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Bone Whisper Vibration eavesdropper Força i Pell Living Capsules Solitude Lullaby Formigario Sonoro A Virtual A Sonora A Sonora A Carinhosa As_automatas.web File.img.mp3 Earth Pulse Anthozoa Digitalis Silent Mode 2.0: Body Silent Mode Where do the bubbles go Keys Anguish Massager The box Atucanation Fare Place Four Islands The chatterboxes Other objects and experiences Other video "Força i Pell" (Strength and Skin), 2023 This piece emerged from a dynamic interplay between bodies, vibrations, and machines, as two artists interacted with a vibrational sculpture, producing low-frequency resonances amplified by two subwoofers. This immersive experience invites the audience to engage in a fusion of visual and audio-tactile sensations, challenging modes of listening and encouraging them to physically feel the vibrations on their skin as the movements of the performers intertwine. In the presentation, techniques such as 3D sculpture and machine learning were used to create synthetic and natural voices. The interactive sculpture draws inspiration from the "Las Automatas" series, with its initial prototype acting as the input device. Within this interaction, the object transforms itself into a touch-based sound controller, capable of translating tactile interactions on its surface, including touches and gestures. As the artists move intuitively, the device's ability to transcode code into auditory expressions becomes palpably evident, resulting in a unique and immersive sensory experience. About the performers: Cata Aguayo is a performing artist, teacher, and researcher specializing in trapeze and contemporary dance. She graduated from ESACTO in Toulouse and UNSAM in Buenos Aires, and she is a co-founder of the Franco-Uruguayan company Olga CirqAnalogique. She directs the Aerial Research Laboratory at the Bonita Cooperative in Barcelona and works with various French and Spanish companies as a performer and choreographer. www.olgacirqanalogique.com Juana O. Kippes is a performing artist and movement researcher, specializing in aerial acrobatics, contortion, and dance. She is the founder of her own company, JÅNIKA, an interdisciplinary habitat where her creations blend visual and performing arts. She also works as a performer for other projects and collaborates with artists from various fields. She currently resides in France. www.janika.net Photographs and videos by Gülçin Bekar.

