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Força i Pell Living Capsules Solitude Lullaby Formigario Sonoro A Virtual A Sonora A Sonora A Carinhosa As_automatas.web File.img.mp3 Earth Pulse Anthozoa Digitalis Silent Mode 2.0: Body Silent Mode Where do the bubbles go Keys Anguish Massager The box Atucanation Fare Place Four Islands The chatterboxes Other objects and experiences Other video A Virtual, 2021 3D Modeling and Augmented Reality “A Virtual” is a tactile sculpture that proposes a dialogue between the phenomenon of vibration and the human body. The interaction takes place through a mobile device, through augmented reality technology. The user is able to visualize the virtual sculpture from different points of view and, according to the movements performed and the speed of their steps, perceive different types of vibrations. * This work is part of a series called “As Autômatas”, in which each sculpture, virtual or real, manifests a different “emotional performance”. There is a formal line common to all the sculptures, as they are positioned on the wall, are activated by the human presence and identify as feminine, which is why their names are preceded by the article “a” (the). 1/1 1/1

Força i Pell Living Capsules Solitude Lullaby Formigario Sonoro A Virtual A Sonora A Sonora A Carinhosa As_automatas.web File.img.mp3 Earth Pulse Anthozoa Digitalis Silent Mode 2.0: Body Silent Mode Where do the bubbles go Keys Anguish Massager The box Atucanation Fare Place Four Islands The chatterboxes Other objects and experiences Other video Cradle, 2013 Computer keys, wire, rebar, glue and silicone. 63 x 83 x 49 cm 1/1 “The Cradle seems to suggest a new anthropomorphism. Conceiving the machine in the very structure of man, the post-human advent - although somewhat apocalyptic - serves as a reading to understand our place in contemporary times: they say that carnal matter is obsolete in the face of technological intelligence. Obsolete is still the technological material, quickly disposable and of short duration. Given Joana's work, it is up to us not to reinforce the dualism between machine and man, but to investigate its logic: if the body cannot cope with the artificial advance, what use do we make of these tools? ” Fragment of Pollyana Quintella's text "Homo Cibernecticus". Published in IV Bienal da Escola de Belas Artes/UFRJ: territórios, 2013. pages 36-37.

Força i Pell Living Capsules Solitude Lullaby Formigario Sonoro A Virtual A Sonora A Sonora A Carinhosa As_automatas.web File.img.mp3 Earth Pulse Anthozoa Digitalis Silent Mode 2.0: Body Silent Mode Where do the bubbles go Keys Anguish Massager The box Atucanation Fare Place Four Islands The chatterboxes Other objects and experiences Other video Anthozoa Digitalis, 2020 Ilana Bonder & Joana Burd Interactive installation with AR. Interactive installation with augmented reality technology that invites the audience to touch with their eyes. An empty environment becomes visually tactile through a virtual organism that appears as the user walks. Touch is invoked through colors, textures, objects and sounds. In a parallel reality, this living organism reacts virtually to each user differently. In these times of social distance, our digital communication is carried out through the 'visual organ', as well as through touch, that is, with the fingers, in the phenomenon of the touchscreen. In this experience, the touch and the route are guidelines for the discovery of a new virtual world, or even an interior to be unveiled. 1/1 Images of Aveiro Criatech Digital creativity & technology. October 12-18, 2020 Museu de Aveiro/Santa Joana – Capela dos Claustros, Aveiro, Portugal Aveiro Criatech

Força i Pell Living Capsules Solitude Lullaby Formigario Sonoro A Virtual A Sonora A Sonora A Carinhosa As_automatas.web File.img.mp3 Earth Pulse Anthozoa Digitalis Silent Mode 2.0: Body Silent Mode Where do the bubbles go Keys Anguish Massager The box Atucanation Fare Place Four Islands The chatterboxes Other objects and experiences Other video Keys, 2015-2020 (All) Computer key, typed sheet in portuguese translationof the computer key word, styrofoam and glass box. 25 x 25 cm 1/1

Força i Pell Living Capsules Solitude Lullaby Formigario Sonoro A Virtual A Sonora A Sonora A Carinhosa As_automatas.web File.img.mp3 Earth Pulse Anthozoa Digitalis Silent Mode 2.0: Body Silent Mode Where do the bubbles go Keys Anguish Massager The box Atucanation Fare Place Four Islands The chatterboxes Other objects and experiences Other video Technological Sensitive, 2018-2020 Crystal resin, stained glass varnish, orange squeezer spring, screws and two mini vibration motors. 35 x 35 x 40 cm The audience must press their hand against the hand object. Such action compresses a metal spring and makes the object vibrate when connecting its internal circuit. The perception of the vibratory tactility of the created system varies according to the pressure and the size of the contact area. Collaborators: André Diestel and Carina Macedo. 1/1 The impulse of ˜Technological Sensitive˜ is to generate strangeness because it is a familiarly “organic” hand transformed into a machine, translucent and vibratory. In the counterflow of programmed obsolescence, this work reuses components from two mobile phones and an orange squeezer. The translucent material (crystal resin) admits that there is no intention to hide the threads or any machinic demonstration of the sculpture.

