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Bone Whisper Vibration eavesdropper Força i Pell Living Capsules Solitude Lullaby Formigario Sonoro A Virtual A Sonora A Sonora A Carinhosa As_automatas.web File.img.mp3 Earth Pulse Anthozoa Digitalis Silent Mode 2.0: Body Silent Mode Where do the bubbles go Keys Anguish Massager The box Atucanation Fare Place Four Islands The chatterboxes Other objects and experiences Other video The chatterboxes, 2014 Sound art Installation 5 Obsolete phones, 5 stethoscopes, 5 mp3's, 5 recycled wood cases, matte acrylic, black acrylic paint. 14 x 17 x 27 cm (each) Installation composed of five acrylic boxes arranged on a counter. Each contains an obsolete cell phone and a stethoscope. On the mobile phones (from 1992 to 1999) we can see the simulations of demo modes. In stethoscopes we can hear narratives in audios about loss, missing, love, dream and empathy. 1/1 I – Text: Dieter Axt Voice: Milton Burd - 39” II– Text: Dieter Axt Voice: Felipe Gonçalves e Priscila Kisiolar- 1’39” III – Text: Dieter Axt Voice: Luana Santana - 1’26” IV - Text: Joana Burd Voice: Laura Pujol - 1’45” V- Text: Dieter Axt Voice: Joana Burd - 4’09” Texto - I 00:00 00:00 Texto - II 00:00 00:00 Texto - III 00:00 00:00 Texto - IV 00:00 00:00 Texto - V 00:00 00:00

Bone Whisper Vibration eavesdropper Força i Pell Living Capsules Solitude Lullaby Formigario Sonoro A Virtual A Sonora A Sonora A Carinhosa As_automatas.web File.img.mp3 Earth Pulse Anthozoa Digitalis Silent Mode 2.0: Body Silent Mode Where do the bubbles go Keys Anguish Massager The box Atucanation Fare Place Four Islands The chatterboxes Other objects and experiences Other video Where the bubbles go, 2014 Wooden box, soap bubble machine, 19 inch LCD monitor. Video installation. Loop 2 ' 48 x 42 x 36 cm Video installation, where I place myself in profile inside a box making soap bubbles. Attached to the box is a machine that produces soap bubbles and spreads them into the real space. 1/1

Bone Whisper Vibration eavesdropper Força i Pell Living Capsules Solitude Lullaby Formigario Sonoro A Virtual A Sonora A Sonora A Carinhosa As_automatas.web File.img.mp3 Earth Pulse Anthozoa Digitalis Silent Mode 2.0: Body Silent Mode Where do the bubbles go Keys Anguish Massager The box Atucanation Fare Place Four Islands The chatterboxes Other objects and experiences Other video Vibration Eavesdropper [2024- ongoing] Among an ever-restless sea of air, our bodies experience a constant flow of vibrations, also known as sound waves. As previously published in Sound-vibration: Relations between bodies, low frequencies, and multisensory experiments, I consider sound-vibration as a mode of multimodal listening, and we find ourselves at the intersection of an interdisciplinary exploration and the immersive territories of sonic art. This singular mode not only challenges the traditional confines of auditory perception but also invites a deeper engagement with the physicality and resonance of sound, disrupting the boundaries between the self and the surroundings, where the world becomes porous. Within the Poetics of Vibration, we may encounter a vast field of unconventional practices that, in some ways, question the body, while in others, simply invade it without permission. As I understand it, the exploration of sound extends beyond mere auditory perception, encompassing both cochlear (physiological processes within the ear) and non-cochlear (emotions, cognition, and contextual influences) phenomena, which are considered structurally interchangeable in relation to theories of autonomous or independent effects. Sound's inherent connection to multiple senses positions it as a multi-field subject, widely examined by experts for its integrative impact on human experience. While academic and scientific research often aims to control, replicate, and manipulate sound, its influence on us can be profound, untamed, and deeply ingrained in the natural world. Thus, the forthcoming discussion, once again, seeks not to segregate sound into a solitary sensory experience but to embrace its integration into our daily lives. By doing so, it aims to illuminate sound's vast sensory interconnections and its unique potential to enrich our understanding of the energies around us. However, one might ponder the energies that reside beneath us, what transpires at the auditory level and, subsequently, at the vibrational level in locales that are neither alive nor frequented nor felt. In the realms where everything traverses, the water, whether sullied or pure, the gas that fuels heat and flame, and the light that powers our energy, In a profound leap towards an inner exploration of our thoughts and skin perceptions, we ponder: how do these locales resonate beneath our soles, or indeed, how does one's body perceive such vibrations? This investigation embarks on a commitment to exploring vibrational phenomena, aiming to delve, through gathered membranes in the unseen septic systems, over the concealed drainage networks. The intent is to attune one's body to listen to the parts entrenched in the underground, firmly planted in the subsoil of our cities. Our aspiration is to move beyond traditional acoustic methods, focusing instead on sound's ability to be felt as echo/physical vibration. This methodological approach broadens when it encapsulates the desire to morph the complex dance of sensory interactions into a palpable, haptic and auditory tale. In this perspective, we intend to share sound-vibration challenges and expand the boundaries of how sound is experienced, highlighting its role as both a medium for artistic expression and a channel for meaning-making in multimodal practices. "Vibration Eavesdropper" presents a markedly different experience than I never produced. Is an extend invitation to encounter a distinct kind of unseen vibrations, ones that could be felt in a clandestine manner, offering an uplifting and pleasurable way to engage with those waves. With the support of geophones and hidrophones acting as auditory lenses, we captured these hidden tremors what involves a negotiation between the mechanical nature of waves and the ethereal nature of digital signals. Through the process of measuring and documenting the rhythms of manufactured metropolises, we gradually discern the motion of particles as a potent indicator of underlying chaos seeking its organic equilibrium. Our aspiration is to move beyond traditional acoustic methods, focusing instead on sound's ability to be felt as echo/physical vibration. Sound Diaries is a project initiated in 2008 with the goal of documenting everyday life through sound, resisting the predominance of visual images by capturing a variety of sounds such as those of vending machines, luggage carousels, toasters, escalators, boilers, garden sheds, and wheeled luggage. Inspired by the idea of exhausting the subject and not being satisfied with a superficial glance, the project promotes attentive and prolonged listening to explore often ignored sounds. This project was supported and coordinated by the Sonic Art Research Unit (SARU) at Oxford Brookes University. https://www.sound-diaries.co.uk/

