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Bone Whisper Vibration eavesdropper Força i Pell Living Capsules Solitude Lullaby Formigario Sonoro A Virtual A Sonora A Sonora A Carinhosa As_automatas.web File.img.mp3 Earth Pulse Anthozoa Digitalis Silent Mode 2.0: Body Silent Mode Where do the bubbles go Keys Anguish Massager The box Atucanation Fare Place Four Islands The chatterboxes Other objects and experiences Other video Cadu Peixoto and Joana Burd Fare Place, 2016-2019 Bus roulette, Arduino, 16x2 liquid crystal display and ultrasonic sensor. 120 x 150 x 160 cm When entering the exhibition the public comes across a bus roulette from the 60s. During the exhibition the work demonstrates through a digital counter the division of the total cost of exposure among all who passed the roulette. Equation = No. of Visitors [captured via roulette] / Total Exhibition Budget [in $ +0.00] 1/1 * This art work was created for the exhibition "Will to Execution" and today it is part of the Collection of the Museu de Arte Contemporânea do Rio Grande do Sul MACRS, Brazil.

Bone Whisper Vibration eavesdropper Força i Pell Living Capsules Solitude Lullaby Formigario Sonoro A Virtual A Sonora A Sonora A Carinhosa As_automatas.web File.img.mp3 Earth Pulse Anthozoa Digitalis Silent Mode 2.0: Body Silent Mode Where do the bubbles go Keys Anguish Massager The box Atucanation Fare Place Four Islands The chatterboxes Other objects and experiences Other video A Carinhosa, 2021 Mega Arduino, 2 Nema 19 engines, 15 pieces with digital fabrication, aluminum tubes and 12v source "A carinhosa” (could be also translated as cuddler) is a sculpture that starts from programmed obsolescence as it is made up of recycled engines and an adaptation of a damaged printer. In addition to its oval shape, it has attached to its body a set of electronics and various parts printed with a 3D printer. As the audience approaches, the sculpture's arms slightly move horizontally, evoking the idea of affection, translated as a mechanical dance in movement. * This work is part of a series called “As Autômatas”, in which each sculpture, virtual or real, manifests a different “emotional performance”. There is a formal line common to all the sculptures, as they are positioned on the wall, are activated by the human presence and identify as feminine, which is why their names are preceded by the article “a” (the). 1/1 1/1

Bone Whisper Vibration eavesdropper Força i Pell Living Capsules Solitude Lullaby Formigario Sonoro A Virtual A Sonora A Sonora A Carinhosa As_automatas.web File.img.mp3 Earth Pulse Anthozoa Digitalis Silent Mode 2.0: Body Silent Mode Where do the bubbles go Keys Anguish Massager The box Atucanation Fare Place Four Islands The chatterboxes Other objects and experiences Other video The chatterboxes, 2014 Sound art Installation 5 Obsolete phones, 5 stethoscopes, 5 mp3's, 5 recycled wood cases, matte acrylic, black acrylic paint. 14 x 17 x 27 cm (each) Installation composed of five acrylic boxes arranged on a counter. Each contains an obsolete cell phone and a stethoscope. On the mobile phones (from 1992 to 1999) we can see the simulations of demo modes. In stethoscopes we can hear narratives in audios about loss, missing, love, dream and empathy. 1/1 I – Text: Dieter Axt Voice: Milton Burd - 39” II– Text: Dieter Axt Voice: Felipe Gonçalves e Priscila Kisiolar- 1’39” III – Text: Dieter Axt Voice: Luana Santana - 1’26” IV - Text: Joana Burd Voice: Laura Pujol - 1’45” V- Text: Dieter Axt Voice: Joana Burd - 4’09” Texto - I 00:00 00:00 Texto - II 00:00 00:00 Texto - III 00:00 00:00 Texto - IV 00:00 00:00 Texto - V 00:00 00:00

Bone Whisper Vibration eavesdropper Força i Pell Living Capsules Solitude Lullaby Formigario Sonoro A Virtual A Sonora A Sonora A Carinhosa As_automatas.web File.img.mp3 Earth Pulse Anthozoa Digitalis Silent Mode 2.0: Body Silent Mode Where do the bubbles go Keys Anguish Massager The box Atucanation Fare Place Four Islands The chatterboxes Other objects and experiences Other video Where the bubbles go, 2014 Wooden box, soap bubble machine, 19 inch LCD monitor. Video installation. Loop 2 ' 48 x 42 x 36 cm Video installation, where I place myself in profile inside a box making soap bubbles. Attached to the box is a machine that produces soap bubbles and spreads them into the real space. 1/1

