Bone Whisper Vibration eavesdropper Força i Pell Living Capsules Solitude Lullaby Formigario Sonoro A Virtual A Sonora A Sonora A Carinhosa As_automatas.web File.img.mp3 Earth Pulse Anthozoa Digitalis Silent Mode 2.0: Body Silent Mode Where do the bubbles go Keys Anguish Massager The box Atucanation Fare Place Four Islands The chatterboxes Other objects and experiences Other video Vibrating Body, 2018 Wood, video (loop 2 ') and mapped projection. 150 x 200 cm From the desire to instigate movement and body space I invited dancer and performer Paula Finn to make a visual record that involved the vibratory movement. In the rehearsal I took vibrating motors with small batteries to be handled freely. Paula showed me how we could propagate the vibratory sensitivity through the joints, guiding the energy with the motors in a more localized way or transferring it to the whole body. From the significant body to the significant body, I directed the camera's focus to fragments of Paula's body in motion. The result of such repetitive movements by the performer turned into a mapped projection with three circular videos of two minutes. 1/1

Bone Whisper Vibration eavesdropper Força i Pell Living Capsules Solitude Lullaby Formigario Sonoro A Virtual A Sonora A Sonora A Carinhosa As_automatas.web File.img.mp3 Earth Pulse Anthozoa Digitalis Silent Mode 2.0: Body Silent Mode Where do the bubbles go Keys Anguish Massager The box Atucanation Fare Place Four Islands The chatterboxes Other objects and experiences Other video Anthozoa Digitalis, 2020 Ilana Bonder & Joana Burd Interactive installation with AR. Interactive installation with augmented reality technology that invites the audience to touch with their eyes. An empty environment becomes visually tactile through a virtual organism that appears as the user walks. Touch is invoked through colors, textures, objects and sounds. In a parallel reality, this living organism reacts virtually to each user differently. In these times of social distance, our digital communication is carried out through the 'visual organ', as well as through touch, that is, with the fingers, in the phenomenon of the touchscreen. In this experience, the touch and the route are guidelines for the discovery of a new virtual world, or even an interior to be unveiled. 1/1 Images of Aveiro Criatech Digital creativity & technology. October 12-18, 2020 Museu de Aveiro/Santa Joana – Capela dos Claustros, Aveiro, Portugal Aveiro Criatech

Master in Visual Arts, focuses her research on the dialogue between sculpture, digital media and technology. Sound Art Installations Art Residencies Vibration Las automatas Earth Pulse La Sonora Bone whisper (2026) Vibration Eavesdropper (2024-)) image Força i Pell (2023-24) Força i Pell (2023-24) Força i Pell (2023-24) Formigario Sonoro, 2023 Solitude Lullaby, 2022 Formigario Sonoro, 2023 Biohybrid Buzz, 2022-23 Living Capsules, 2022 Living Capsules, 2022 The Cuddler (La Cariñosa), 2021 The Virtual (La Virtual), 2021 The Sonora (La Sonora), 2021 Earth Pulse, 2021 Colab Darya Efrat | João Dias-Oliveira La Sonora, 2021 Earth Pulse, 2021 Colab Darya Efrat | João Dias-Oliveira Anthozoa Digitalis, 2020 Colab Ilana Bonder Anthozoa Digitalis, 2020 Colab Ilana Bonder Anthozoa Digitalis, 2020 Colab Ilana Bonder Silent Mode, 2019 Invitation - Silent Mode, 2019 Silent Mode, 2019 Fare Place, 2016-2019 Colab Cadu Peixoto Fare Place, 2016-2019 Colab Cadu Peixoto Fare Place, 2016-2019 Colab Cadu Peixoto Show More