Bone Whisper Vibration eavesdropper Força i Pell Living Capsules Solitude Lullaby Formigario Sonoro A Virtual A Sonora A Sonora A Carinhosa As_automatas.web File.img.mp3 Earth Pulse Anthozoa Digitalis Silent Mode 2.0: Body Silent Mode Where do the bubbles go Keys Anguish Massager The box Atucanation Fare Place Four Islands The chatterboxes Other objects and experiences Other video Anguish Massager, 2016 Interactive object 2 DC motors, 3 push buttons, 9V supply. 180 x 47 x 47 cm The interactor/user is invited to connect to the object, being able to choose different sensations through the buttons: “Digest” (intense vibrations), "Soften” (light vibrations) and “Forget” (medium vibrations). In addition to the buttons, the piece has a height regulator and a black vinyl sticker placed in the space where the feet should be positioned for sensory enjoyment. 1/1

Bone Whisper Vibration eavesdropper Força i Pell Living Capsules Solitude Lullaby Formigario Sonoro A Virtual A Sonora A Sonora A Carinhosa As_automatas.web File.img.mp3 Earth Pulse Anthozoa Digitalis Silent Mode 2.0: Body Silent Mode Where do the bubbles go Keys Anguish Massager The box Atucanation Fare Place Four Islands The chatterboxes Other objects and experiences Other video A Sonora, 2021 Raspberry pi, arduino, ldr sensor, ultrasonic sensor, pir sensor. Programming in reaper. "A Sonora" is an acoustic sculpture. We listen to a 5 min piece created in collaboration with Mariana Carvalho (BR) and Sellu Herraiz (ES) that reveals a sound-bass that transpass the digestion of the human body. Through three different sensors, we incorporate words, noises, invitations to a physical interaction or we activate a motor with a contact microphone that reveals the internal noise of the machine. * This work is part of a series called “As Automatas”, in which each sculpture, virtual or real, manifests a different “emotional performance”. There is a formal line common to all the sculptures, as they are positioned on the wall, are activated by the human presence and identify themselves as feminine, which is why their names are preceded by the article “a”. Collaborators: Mariana Carvalho (BR), Nikolas Gomes (PT) and Sellu Herraiz (ES). 1/1