joana burds cv, joanaburd, joana burd curriculum, curriculo Texts Burd, Joana. (2024). Dialogues of the tactile body. In L. Baigorri & P. Ortuño (Eds.), Identity art in non-presentiality, Dykinson, Madrid. https://www.dykinson.com/libros/arte-identitario-en-la-no-presencialidad/9788410707429/ Barker, Ned. Burd, Joana (2023). Living Capsules: reflections on an ongoing art-sociology collaboration. Leonardo, MIT Press Direct. Cambridge. Boston. https://doi.org/10.1162/leon_a_02466 Burd, J. B. (2023). Sound-vibration: Relations between bodies, low frequencies, and multisensory experiments. Multimodality & Society SAGE UK. https://doi.org/10.1177/26349795231211434 Burd, Joana (2021). Silent Mode 2.0: Bodies in the vibratory experience of tactility. NEW (EGO) Connected Bodies. Book Chapter. Dykinson. Madrid, Spain. ISBN: 978-84-1377-441-1 https://www.dykinson.com/libros/cuerpos-conectados/9788413774411/ Burd, Joana (2020). What vibrates within us. Adjacent journal, Telecommunications Program ITP. NYU New York University. Link: https://itp.nyu.edu/adjacent/issue-7/what-vibrates-within-us/ Burd, Joana (2020) “Tactilidades Conectivas de Inês Norton.” Revista Estúdio, artistas sobre outras obras. ISSN 1647-6158 e-ISSN 1647-7316. 11(29), janeiro-março: 88-96. Centro de Investigação e Estudos em Belas-Artes (CIEBA), Faculdade de Belas-Artes, Universidade de Lisboa, Lisboa, Portugal. (link ) Burd Joana (2019) . Corpo Vibratório : quando o movimento pede pausa. 18th International Meeting of Art, Science and Technology. OF THE ADMIRABLE ORDER OF THINGS: art, emotion and technology. Faculdade de Belas Artes da Universidade de Lisboa FBAUL. 17-19 de Outubro de 2019. ISSN: 2238-0272 (link ) Burd, Joana (2018). Corpo Vibratório : quando o movimento pede pausa. Dissertação de Mestrado, Universidade Federal do Rio Grande do Sul, UFRGS, Porto Alegre, Brazil. (link ) Burd, Joana (2018). Princípio vibratório e uma máquina para massagear a angústia. Agulha n°16. PROJETOS E INTERVENÇÕES. Psicanalistas pela Democracia. junho 19, 2018. (link ) Burd, Joana (2017). A eternização da memória e o ruído cotidiano: novas formas de pensar a arte digital e a angústia compartilhada.16th International Meeting of Art and Technology: IMAGINING THE REAL e-ISBN978-989-99839-5-3, i2ADS – Instituto de Investigação em Arte, Design e Sociedade, October 2017 p.802-812 (link ) Semeler, Alberto. Burd, Joana (2016). Repelir e fruir: a experiência do degradado como poética da sensação. In: 15° Encontro Internacional de Arte e Tecnologia (#15.ART): arte, ação e participação. Universidade de Brasilia, UNB, Brasil. v. 15. Burd, Joana (2014). Nativos digitais: uma pesquisa sobre fluxos entre arte e tecnologia. Trabalho de Conclusão de Curso, Universidade Federal do Ro Grande do Sul, UFRGS, Porto Alegre, Brasil. Other TEDESCO, Elaine. POLIDORO, Marina (org.), (2022) Exhibition Catalogue" The days when owls had fallen from the sky Elaine Tedesco Marina Polidoro (org) (ed.) Laboratório de Imagem e Tecnologia (Lit-UFRGS) Instituto de Artes, Universidade Federal do Rio Grande do Sul, BR. (link ) * only available in portuguese BURD, Joana. Ilustration "Muro Hackeado" for "Noticiário Oniropolítico" O Onírico - o primeiro jornal oniropolítico do Brazil. 1ª Ed., Porto Alegre BR. UFRGS, 2021. ISSN 2764-5258.. BOELTER, Valeria; GASPARETTO, Débora Aita; LIMA, Andrea Capssa; SANTOS, Nara Cristina (2017). A curadoria e a expografia em arte e tecnologia: os três momentos do Factors 2.0, In Encontro da Associação Nacional de Pesquisadores em Artes Plásticas, 26o. (link) Quintella, Pollyana (2014). Homo Ciberneticus. In: Catálogo IV Bienal Escola de Belas Artes. Universidade Federal do Rio de Janeiro, 2014. Exhibition Catalog "Teclas" | Textos por Fernanda Medeiros e Laura Pujol | 2016 (link ) Exhibition Catalog "Por onde se vai" | 2015 (link ) Exhibition Catalog "Sinestesia" | 2015 (link ) Exhibition Catalog EFERVESCENCIA219 | 2015 (link ) Exhibition Catalog 2Oo Salão de Artes Plásticas da Câmara Municipal de Porto Alegre | 2014

Bone Whisper Vibration eavesdropper Força i Pell Living Capsules Solitude Lullaby Formigario Sonoro A Virtual A Sonora A Sonora A Carinhosa As_automatas.web File.img.mp3 Earth Pulse Anthozoa Digitalis Silent Mode 2.0: Body Silent Mode Where do the bubbles go Keys Anguish Massager The box Atucanation Fare Place Four Islands The chatterboxes Other objects and experiences Other video The chatterboxes, 2014 Sound art Installation 5 Obsolete phones, 5 stethoscopes, 5 mp3's, 5 recycled wood cases, matte acrylic, black acrylic paint. 14 x 17 x 27 cm (each) Installation composed of five acrylic boxes arranged on a counter. Each contains an obsolete cell phone and a stethoscope. On the mobile phones (from 1992 to 1999) we can see the simulations of demo modes. In stethoscopes we can hear narratives in audios about loss, missing, love, dream and empathy. 1/1 I – Text: Dieter Axt Voice: Milton Burd - 39” II– Text: Dieter Axt Voice: Felipe Gonçalves e Priscila Kisiolar- 1’39” III – Text: Dieter Axt Voice: Luana Santana - 1’26” IV - Text: Joana Burd Voice: Laura Pujol - 1’45” V- Text: Dieter Axt Voice: Joana Burd - 4’09” Texto - I 00:00 00:00 Texto - II 00:00 00:00 Texto - III 00:00 00:00 Texto - IV 00:00 00:00 Texto - V 00:00 00:00