Bone Whisper Vibration eavesdropper Força i Pell Living Capsules Solitude Lullaby Formigario Sonoro A Virtual A Sonora A Sonora A Carinhosa As_automatas.web File.img.mp3 Earth Pulse Anthozoa Digitalis Silent Mode 2.0: Body Silent Mode Where do the bubbles go Keys Anguish Massager The box Atucanation Fare Place Four Islands The chatterboxes Other objects and experiences Other video Vibration Eavesdropper [2024- ongoing] Among an ever-restless sea of air, our bodies experience a constant flow of vibrations, also known as sound waves. As previously published in Sound-vibration: Relations between bodies, low frequencies, and multisensory experiments, I consider sound-vibration as a mode of multimodal listening, and we find ourselves at the intersection of an interdisciplinary exploration and the immersive territories of sonic art. This singular mode not only challenges the traditional confines of auditory perception but also invites a deeper engagement with the physicality and resonance of sound, disrupting the boundaries between the self and the surroundings, where the world becomes porous. Within the Poetics of Vibration, we may encounter a vast field of unconventional practices that, in some ways, question the body, while in others, simply invade it without permission. As I understand it, the exploration of sound extends beyond mere auditory perception, encompassing both cochlear (physiological processes within the ear) and non-cochlear (emotions, cognition, and contextual influences) phenomena, which are considered structurally interchangeable in relation to theories of autonomous or independent effects. Sound's inherent connection to multiple senses positions it as a multi-field subject, widely examined by experts for its integrative impact on human experience. While academic and scientific research often aims to control, replicate, and manipulate sound, its influence on us can be profound, untamed, and deeply ingrained in the natural world. Thus, the forthcoming discussion, once again, seeks not to segregate sound into a solitary sensory experience but to embrace its integration into our daily lives. By doing so, it aims to illuminate sound's vast sensory interconnections and its unique potential to enrich our understanding of the energies around us. However, one might ponder the energies that reside beneath us, what transpires at the auditory level and, subsequently, at the vibrational level in locales that are neither alive nor frequented nor felt. In the realms where everything traverses, the water, whether sullied or pure, the gas that fuels heat and flame, and the light that powers our energy, In a profound leap towards an inner exploration of our thoughts and skin perceptions, we ponder: how do these locales resonate beneath our soles, or indeed, how does one's body perceive such vibrations? This investigation embarks on a commitment to exploring vibrational phenomena, aiming to delve, through gathered membranes in the unseen septic systems, over the concealed drainage networks. The intent is to attune one's body to listen to the parts entrenched in the underground, firmly planted in the subsoil of our cities. Our aspiration is to move beyond traditional acoustic methods, focusing instead on sound's ability to be felt as echo/physical vibration. This methodological approach broadens when it encapsulates the desire to morph the complex dance of sensory interactions into a palpable, haptic and auditory tale. In this perspective, we intend to share sound-vibration challenges and expand the boundaries of how sound is experienced, highlighting its role as both a medium for artistic expression and a channel for meaning-making in multimodal practices. "Vibration Eavesdropper" presents a markedly different experience than I never produced. Is an extend invitation to encounter a distinct kind of unseen vibrations, ones that could be felt in a clandestine manner, offering an uplifting and pleasurable way to engage with those waves. With the support of geophones and hidrophones acting as auditory lenses, we captured these hidden tremors what involves a negotiation between the mechanical nature of waves and the ethereal nature of digital signals. Through the process of measuring and documenting the rhythms of manufactured metropolises, we gradually discern the motion of particles as a potent indicator of underlying chaos seeking its organic equilibrium. Our aspiration is to move beyond traditional acoustic methods, focusing instead on sound's ability to be felt as echo/physical vibration. Sound Diaries is a project initiated in 2008 with the goal of documenting everyday life through sound, resisting the predominance of visual images by capturing a variety of sounds such as those of vending machines, luggage carousels, toasters, escalators, boilers, garden sheds, and wheeled luggage. Inspired by the idea of exhausting the subject and not being satisfied with a superficial glance, the project promotes attentive and prolonged listening to explore often ignored sounds. This project was supported and coordinated by the Sonic Art Research Unit (SARU) at Oxford Brookes University. https://www.sound-diaries.co.uk/

Bone Whisper Vibration eavesdropper Força i Pell Living Capsules Solitude Lullaby Formigario Sonoro A Virtual A Sonora A Sonora A Carinhosa As_automatas.web File.img.mp3 Earth Pulse Anthozoa Digitalis Silent Mode 2.0: Body Silent Mode Where do the bubbles go Keys Anguish Massager The box Atucanation Fare Place Four Islands The chatterboxes Other objects and experiences Other video Anguish Massager, 2016 Interactive object 2 DC motors, 3 push buttons, 9V supply. 180 x 47 x 47 cm The interactor/user is invited to connect to the object, being able to choose different sensations through the buttons: “Digest” (intense vibrations), "Soften” (light vibrations) and “Forget” (medium vibrations). In addition to the buttons, the piece has a height regulator and a black vinyl sticker placed in the space where the feet should be positioned for sensory enjoyment. 1/1