Bone Whisper Vibration eavesdropper Força i Pell Living Capsules Solitude Lullaby Formigario Sonoro A Virtual A Sonora A Sonora A Carinhosa As_automatas.web File.img.mp3 Earth Pulse Anthozoa Digitalis Silent Mode 2.0: Body Silent Mode Where do the bubbles go Keys Anguish Massager The box Atucanation Fare Place Four Islands The chatterboxes Other objects and experiences Other video Anthozoa Digitalis, 2020 Ilana Bonder & Joana Burd Interactive installation with AR. Interactive installation with augmented reality technology that invites the audience to touch with their eyes. An empty environment becomes visually tactile through a virtual organism that appears as the user walks. Touch is invoked through colors, textures, objects and sounds. In a parallel reality, this living organism reacts virtually to each user differently. In these times of social distance, our digital communication is carried out through the 'visual organ', as well as through touch, that is, with the fingers, in the phenomenon of the touchscreen. In this experience, the touch and the route are guidelines for the discovery of a new virtual world, or even an interior to be unveiled. 1/1 Images of Aveiro Criatech Digital creativity & technology. October 12-18, 2020 Museu de Aveiro/Santa Joana – Capela dos Claustros, Aveiro, Portugal Aveiro Criatech

joana burds cv, joanaburd, joana burd curriculum, curriculo Texts Burd, Joana. (2024). Dialogues of the tactile body. In L. Baigorri & P. Ortuño (Eds.), Identity art in non-presentiality, Dykinson, Madrid. https://www.dykinson.com/libros/arte-identitario-en-la-no-presencialidad/9788410707429/ Barker, Ned. Burd, Joana (2023). Living Capsules: reflections on an ongoing art-sociology collaboration. Leonardo, MIT Press Direct. Cambridge. Boston. https://doi.org/10.1162/leon_a_02466 Burd, J. B. (2023). Sound-vibration: Relations between bodies, low frequencies, and multisensory experiments. Multimodality & Society SAGE UK. https://doi.org/10.1177/26349795231211434 Burd, Joana (2021). Silent Mode 2.0: Bodies in the vibratory experience of tactility. NEW (EGO) Connected Bodies. Book Chapter. Dykinson. Madrid, Spain. ISBN: 978-84-1377-441-1 https://www.dykinson.com/libros/cuerpos-conectados/9788413774411/ Burd, Joana (2020). What vibrates within us. Adjacent journal, Telecommunications Program ITP. NYU New York University. Link: https://itp.nyu.edu/adjacent/issue-7/what-vibrates-within-us/ Burd, Joana (2020) “Tactilidades Conectivas de Inês Norton.” Revista Estúdio, artistas sobre outras obras. ISSN 1647-6158 e-ISSN 1647-7316. 11(29), janeiro-março: 88-96. Centro de Investigação e Estudos em Belas-Artes (CIEBA), Faculdade de Belas-Artes, Universidade de Lisboa, Lisboa, Portugal. (link ) Burd Joana (2019) . Corpo Vibratório : quando o movimento pede pausa. 18th International Meeting of Art, Science and Technology. OF THE ADMIRABLE ORDER OF THINGS: art, emotion and technology. Faculdade de Belas Artes da Universidade de Lisboa FBAUL. 17-19 de Outubro de 2019. ISSN: 2238-0272 (link ) Burd, Joana (2018). Corpo Vibratório : quando o movimento pede pausa. Dissertação de Mestrado, Universidade Federal do Rio Grande do Sul, UFRGS, Porto Alegre, Brazil. (link ) Burd, Joana (2018). Princípio vibratório e uma máquina para massagear a angústia. Agulha n°16. PROJETOS E INTERVENÇÕES. Psicanalistas pela Democracia. junho 19, 2018. (link ) Burd, Joana (2017). A eternização da memória e o ruído cotidiano: novas formas de pensar a arte digital e a angústia compartilhada.16th International Meeting of Art and Technology: IMAGINING THE REAL e-ISBN978-989-99839-5-3, i2ADS – Instituto de Investigação em Arte, Design e Sociedade, October 2017 p.802-812 (link ) Semeler, Alberto. Burd, Joana (2016). Repelir e fruir: a experiência do degradado como poética da sensação. In: 15° Encontro Internacional de Arte e Tecnologia (#15.ART): arte, ação e participação. Universidade de Brasilia, UNB, Brasil. v. 15. Burd, Joana (2014). Nativos digitais: uma pesquisa sobre fluxos entre arte e tecnologia. Trabalho de Conclusão de Curso, Universidade Federal do Ro Grande do Sul, UFRGS, Porto Alegre, Brasil. Other TEDESCO, Elaine. POLIDORO, Marina (org.), (2022) Exhibition Catalogue" The days when owls had fallen from the sky Elaine Tedesco Marina Polidoro (org) (ed.) Laboratório de Imagem e Tecnologia (Lit-UFRGS) Instituto de Artes, Universidade Federal do Rio Grande do Sul, BR. (link ) * only available in portuguese BURD, Joana. Ilustration "Muro Hackeado" for "Noticiário Oniropolítico" O Onírico - o primeiro jornal oniropolítico do Brazil. 1ª Ed., Porto Alegre BR. UFRGS, 2021. ISSN 2764-5258.. BOELTER, Valeria; GASPARETTO, Débora Aita; LIMA, Andrea Capssa; SANTOS, Nara Cristina (2017). A curadoria e a expografia em arte e tecnologia: os três momentos do Factors 2.0, In Encontro da Associação Nacional de Pesquisadores em Artes Plásticas, 26o. (link) Quintella, Pollyana (2014). Homo Ciberneticus. In: Catálogo IV Bienal Escola de Belas Artes. Universidade Federal do Rio de Janeiro, 2014. Exhibition Catalog "Teclas" | Textos por Fernanda Medeiros e Laura Pujol | 2016 (link ) Exhibition Catalog "Por onde se vai" | 2015 (link ) Exhibition Catalog "Sinestesia" | 2015 (link ) Exhibition Catalog EFERVESCENCIA219 | 2015 (link ) Exhibition Catalog 2Oo Salão de Artes Plásticas da Câmara Municipal de Porto Alegre | 2014

