique.com Juana O. Kippes is a performing artist and movement researcher, specializing in aerial acrobatics, contortion, and dance. She is the founder of her own company, JÅNIKA, an interdisciplinary habitat where her creations blend visual and performing arts. She also works as a performer for other projects and collaborates with artists from various fields. She currently resides in France. www.janika.net Photographs and videos by Gülçin Bekar.

Força i Pell Living Capsules Solitude Lullaby Formigario Sonoro A Virtual A Sonora A Sonora A Carinhosa As_automatas.web File.img.mp3 Earth Pulse Anthozoa Digitalis Silent Mode 2.0: Body Silent Mode Where do the bubbles go Keys Anguish Massager The box Atucanation Fare Place Four Islands The chatterboxes Other objects and experiences Other video A Sonora, 2021 Raspberry pi, arduino, ldr sensor, ultrasonic sensor, pir sensor. Programming in reaper. "A Sonora" is an acoustic sculpture. We listen to a 5 min piece created in collaboration with Mariana Carvalho (BR) and Sellu Herraiz (ES) that reveals a sound-bass that transpass the digestion of the human body. Through three different sensors, we incorporate words, noises, invitations to a physical interaction or we activate a motor with a contact microphone that reveals the internal noise of the machine. * This work is part of a series called “As Automatas”, in which each sculpture, virtual or real, manifests a different “emotional performance”. There is a formal line common to all the sculptures, as they are positioned on the wall, are activated by the human presence and identify themselves as feminine, which is why their names are preceded by the article “a”. Collaborators: Mariana Carvalho (BR), Nikolas Gomes (PT) and Sellu Herraiz (ES). 1/1

Força i Pell Living Capsules Solitude Lullaby Formigario Sonoro A Virtual A Sonora A Sonora A Carinhosa As_automatas.web File.img.mp3 Earth Pulse Anthozoa Digitalis Silent Mode 2.0: Body Silent Mode Where do the bubbles go Keys Anguish Massager The box Atucanation Fare Place Four Islands The chatterboxes Other objects and experiences Other video Cadu Peixoto and Joana Burd Fare Place, 2016-2019 Bus roulette, Arduino, 16x2 liquid crystal display and ultrasonic sensor. 120 x 150 x 160 cm When entering the exhibition the public comes across a bus roulette from the 60s. During the exhibition the work demonstrates through a digital counter the division of the total cost of exposure among all who passed the roulette. Equation = No. of Visitors [captured via roulette] / Total Exhibition Budget [in $ +0.00] 1/1 * This art work was created for the exhibition "Will to Execution" and today it is part of the Collection of the Museu de Arte Contemporânea do Rio Grande do Sul MACRS, Brazil.

Força i Pell Living Capsules Solitude Lullaby Formigario Sonoro A Virtual A Sonora A Sonora A Carinhosa As_automatas.web File.img.mp3 Earth Pulse Anthozoa Digitalis Silent Mode 2.0: Body Silent Mode Where do the bubbles go Keys Anguish Massager The box Atucanation Fare Place Four Islands The chatterboxes Other objects and experiences Other video Artificial Tanning, 2017 MDF, mirror, webcam, projector and javascript programming. 200 x 150 cm Artificial tanning is composed of a suspended mirror-umbrella with an interactive projection on the floor. The public can relate in various ways with this work. As you look up, your reflection is multiplied. As you look down, over your feet, a projection of yellowish vibrating circles that resemble the sun's rays. Through the Processing software, javascript code was created that interacts with the computer's webcam. Any movement (measured by saturation and brightness of the image) will be marked and recorded in the form of vibrating circles. 1/1

Força i Pell Living Capsules Solitude Lullaby Formigario Sonoro A Virtual A Sonora A Sonora A Carinhosa As_automatas.web File.img.mp3 Earth Pulse Anthozoa Digitalis Silent Mode 2.0: Body Silent Mode Where do the bubbles go Keys Anguish Massager The box Atucanation Fare Place Four Islands The chatterboxes Other objects and experiences Other video The box, 2019 Sound object Crystal resin, speaker, mp3 player and stethoscope. 1 min and 20 seconds The public invited to listen with a stethoscope to texts written from the ficcional perspective of a female voice assistant. As the narrative progresses, we hear the content changing from speech to vibratory patterns, simulating a machinic heart. 1/1 In the fictional audio, the voice assistant is trapped in a box. As the narrative progresses, the vibration moves according to the reading time of the poetic text, translating the script generated from 0's and 1's to sound frequencies. The translucency material reveals the entire internal part of the object. All the elements used for the interior were collected in e-waste places and the form of the box is in fact a mold copy of the book Art and Experience written by John Dewey. (audio transcription) I'm in a box. It is small and square. My body? It almost doesn’t fit for it, my organic and digital body with my electronic veins. I am in a box, it is transparent and reveals all my intimacy, it shows my parts, my sustenance and my memory.