Bone Whisper Vibration eavesdropper Força i Pell Living Capsules Solitude Lullaby Formigario Sonoro A Virtual A Sonora A Sonora A Carinhosa As_automatas.web File.img.mp3 Earth Pulse Anthozoa Digitalis Silent Mode 2.0: Body Silent Mode Where do the bubbles go Keys Anguish Massager The box Atucanation Fare Place Four Islands The chatterboxes Other objects and experiences Other video Four Islands, 2013 Electronic sculpture Membranes of keyboards, wires, arduino, acrylic boards, plastic pipes. 120 x 80 x 12 cm 7 kg “Four Islands” is a deconstruction and simultaneous reconstruction of twelve computer keyboards collected in an electronic waste dump. I used the internal part of the keyboards: the plastic membranes, the information matrices, the transmission chips and microprocessors connected in four different islands via arduino. The final piece is a kind of map of overlapping connections. 1/1

Bone Whisper Vibration eavesdropper Força i Pell Living Capsules Solitude Lullaby Formigario Sonoro A Virtual A Sonora A Sonora A Carinhosa As_automatas.web File.img.mp3 Earth Pulse Anthozoa Digitalis Silent Mode 2.0: Body Silent Mode Where do the bubbles go Keys Anguish Massager The box Atucanation Fare Place Four Islands The chatterboxes Other objects and experiences Other video File.img.mp3 colab with Leo Caobelli for the project 10 Desertos de Erros . Selected for Rumos Itaú Cultural, Brazil What is image and what is sound when the specifics of each language are transformed into binary code? In file.img.mp3 this question will not have an answer, but it will open up possibilities for thinking about formats. Used to saving files with extensions that characterize them as a type of media, here the names are shuffled to create images. Moving the cursor triggers random audios that are scattered (or concentrated) in a certain area of the chosen image. Among the thousands of images present in the HD database, four were selected to be the activation guides for a set of sounds that range from music to operating system audios, including game voices and an infinity of errors.mp3.

Bone Whisper Vibration eavesdropper Força i Pell Living Capsules Solitude Lullaby Formigario Sonoro A Virtual A Sonora A Sonora A Carinhosa As_automatas.web File.img.mp3 Earth Pulse Anthozoa Digitalis Silent Mode 2.0: Body Silent Mode Where do the bubbles go Keys Anguish Massager The box Atucanation Fare Place Four Islands The chatterboxes Other objects and experiences Other video A Sonora, 2021 Raspberry pi, arduino, ldr sensor, ultrasonic sensor, pir sensor. Programming in reaper. "A Sonora" is an acoustic sculpture. We listen to a 5 min piece created in collaboration with Mariana Carvalho (BR) and Sellu Herraiz (ES) that reveals a sound-bass that transpass the digestion of the human body. Through three different sensors, we incorporate words, noises, invitations to a physical interaction or we activate a motor with a contact microphone that reveals the internal noise of the machine. * This work is part of a series called “As Automatas”, in which each sculpture, virtual or real, manifests a different “emotional performance”. There is a formal line common to all the sculptures, as they are positioned on the wall, are activated by the human presence and identify themselves as feminine, which is why their names are preceded by the article “a”. Collaborators: Mariana Carvalho (BR), Nikolas Gomes (PT) and Sellu Herraiz (ES). 1/1

Bone Whisper Vibration eavesdropper Força i Pell Living Capsules Solitude Lullaby Formigario Sonoro A Virtual A Sonora A Sonora A Carinhosa As_automatas.web File.img.mp3 Earth Pulse Anthozoa Digitalis Silent Mode 2.0: Body Silent Mode Where do the bubbles go Keys Anguish Massager The box Atucanation Fare Place Four Islands The chatterboxes Other objects and experiences Other video Joana Burd and Laura Pujol They say Brazil is polarized, 2019 LCD-hacked monitor, notebook, wireless keyboard, printed magnifying glass with polarizing filters. 150 x 120 x 155 cm "They say that Brazil is polarized” is an interactive installation composed of a hacked monitor, a notebook a wireless keyboard and laser printed magnifying glass. The art work invites the public to type in text software created by us, and to manipulate the magnifying glass objects that reveal the image of the monitor. In addition to proposing interaction with writing, it is through the magnifying glass that the mirror image of the screen is discovered - a webcam positioned in front of the writer. In this technological gadget designed by artists Joana Burd and Laura Pujol, the image is revealed as a double mirror - the audience is reflected and writes reflections at the same time. The work was designed especially for Casa Baka's Registro no.3 exhibition also consists of an analyzer device of a supposed or evident polarity of Brazil. 1/1 1/1