Bone Whisper Vibration eavesdropper Força i Pell Living Capsules Solitude Lullaby Formigario Sonoro A Virtual A Sonora A Sonora A Carinhosa As_automatas.web File.img.mp3 Earth Pulse Anthozoa Digitalis Silent Mode 2.0: Body Silent Mode Where do the bubbles go Keys Anguish Massager The box Atucanation Fare Place Four Islands The chatterboxes Other objects and experiences Other video A Sonora, 2021 Raspberry pi, arduino, ldr sensor, ultrasonic sensor, pir sensor. Programming in reaper. "A Sonora" is an acoustic sculpture. We listen to a 5 min piece created in collaboration with Mariana Carvalho (BR) and Sellu Herraiz (ES) that reveals a sound-bass that transpass the digestion of the human body. Through three different sensors, we incorporate words, noises, invitations to a physical interaction or we activate a motor with a contact microphone that reveals the internal noise of the machine. * This work is part of a series called “As Automatas”, in which each sculpture, virtual or real, manifests a different “emotional performance”. There is a formal line common to all the sculptures, as they are positioned on the wall, are activated by the human presence and identify themselves as feminine, which is why their names are preceded by the article “a”. Collaborators: Mariana Carvalho (BR), Nikolas Gomes (PT) and Sellu Herraiz (ES). 1/1

Bone Whisper Vibration eavesdropper Força i Pell Living Capsules Solitude Lullaby Formigario Sonoro A Virtual A Sonora A Sonora A Carinhosa As_automatas.web File.img.mp3 Earth Pulse Anthozoa Digitalis Silent Mode 2.0: Body Silent Mode Where do the bubbles go Keys Anguish Massager The box Atucanation Fare Place Four Islands The chatterboxes Other objects and experiences Other video File.img.mp3 colab with Leo Caobelli for the project 10 Desertos de Erros . Selected for Rumos Itaú Cultural, Brazil What is image and what is sound when the specifics of each language are transformed into binary code? In file.img.mp3 this question will not have an answer, but it will open up possibilities for thinking about formats. Used to saving files with extensions that characterize them as a type of media, here the names are shuffled to create images. Moving the cursor triggers random audios that are scattered (or concentrated) in a certain area of the chosen image. Among the thousands of images present in the HD database, four were selected to be the activation guides for a set of sounds that range from music to operating system audios, including game voices and an infinity of errors.mp3.

Bone Whisper Vibration eavesdropper Força i Pell Living Capsules Solitude Lullaby Formigario Sonoro A Virtual A Sonora A Sonora A Carinhosa As_automatas.web File.img.mp3 Earth Pulse Anthozoa Digitalis Silent Mode 2.0: Body Silent Mode Where do the bubbles go Keys Anguish Massager The box Atucanation Fare Place Four Islands The chatterboxes Other objects and experiences Other video A Sonora, 2021 Raspberry pi, arduino, ldr sensor, ultrasonic sensor, pir sensor. Programming in reaper. "A Sonora" is an acoustic sculpture. We listen to a 5 min piece created in collaboration with Mariana Carvalho (BR) and Sellu Herraiz (ES) that reveals a sound-bass that transpass the digestion of the human body. Through three different sensors, we incorporate words, noises, invitations to a physical interaction or we activate a motor with a contact microphone that reveals the internal noise of the machine. * This work is part of a series called “As Automatas”, in which each sculpture, virtual or real, manifests a different “emotional performance”. There is a formal line common to all the sculptures, as they are positioned on the wall, are activated by the human presence and identify themselves as feminine, which is why their names are preceded by the article “a”. Collaborators: Mariana Carvalho (BR), Nikolas Gomes (PT) and Sellu Herraiz (ES). 1/1