Bone Whisper Vibration eavesdropper Força i Pell Living Capsules Solitude Lullaby Formigario Sonoro A Virtual A Sonora A Sonora A Carinhosa As_automatas.web File.img.mp3 Earth Pulse Anthozoa Digitalis Silent Mode 2.0: Body Silent Mode Where do the bubbles go Keys Anguish Massager The box Atucanation Fare Place Four Islands The chatterboxes Other objects and experiences Other video Knot in the throat, 2019 Mapped projection over wire, paper and plaster sculptures. Arduino with presence sensor, 2 speakers 4ohms 15w. Variable dimension Knot in the throat is a collective of sculptures that react with visual and sound forms to the audience's presence. In a representation of virtual entities and through a presence sensor, the sculptures behave reacting with humanoid expressions (eyes) and with sound elements. 1/1 Why do voice assistants have a female voice? From the second decade of the 21st century, the most well-known voice assistants are virtually functional and have a female voice. Cortana (Microsoft), Alexa (Amazon) and Siri (Apple) are algorithms created by mostly male teams. Their submissive, seductive, helpful and available voices that respond our sound signal puts many questions in terms of gender, whereas the woman's place in her virtual objectification as a service provider.

Bone Whisper Vibration eavesdropper Força i Pell Living Capsules Solitude Lullaby Formigario Sonoro A Virtual A Sonora A Sonora A Carinhosa As_automatas.web File.img.mp3 Earth Pulse Anthozoa Digitalis Silent Mode 2.0: Body Silent Mode Where do the bubbles go Keys Anguish Massager The box Atucanation Fare Place Four Islands The chatterboxes Other objects and experiences Other video Bone Whisper (2026) Bone Whisper (2026) amplifies the familiar experience of vibration and transforms it into an intimate, bodily form of listening. At the center of the piece is a stone that vibrates through bone conduction. When touched, the vibration travels through the hand, the chest, and the head, felt as if it were coming from inside the body itself. Listening no longer happens through the ears alone, but through skin, muscles, and bones. Visitors are invited to hold the stone, move it across the body, bring it close to the chest or face, or share it with others. As the stone changes position, the vibration changes too. Sensation shifts, attention drifts, and perception becomes spatial and embodied. In doing so, the work treats vibration as a form of knowledge. It challenges the idea that understanding happens only through vision or language, proposing instead that learning can take place through touch and bodily sensation. The stone becomes both an interface and a pedagogical tool, translating invisible forces into felt experience. The stone vibrates in different patterns that form a subtle language. Pulses, pauses, and silences act as a grammar. Irregular bursts can heighten alertness or uncertainty. Barely perceptible vibrations invite the body to complete what is missing. Longer moments of stillness build anticipation, allowing sensation to linger. Meaning emerges not through words, but through rhythm, intensity, and time. Developed this year especially for the Madrid Design Festival in collaboration with Francisco Estivallet, Bone Whisper draws from Joana Burd’s research in haptic aesthetics. The piece proposes touch as a way of listening and invites the body to become a resonant surface where communication is felt, shared, and imagined.

Bone Whisper Vibration eavesdropper Força i Pell Living Capsules Solitude Lullaby Formigario Sonoro A Virtual A Sonora A Sonora A Carinhosa As_automatas.web File.img.mp3 Earth Pulse Anthozoa Digitalis Silent Mode 2.0: Body Silent Mode Where do the bubbles go Keys Anguish Massager The box Atucanation Fare Place Four Islands The chatterboxes Other objects and experiences Other video A Virtual, 2021 3D Modeling and Augmented Reality “A Virtual” is a tactile sculpture that proposes a dialogue between the phenomenon of vibration and the human body. The interaction takes place through a mobile device, through augmented reality technology. The user is able to visualize the virtual sculpture from different points of view and, according to the movements performed and the speed of their steps, perceive different types of vibrations. * This work is part of a series called “As Autômatas”, in which each sculpture, virtual or real, manifests a different “emotional performance”. There is a formal line common to all the sculptures, as they are positioned on the wall, are activated by the human presence and identify as feminine, which is why their names are preceded by the article “a” (the). 1/1 1/1

Bone Whisper Vibration eavesdropper Força i Pell Living Capsules Solitude Lullaby Formigario Sonoro A Virtual A Sonora A Sonora A Carinhosa As_automatas.web File.img.mp3 Earth Pulse Anthozoa Digitalis Silent Mode 2.0: Body Silent Mode Where do the bubbles go Keys Anguish Massager The box Atucanation Fare Place Four Islands The chatterboxes Other objects and experiences Other video Where the bubbles go, 2014 Wooden box, soap bubble machine, 19 inch LCD monitor. Video installation. Loop 2 ' 48 x 42 x 36 cm Video installation, where I place myself in profile inside a box making soap bubbles. Attached to the box is a machine that produces soap bubbles and spreads them into the real space. 1/1