Força i Pell Living Capsules Solitude Lullaby Formigario Sonoro A Virtual A Sonora A Sonora A Carinhosa As_automatas.web File.img.mp3 Earth Pulse Anthozoa Digitalis Silent Mode 2.0: Body Silent Mode Where do the bubbles go Keys Anguish Massager The box Atucanation Fare Place Four Islands The chatterboxes Other objects and experiences Other video Silent Mode 2.0: Body, 2021 (version in Castellano) Creation and Direction: Joana Burd Sound design: Nikolas Gomes Interpretation of texts: Ángela Hernandez y Luzia Paramés ETOPIA, Centro de Arte y Tecnología, Zaragoza, ES. Support: ETOPIA, Ayuntamiento Zaragoza, Universitat de BarcelonaIdioma: Castellano Interview Silent Mode at Metropolis: Minute 12:24

joana burds cv, joanaburd, joana burd curriculum, curriculo Texts Burd, Joana. (2024). Dialogues of the tactile body. In L. Baigorri & P. Ortuño (Eds.), Identity art in non-presentiality, Dykinson, Madrid. https://www.dykinson.com/libros/arte-identitario-en-la-no-presencialidad/9788410707429/ Barker, Ned. Burd, Joana (2023). Living Capsules: reflections on an ongoing art-sociology collaboration. Leonardo, MIT Press Direct. Cambridge. Boston. https://doi.org/10.1162/leon_a_02466 Burd, J. B. (2023). Sound-vibration: Relations between bodies, low frequencies, and multisensory experiments. Multimodality & Society SAGE UK. https://doi.org/10.1177/26349795231211434 Burd, Joana (2021). Silent Mode 2.0: Bodies in the vibratory experience of tactility. NEW (EGO) Connected Bodies. Book Chapter. Dykinson. Madrid, Spain. ISBN: 978-84-1377-441-1 https://www.dykinson.com/libros/cuerpos-conectados/9788413774411/ Burd, Joana (2020). What vibrates within us. Adjacent journal, Telecommunications Program ITP. NYU New York University. Link: https://itp.nyu.edu/adjacent/issue-7/what-vibrates-within-us/ Burd, Joana (2020) “Tactilidades Conectivas de Inês Norton.” Revista Estúdio, artistas sobre outras obras. ISSN 1647-6158 e-ISSN 1647-7316. 11(29), janeiro-março: 88-96. Centro de Investigação e Estudos em Belas-Artes (CIEBA), Faculdade de Belas-Artes, Universidade de Lisboa, Lisboa, Portugal. (link ) Burd Joana (2019) . Corpo Vibratório : quando o movimento pede pausa. 18th International Meeting of Art, Science and Technology. OF THE ADMIRABLE ORDER OF THINGS: art, emotion and technology. Faculdade de Belas Artes da Universidade de Lisboa FBAUL. 17-19 de Outubro de 2019. ISSN: 2238-0272 (link ) Burd, Joana (2018). Corpo Vibratório : quando o movimento pede pausa. Dissertação de Mestrado, Universidade Federal do Rio Grande do Sul, UFRGS, Porto Alegre, Brazil. (link ) Burd, Joana (2018). Princípio vibratório e uma máquina para massagear a angústia. Agulha n°16. PROJETOS E INTERVENÇÕES. Psicanalistas pela Democracia. junho 19, 2018. (link ) Burd, Joana (2017). A eternização da memória e o ruído cotidiano: novas formas de pensar a arte digital e a angústia compartilhada.16th International Meeting of Art and Technology: IMAGINING THE REAL e-ISBN978-989-99839-5-3, i2ADS – Instituto de Investigação em Arte, Design e Sociedade, October 2017 p.802-812 (link ) Semeler, Alberto. Burd, Joana (2016). Repelir e fruir: a experiência do degradado como poética da sensação. In: 15° Encontro Internacional de Arte e Tecnologia (#15.ART): arte, ação e participação. Universidade de Brasilia, UNB, Brasil. v. 15. Burd, Joana (2014). Nativos digitais: uma pesquisa sobre fluxos entre arte e tecnologia. Trabalho de Conclusão de Curso, Universidade Federal do Ro Grande do Sul, UFRGS, Porto Alegre, Brasil. Other TEDESCO, Elaine. POLIDORO, Marina (org.), (2022) Exhibition Catalogue" The days when owls had fallen from the sky Elaine Tedesco Marina Polidoro (org) (ed.) Laboratório de Imagem e Tecnologia (Lit-UFRGS) Instituto de Artes, Universidade Federal do Rio Grande do Sul, BR. (link ) * only available in portuguese BURD, Joana. Ilustration "Muro Hackeado" for "Noticiário Oniropolítico" O Onírico - o primeiro jornal oniropolítico do Brazil. 1ª Ed., Porto Alegre BR. UFRGS, 2021. ISSN 2764-5258.. BOELTER, Valeria; GASPARETTO, Débora Aita; LIMA, Andrea Capssa; SANTOS, Nara Cristina (2017). A curadoria e a expografia em arte e tecnologia: os três momentos do Factors 2.0, In Encontro da Associação Nacional de Pesquisadores em Artes Plásticas, 26o. (link) Quintella, Pollyana (2014). Homo Ciberneticus. In: Catálogo IV Bienal Escola de Belas Artes. Universidade Federal do Rio de Janeiro, 2014. Exhibition Catalog "Teclas" | Textos por Fernanda Medeiros e Laura Pujol | 2016 (link ) Exhibition Catalog "Por onde se vai" | 2015 (link ) Exhibition Catalog "Sinestesia" | 2015 (link ) Exhibition Catalog EFERVESCENCIA219 | 2015 (link ) Exhibition Catalog 2Oo Salão de Artes Plásticas da Câmara Municipal de Porto Alegre | 2014

