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  • Where do the bubbles go | joanaburd

    Bone Whisper Vibration eavesdropper Força i Pell Living Capsules Solitude Lullaby Formigario Sonoro A Virtual A Sonora A Sonora A Carinhosa As_automatas.web File.img.mp3 Earth Pulse Anthozoa Digitalis Silent Mode 2.0: Body Silent Mode Where do the bubbles go Keys Anguish Massager The box Atucanation Fare Place Four Islands The chatterboxes Other objects and experiences Other video Where the bubbles go, 2014 Wooden box, soap bubble machine, 19 inch LCD monitor. Video installation. Loop 2 ' 48 x 42 x 36 cm Video installation, where I place myself in profile inside a box making soap bubbles. Attached to the box is a machine that produces soap bubbles and spreads them into the real space. 1/1

  • Fare Place | joanaburd

    Bone Whisper Vibration eavesdropper Força i Pell Living Capsules Solitude Lullaby Formigario Sonoro A Virtual A Sonora A Sonora A Carinhosa As_automatas.web File.img.mp3 Earth Pulse Anthozoa Digitalis Silent Mode 2.0: Body Silent Mode Where do the bubbles go Keys Anguish Massager The box Atucanation Fare Place Four Islands The chatterboxes Other objects and experiences Other video Cadu Peixoto and Joana Burd Fare Place, 2016-2019 Bus roulette, Arduino, 16x2 liquid crystal display and ultrasonic sensor. 120 x 150 x 160 cm When entering the exhibition the public comes across a bus roulette from the 60s. During the exhibition the work demonstrates through a digital counter the division of the total cost of exposure among all who passed the roulette. Equation = No. of Visitors [captured via roulette] / Total Exhibition Budget [in $ +0.00] 1/1 * This art work was created for the exhibition "Will to Execution" and today it is part of the Collection of the Museu de Arte Contemporânea do Rio Grande do Sul MACRS, Brazil.

  • Porn Oasis | joanaburd

    Bone Whisper Vibration eavesdropper Força i Pell Living Capsules Solitude Lullaby Formigario Sonoro A Virtual A Sonora A Sonora A Carinhosa As_automatas.web File.img.mp3 Earth Pulse Anthozoa Digitalis Silent Mode 2.0: Body Silent Mode Where do the bubbles go Keys Anguish Massager The box Atucanation Fare Place Four Islands The chatterboxes Other objects and experiences Other video Joana Burd and Leo Caobelli Porn Oasis, 2019 Hacked monitor and recovered images of discarded HD's 60 x 70 x 60 cm From pornographic images collected on HD's or discarded external memories, me and artist Leo Caobelli assembled this object with a hidden and pixelated videos. 1/1

  • Tactame | joanaburd

    Bone Whisper Vibration eavesdropper Força i Pell Living Capsules Solitude Lullaby Formigario Sonoro A Virtual A Sonora A Sonora A Carinhosa As_automatas.web File.img.mp3 Earth Pulse Anthozoa Digitalis Silent Mode 2.0: Body Silent Mode Where do the bubbles go Keys Anguish Massager The box Atucanation Fare Place Four Islands The chatterboxes Other objects and experiences Other video Tactame, 2022-2021 Colectivo DEL MIG: Blanca Somoza, Helena Gali, Ignasi Padró, Joana Burd Mario Salinero, Neus Martinez Farran and Sara Jansen. Operates from Barcelona, ES. We live in a hyper-connected world. In a context where technology is in constant contact with our body. Our hands become tools and through them we touch illuminated screens, communicate, love and create connections. Fingers that point, but that also seek contact and interaction. In a play of lights, the artists present more than 500 hands drawn virtually and printed with additive manufacturing. In different scenes we observe a multiplication of shadows, which can sometimes create a moment of paisa and sensitize our eyes. About the Tactame project: This project (Tacta'm) is an intervention on the street that has also been adapted as an indoor installation. A reflection that starts from the loss of human contact as a result of the pandemic. An attempt to stimulate curiosity through contact. The ultimate goal is to place sensors in such a way as to encourage this interaction between the hand and passers-by in the city. 1/1