Bone Whisper Vibration eavesdropper Força i Pell Living Capsules Solitude Lullaby Formigario Sonoro A Virtual A Sonora A Sonora A Carinhosa As_automatas.web File.img.mp3 Earth Pulse Anthozoa Digitalis Silent Mode 2.0: Body Silent Mode Where do the bubbles go Keys Anguish Massager The box Atucanation Fare Place Four Islands The chatterboxes Other objects and experiences Other video Technological Sensitive, 2018-2020 Crystal resin, stained glass varnish, orange squeezer spring, screws and two mini vibration motors. 35 x 35 x 40 cm The audience must press their hand against the hand object. Such action compresses a metal spring and makes the object vibrate when connecting its internal circuit. The perception of the vibratory tactility of the created system varies according to the pressure and the size of the contact area. Collaborators: André Diestel and Carina Macedo. 1/1 The impulse of ˜Technological Sensitive˜ is to generate strangeness because it is a familiarly “organic” hand transformed into a machine, translucent and vibratory. In the counterflow of programmed obsolescence, this work reuses components from two mobile phones and an orange squeezer. The translucent material (crystal resin) admits that there is no intention to hide the threads or any machinic demonstration of the sculpture.

Bone Whisper Vibration eavesdropper Força i Pell Living Capsules Solitude Lullaby Formigario Sonoro A Virtual A Sonora A Sonora A Carinhosa As_automatas.web File.img.mp3 Earth Pulse Anthozoa Digitalis Silent Mode 2.0: Body Silent Mode Where do the bubbles go Keys Anguish Massager The box Atucanation Fare Place Four Islands The chatterboxes Other objects and experiences Other video A Sonora, 2021 Raspberry pi, arduino, ldr sensor, ultrasonic sensor, pir sensor. Programming in reaper. "A Sonora" is an acoustic sculpture. We listen to a 5 min piece created in collaboration with Mariana Carvalho (BR) and Sellu Herraiz (ES) that reveals a sound-bass that transpass the digestion of the human body. Through three different sensors, we incorporate words, noises, invitations to a physical interaction or we activate a motor with a contact microphone that reveals the internal noise of the machine. * This work is part of a series called “As Automatas”, in which each sculpture, virtual or real, manifests a different “emotional performance”. There is a formal line common to all the sculptures, as they are positioned on the wall, are activated by the human presence and identify themselves as feminine, which is why their names are preceded by the article “a”. Collaborators: Mariana Carvalho (BR), Nikolas Gomes (PT) and Sellu Herraiz (ES). 1/1

Bone Whisper Vibration eavesdropper Força i Pell Living Capsules Solitude Lullaby Formigario Sonoro A Virtual A Sonora A Sonora A Carinhosa As_automatas.web File.img.mp3 Earth Pulse Anthozoa Digitalis Silent Mode 2.0: Body Silent Mode Where do the bubbles go Keys Anguish Massager The box Atucanation Fare Place Four Islands The chatterboxes Other objects and experiences Other video The chatterboxes, 2014 Sound art Installation 5 Obsolete phones, 5 stethoscopes, 5 mp3's, 5 recycled wood cases, matte acrylic, black acrylic paint. 14 x 17 x 27 cm (each) Installation composed of five acrylic boxes arranged on a counter. Each contains an obsolete cell phone and a stethoscope. On the mobile phones (from 1992 to 1999) we can see the simulations of demo modes. In stethoscopes we can hear narratives in audios about loss, missing, love, dream and empathy. 1/1 I – Text: Dieter Axt Voice: Milton Burd - 39” II– Text: Dieter Axt Voice: Felipe Gonçalves e Priscila Kisiolar- 1’39” III – Text: Dieter Axt Voice: Luana Santana - 1’26” IV - Text: Joana Burd Voice: Laura Pujol - 1’45” V- Text: Dieter Axt Voice: Joana Burd - 4’09” Texto - I 00:00 00:00 Texto - II 00:00 00:00 Texto - III 00:00 00:00 Texto - IV 00:00 00:00 Texto - V 00:00 00:00