Força i Pell Living Capsules Solitude Lullaby Formigario Sonoro A Virtual A Sonora A Sonora A Carinhosa As_automatas.web File.img.mp3 Earth Pulse Anthozoa Digitalis Silent Mode 2.0: Body Silent Mode Where do the bubbles go Keys Anguish Massager The box Atucanation Fare Place Four Islands The chatterboxes Other objects and experiences Other video EarthPulse, 2021 Artists: Darya Efrat (IL), Joana Burd (BR) e João Dias-Oliveira (PT) Technique: Mixed-media Installation EarthPulse is an immersive environment that invites the public to engage in experiencing vibrations as a corporal and collective reminder that earth is a living organism, one which we inhabit and whose energy and behavior we constantly alter. [+] With this project, we wish to bring the powerful planetary movement of tectonic plates and their continuous dissemination of energy closer to us, as a way to reflect on risk and instability. The audience steps onto a grass-covered wooden platform, and through sound, bass-vibrations and touch, experiences the earth as a living organism - one which we inhabit and whose energy and behavior we continuously alter. What instability does the movement of the earth present? How vulnerable are we? By reflecting upon the earth’s inherent and continuous movement, Earthpulse portrays a corporal-temporal journey, connecting to the past, and by inviting the public to experience the space in the present - offers a future. 1/1 1/1

Força i Pell Living Capsules Solitude Lullaby Formigario Sonoro A Virtual A Sonora A Sonora A Carinhosa As_automatas.web File.img.mp3 Earth Pulse Anthozoa Digitalis Silent Mode 2.0: Body Silent Mode Where do the bubbles go Keys Anguish Massager The box Atucanation Fare Place Four Islands The chatterboxes Other objects and experiences Other video Carina Macedo e Joana Burd Hole, 2018 Video 1'37'' Hologram, 2016 Video performance for a hologram Video with plastic folding. To make the hologram display at home click here: DIY 3D Hologram Pyramid Nutritive rat, 2015 Vídeo 2'24'' Separation attempt, 2015 Video 1'20"

Master in Visual Arts, focuses her research on the dialogue between sculpture, digital media and technology. Sound Art Installations Art Residencies Vibration Formigario Sonoro, 2023 Solitude Lullaby, 2022 Formigario Sonoro, 2023 Biohybrid Buzz, 2022-23 Living Capsules, 2022 Living Capsules, 2022 The Cuddler (La Cariñosa), 2021 The Virtual (La Virtual), 2021 The Sonora (La Sonora), 2021 Earth Pulse, 2021 Colab Darya Efrat | João Dias-Oliveira La Sonora, 2021 Earth Pulse, 2021 Colab Darya Efrat | João Dias-Oliveira Anthozoa Digitalis, 2020 Colab Ilana Bonder Anthozoa Digitalis, 2020 Colab Ilana Bonder Anthozoa Digitalis, 2020 Colab Ilana Bonder Silent Mode, 2019 Invitation - Silent Mode, 2019 Silent Mode, 2019 Fare Place, 2016-2019 Colab Cadu Peixoto Fare Place, 2016-2019 Colab Cadu Peixoto Fare Place, 2016-2019 Colab Cadu Peixoto Power, 2015-2020 Home, 2015-2020 Keys, 2015-2020