  • Other objects and experiences | joanaburd

    Bone Whisper Vibration eavesdropper Força i Pell Living Capsules Solitude Lullaby Formigario Sonoro A Virtual A Sonora A Sonora A Carinhosa As_automatas.web File.img.mp3 Earth Pulse Anthozoa Digitalis Silent Mode 2.0: Body Silent Mode Where do the bubbles go Keys Anguish Massager The box Atucanation Fare Place Four Islands The chatterboxes Other objects and experiences Other video Vírus, 2016 Mouse and needles 16 x 7 x 5 cm Wallet, 2016 Keyboard internal circuit, transparent tape and a "one real" banknote. 20 x 8 cm Teleprompter, 2017 Dual screen glass projection 240 x 140 cm Alberto Semeler e Joana Burd The fugitive, 2016 Techno-Installation HD television, Arduino, RaspberryPi and ultrasonic sensor. “The fugitive” was an experiment idealized together with the artist and professor Alberto Semeler, in which the observer's movement is the driver of the image's becoming. The closer the viewer gets to the screen, the more the image escapes, reducing to just one pixel. Cadu Peixoto e Joana Burd Tomada de Consciência , 2016 Socket mirror, wooden case, connecting pipe wire, brushed steel ruler. 43 x 38 cm The expression "Tomada de Consciência " in Portuguese means "awareness-raising" or even "becoming conscious" of something. It also could mean "Conscious Power Plug" if you literally translate the words, since "Tomada" means at the same time "power plug" and 'taking". * This art work was part of the exhibition "Will to Execution" in 2016 created collectively with the artist Cadu Peixoto selected via the Public Open Call of Porto Alegre City Hall, for the occupation of Galeria Iberê Camargo at Usina do Gasômetro, Brazil. Cadu Peixoto e Joana Burd Garoupa, 2016 Matte vinyl and gold foil sticker. 140 x 300 cm Most abundant fish off the Brazilian coast, also known as merelaço, piracuca or sea chicken. They reach huge sizes, up to 3 meters and over 300 kilograms in weight. Tasty, white flesh has bright colors and inhabits tropical oceans living near the rocks, as it is intelligent and hides from possible human threats. Active predator is hermaphrodite, early in sexual maturation are females and later become males. Animal chosen from the wide Brazilian fauna for the back side of the 100.00 (one hundred) reais banknote. * This art work was part of the exhibition "Will to Execution" in 2016 created collectively with the artist Cadu Peixoto selected via the Public Open Call of Porto Alegre City Hall, for the occupation of Galeria Iberê Camargo at Usina do Gasômetro, Brazil.

  • Four Islands | joanaburd

    Bone Whisper Vibration eavesdropper Força i Pell Living Capsules Solitude Lullaby Formigario Sonoro A Virtual A Sonora A Sonora A Carinhosa As_automatas.web File.img.mp3 Earth Pulse Anthozoa Digitalis Silent Mode 2.0: Body Silent Mode Where do the bubbles go Keys Anguish Massager The box Atucanation Fare Place Four Islands The chatterboxes Other objects and experiences Other video Four Islands, 2013 Electronic sculpture Membranes of keyboards, wires, arduino, acrylic boards, plastic pipes. 120 x 80 x 12 cm 7 kg “Four Islands” is a deconstruction and simultaneous reconstruction of twelve computer keyboards collected in an electronic waste dump. I used the internal part of the keyboards: the plastic membranes, the information matrices, the transmission chips and microprocessors connected in four different islands via arduino. The final piece is a kind of map of overlapping connections. 1/1

  • File.img.mp3 | joanaburd

    Bone Whisper Vibration eavesdropper Força i Pell Living Capsules Solitude Lullaby Formigario Sonoro A Virtual A Sonora A Sonora A Carinhosa As_automatas.web File.img.mp3 Earth Pulse Anthozoa Digitalis Silent Mode 2.0: Body Silent Mode Where do the bubbles go Keys Anguish Massager The box Atucanation Fare Place Four Islands The chatterboxes Other objects and experiences Other video File.img.mp3 colab with Leo Caobelli for the project 10 Desertos de Erros . Selected for Rumos Itaú Cultural, Brazil What is image and what is sound when the specifics of each language are transformed into binary code? In file.img.mp3 this question will not have an answer, but it will open up possibilities for thinking about formats. Used to saving files with extensions that characterize them as a type of media, here the names are shuffled to create images. Moving the cursor triggers random audios that are scattered (or concentrated) in a certain area of the chosen image. Among the thousands of images present in the HD database, four were selected to be the activation guides for a set of sounds that range from music to operating system audios, including game voices and an infinity of errors.mp3.