Bone Whisper Vibration eavesdropper Força i Pell Living Capsules Solitude Lullaby Formigario Sonoro A Virtual A Sonora A Sonora A Carinhosa As_automatas.web File.img.mp3 Earth Pulse Anthozoa Digitalis Silent Mode 2.0: Body Silent Mode Where do the bubbles go Keys Anguish Massager The box Atucanation Fare Place Four Islands The chatterboxes Other objects and experiences Other video Keys, 2015-2020 (All) Computer key, typed sheet in portuguese translationof the computer key word, styrofoam and glass box. 25 x 25 cm 1/1

Bone Whisper Vibration eavesdropper Força i Pell Living Capsules Solitude Lullaby Formigario Sonoro A Virtual A Sonora A Sonora A Carinhosa As_automatas.web File.img.mp3 Earth Pulse Anthozoa Digitalis Silent Mode 2.0: Body Silent Mode Where do the bubbles go Keys Anguish Massager The box Atucanation Fare Place Four Islands The chatterboxes Other objects and experiences Other video Joana Burd and Laura Pujol They say Brazil is polarized, 2019 LCD-hacked monitor, notebook, wireless keyboard, printed magnifying glass with polarizing filters. 150 x 120 x 155 cm "They say that Brazil is polarized” is an interactive installation composed of a hacked monitor, a notebook a wireless keyboard and laser printed magnifying glass. The art work invites the public to type in text software created by us, and to manipulate the magnifying glass objects that reveal the image of the monitor. In addition to proposing interaction with writing, it is through the magnifying glass that the mirror image of the screen is discovered - a webcam positioned in front of the writer. In this technological gadget designed by artists Joana Burd and Laura Pujol, the image is revealed as a double mirror - the audience is reflected and writes reflections at the same time. The work was designed especially for Casa Baka's Registro no.3 exhibition also consists of an analyzer device of a supposed or evident polarity of Brazil. 1/1 1/1

Bone Whisper Vibration eavesdropper Força i Pell Living Capsules Solitude Lullaby Formigario Sonoro A Virtual A Sonora A Sonora A Carinhosa As_automatas.web File.img.mp3 Earth Pulse Anthozoa Digitalis Silent Mode 2.0: Body Silent Mode Where do the bubbles go Keys Anguish Massager The box Atucanation Fare Place Four Islands The chatterboxes Other objects and experiences Other video Four Islands, 2013 Electronic sculpture Membranes of keyboards, wires, arduino, acrylic boards, plastic pipes. 120 x 80 x 12 cm 7 kg “Four Islands” is a deconstruction and simultaneous reconstruction of twelve computer keyboards collected in an electronic waste dump. I used the internal part of the keyboards: the plastic membranes, the information matrices, the transmission chips and microprocessors connected in four different islands via arduino. The final piece is a kind of map of overlapping connections. 1/1

Bone Whisper Vibration eavesdropper Força i Pell Living Capsules Solitude Lullaby Formigario Sonoro A Virtual A Sonora A Sonora A Carinhosa As_automatas.web File.img.mp3 Earth Pulse Anthozoa Digitalis Silent Mode 2.0: Body Silent Mode Where do the bubbles go Keys Anguish Massager The box Atucanation Fare Place Four Islands The chatterboxes Other objects and experiences Other video Formigário Sonoro, 2023 Formigário Sonoro is a biofabricated and biohybrid ecosystem that investigates relationships between surveillance, cooperation and tactile listening for insects and humans. In the image we penetrate the intimacy of a community, in its environments and details. The activation between cause and effect is carried out through sensors and microphones, where energy, rhythm and frequency are driven by behaviour and displacement in the rooms. 00:00 / 03:30 1/1 Such sound immersion was mixed from the capture and communication between two residences: that of the ants and that of artists in the 8th edition of KinoBeat Festival. Between two sonic axes, the first is presented from the abdominal and tactile vibrations in the inner dialogue of the communities. The second is driven by the anthill's chemical superorganism. The sensors of capturing light, ultrasonic movement, temperature and humidity guide the code in which the protagonists of the composition are the ants, in their way of walking, crossing, communicating and building a house. Techniques: Digital fabrication, data sonification, audio mixing, raspberry pi programming. Process: Capture of sounds in the residential environments, capture of sensor data, image, and video reproduction Support: 8th Kino Beat Festival Created at: Casa de Cultura Mario Quintana, Porto Alegre, BR. 1/1