Bone Whisper Vibration eavesdropper Força i Pell Living Capsules Solitude Lullaby Formigario Sonoro A Virtual A Sonora A Sonora A Carinhosa As_automatas.web File.img.mp3 Earth Pulse Anthozoa Digitalis Silent Mode 2.0: Body Silent Mode Where do the bubbles go Keys Anguish Massager The box Atucanation Fare Place Four Islands The chatterboxes Other objects and experiences Other video Vibrating Body, 2018 Wood, video (loop 2 ') and mapped projection. 150 x 200 cm From the desire to instigate movement and body space I invited dancer and performer Paula Finn to make a visual record that involved the vibratory movement. In the rehearsal I took vibrating motors with small batteries to be handled freely. Paula showed me how we could propagate the vibratory sensitivity through the joints, guiding the energy with the motors in a more localized way or transferring it to the whole body. From the significant body to the significant body, I directed the camera's focus to fragments of Paula's body in motion. The result of such repetitive movements by the performer turned into a mapped projection with three circular videos of two minutes. 1/1

Bone Whisper Vibration eavesdropper Força i Pell Living Capsules Solitude Lullaby Formigario Sonoro A Virtual A Sonora A Sonora A Carinhosa As_automatas.web File.img.mp3 Earth Pulse Anthozoa Digitalis Silent Mode 2.0: Body Silent Mode Where do the bubbles go Keys Anguish Massager The box Atucanation Fare Place Four Islands The chatterboxes Other objects and experiences Other video Carina Macedo e Joana Burd Hole, 2018 Video 1'37'' Hologram, 2016 Video performance for a hologram Video with plastic folding. To make the hologram display at home click here: DIY 3D Hologram Pyramid Nutritive rat, 2015 Vídeo 2'24'' Separation attempt, 2015 Video 1'20"

Bone Whisper Vibration eavesdropper Força i Pell Living Capsules Solitude Lullaby Formigario Sonoro A Virtual A Sonora A Sonora A Carinhosa As_automatas.web File.img.mp3 Earth Pulse Anthozoa Digitalis Silent Mode 2.0: Body Silent Mode Where do the bubbles go Keys Anguish Massager The box Atucanation Fare Place Four Islands The chatterboxes Other objects and experiences Other video Artificial Tanning, 2017 MDF, mirror, webcam, projector and javascript programming. 200 x 150 cm Artificial tanning is composed of a suspended mirror-umbrella with an interactive projection on the floor. The public can relate in various ways with this work. As you look up, your reflection is multiplied. As you look down, over your feet, a projection of yellowish vibrating circles that resemble the sun's rays. Through the Processing software, javascript code was created that interacts with the computer's webcam. Any movement (measured by saturation and brightness of the image) will be marked and recorded in the form of vibrating circles. 1/1