  • Solitude Lullaby | joanaburd

    Bone Whisper Vibration eavesdropper Força i Pell Living Capsules Solitude Lullaby Formigario Sonoro A Virtual A Sonora A Sonora A Carinhosa As_automatas.web File.img.mp3 Earth Pulse Anthozoa Digitalis Silent Mode 2.0: Body Silent Mode Where do the bubbles go Keys Anguish Massager The box Atucanation Fare Place Four Islands The chatterboxes Other objects and experiences Other video Solitude Lullaby, 2022 Terra Form collab for the Slow Wave project During the 40-day SBCAST artist residency in Santa Barbara, California, a 7-minute experiential piece was created together with artist Terra Form for the Slow Wave project. To experience the piece, one enters a dome and sits down in the Slow Wave chair, putting on headphones and a padded eye mask. The piece is divided into three chapters with spoken titles recorded with the voice of a robot (automaton): 00:00 / 07:34 Chapter I - Farm deep Listening At the beginning of the journey, the Slow wave chair is programmed to vibrate in patterns produced by several sound bowls. Simultaneously, the sound of the bowls are playing in the headphones. The sound was spatialized in a binaural way, when moving away or approaching, to the left or to the right, the movement is accompanied by the chair's technology, activating the skin and the spine. That is, with volume and distance strategies an immersive and dreamy space is created. As an introduction to the following chapters, here a certain relaxation may ensue. Chapter II - Tactile burrowing in my brain The medium of this segment consists of a repertoire created with more than 15 textures between small recordings and spoken poetry, in which the words are indecipherable. A walk inside our brain in a mixture of particles of sound elements, grains and non-existent substances. Between confusions, false noises of nature and the sea, curiosity is stimulated through the sounds and vibrations that are offered. Chapter III - Solitude Lullaby The final part that gives title to the work speaks of affection, care and silence. The recordings of the two artists singing are a wordless reception to an intimate rehearsal. An approximation between the body-woman-mechanism and the body-chair-machine is seen in the way in which one supports the other in this composition. Between pauses for breath and a long silence, a song of pain and love reverberates within the immersion as if everyone who hears it is connected to a great architectural structure. * Supporters: Alan Macy, Dr. North, Ryan McCullough, Terra Form, SBCAST, AGAUR-Catalunya, Universitat de Barcelona. 1/1

  • Força i Pell

    Bone Whisper Vibration eavesdropper Força i Pell Living Capsules Solitude Lullaby Formigario Sonoro A Virtual A Sonora A Sonora A Carinhosa As_automatas.web File.img.mp3 Earth Pulse Anthozoa Digitalis Silent Mode 2.0: Body Silent Mode Where do the bubbles go Keys Anguish Massager The box Atucanation Fare Place Four Islands The chatterboxes Other objects and experiences Other video "Força i Pell" (Strength and Skin), 2023 This piece emerged from a dynamic interplay between bodies, vibrations, and machines, as two artists interacted with a vibrational sculpture, producing low-frequency resonances amplified by two subwoofers. This immersive experience invites the audience to engage in a fusion of visual and audio-tactile sensations, challenging modes of listening and encouraging them to physically feel the vibrations on their skin as the movements of the performers intertwine. In the presentation, techniques such as 3D sculpture and machine learning were used to create synthetic and natural voices. The interactive sculpture draws inspiration from the "Las Automatas" series, with its initial prototype acting as the input device. Within this interaction, the object transforms itself into a touch-based sound controller, capable of translating tactile interactions on its surface, including touches and gestures. As the artists move intuitively, the device's ability to transcode code into auditory expressions becomes palpably evident, resulting in a unique and immersive sensory experience. About the performers: Cata Aguayo is a performing artist, teacher, and researcher specializing in trapeze and contemporary dance. She graduated from ESACTO in Toulouse and UNSAM in Buenos Aires, and she is a co-founder of the Franco-Uruguayan company Olga CirqAnalogique. She directs the Aerial Research Laboratory at the Bonita Cooperative in Barcelona and works with various French and Spanish companies as a performer and choreographer. www.olgacirqanalogique.com Juana O. Kippes is a performing artist and movement researcher, specializing in aerial acrobatics, contortion, and dance. She is the founder of her own company, JÅNIKA, an interdisciplinary habitat where her creations blend visual and performing arts. She also works as a performer for other projects and collaborates with artists from various fields. She currently resides in France. www.janika.net Photographs and videos by Gülçin Bekar.

  • Inside Voice | joanaburd

    Bone Whisper Vibration eavesdropper Força i Pell Living Capsules Solitude Lullaby Formigario Sonoro A Virtual A Sonora A Sonora A Carinhosa As_automatas.web File.img.mp3 Earth Pulse Anthozoa Digitalis Silent Mode 2.0: Body Silent Mode Where do the bubbles go Keys Anguish Massager The box Atucanation Fare Place Four Islands The chatterboxes Other objects and experiences Other video Inside Voice, 2018 Chair, speakers, led tape, microphone programming in Arduino, PureData and P5. Variable dimensions. . Inside Voice is an invitation to feel and listen with body through a kinesthetic chair. The embedded technologies transcode the sound picked up by the microphone and transmit it to the chair. To amplify the vibratory aspect the cones were removed from the speakers and we inserted and amplifier and a Arduino between the input (microphone) and output (chair). In addition, the work has a computer that activates PureData software, making the a bass and slow sound. The treble is eliminated and with it any recognition of the words being spoken. Contributors: André Diestel, Felipe Merker Castellani, Camila Brum, Ilana Bonder and Matheus Schiaffino. Interaction: Form a pair. While one person speaks into the microphone, the other sits in the transparent chair to feel their vibrations. 1/1

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