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Bone Whisper Vibration eavesdropper Força i Pell Living Capsules Solitude Lullaby Formigario Sonoro A Virtual A Sonora A Sonora A Carinhosa As_automatas.web File.img.mp3 Earth Pulse Anthozoa Digitalis Silent Mode 2.0: Body Silent Mode Where do the bubbles go Keys Anguish Massager The box Atucanation Fare Place Four Islands The chatterboxes Other objects and experiences Other video Joana Burd and Leo Caobelli Porn Oasis, 2019 Hacked monitor and recovered images of discarded HD's 60 x 70 x 60 cm From pornographic images collected on HD's or discarded external memories, me and artist Leo Caobelli assembled this object with a hidden and pixelated videos. 1/1

Bone Whisper Vibration eavesdropper Força i Pell Living Capsules Solitude Lullaby Formigario Sonoro A Virtual A Sonora A Sonora A Carinhosa As_automatas.web File.img.mp3 Earth Pulse Anthozoa Digitalis Silent Mode 2.0: Body Silent Mode Where do the bubbles go Keys Anguish Massager The box Atucanation Fare Place Four Islands The chatterboxes Other objects and experiences Other video Bone Whisper (2026) Bone Whisper (2026) amplifies the familiar experience of vibration and transforms it into an intimate, bodily form of listening. At the center of the piece is a stone that vibrates through bone conduction. When touched, the vibration travels through the hand, the chest, and the head, felt as if it were coming from inside the body itself. Listening no longer happens through the ears alone, but through skin, muscles, and bones. Visitors are invited to hold the stone, move it across the body, bring it close to the chest or face, or share it with others. As the stone changes position, the vibration changes too. Sensation shifts, attention drifts, and perception becomes spatial and embodied. In doing so, the work treats vibration as a form of knowledge. It challenges the idea that understanding happens only through vision or language, proposing instead that learning can take place through touch and bodily sensation. The stone becomes both an interface and a pedagogical tool, translating invisible forces into felt experience. The stone vibrates in different patterns that form a subtle language. Pulses, pauses, and silences act as a grammar. Irregular bursts can heighten alertness or uncertainty. Barely perceptible vibrations invite the body to complete what is missing. Longer moments of stillness build anticipation, allowing sensation to linger. Meaning emerges not through words, but through rhythm, intensity, and time. Developed this year especially for the Madrid Design Festival in collaboration with Francisco Estivallet, Bone Whisper draws from Joana Burd’s research in haptic aesthetics. The piece proposes touch as a way of listening and invites the body to become a resonant surface where communication is felt, shared, and imagined.

Bone Whisper Vibration eavesdropper Força i Pell Living Capsules Solitude Lullaby Formigario Sonoro A Virtual A Sonora A Sonora A Carinhosa As_automatas.web File.img.mp3 Earth Pulse Anthozoa Digitalis Silent Mode 2.0: Body Silent Mode Where do the bubbles go Keys Anguish Massager The box Atucanation Fare Place Four Islands The chatterboxes Other objects and experiences Other video Solitude Lullaby, 2022 Terra Form collab for the Slow Wave project During the 40-day SBCAST artist residency in Santa Barbara, California, a 7-minute experiential piece was created together with artist Terra Form for the Slow Wave project. To experience the piece, one enters a dome and sits down in the Slow Wave chair, putting on headphones and a padded eye mask. The piece is divided into three chapters with spoken titles recorded with the voice of a robot (automaton): 00:00 / 07:34 Chapter I - Farm deep Listening At the beginning of the journey, the Slow wave chair is programmed to vibrate in patterns produced by several sound bowls. Simultaneously, the sound of the bowls are playing in the headphones. The sound was spatialized in a binaural way, when moving away or approaching, to the left or to the right, the movement is accompanied by the chair's technology, activating the skin and the spine. That is, with volume and distance strategies an immersive and dreamy space is created. As an introduction to the following chapters, here a certain relaxation may ensue. Chapter II - Tactile burrowing in my brain The medium of this segment consists of a repertoire created with more than 15 textures between small recordings and spoken poetry, in which the words are indecipherable. A walk inside our brain in a mixture of particles of sound elements, grains and non-existent substances. Between confusions, false noises of nature and the sea, curiosity is stimulated through the sounds and vibrations that are offered. Chapter III - Solitude Lullaby The final part that gives title to the work speaks of affection, care and silence. The recordings of the two artists singing are a wordless reception to an intimate rehearsal. An approximation between the body-woman-mechanism and the body-chair-machine is seen in the way in which one supports the other in this composition. Between pauses for breath and a long silence, a song of pain and love reverberates within the immersion as if everyone who hears it is connected to a great architectural structure. * Supporters: Alan Macy, Dr. North, Ryan McCullough, Terra Form, SBCAST, AGAUR-Catalunya, Universitat de Barcelona. 1/1

joana burds cv, joanaburd, joana burd curriculum, curriculo Texts Burd, Joana. (2024). Dialogues of the tactile body. In L. Baigorri & P. Ortuño (Eds.), Identity art in non-presentiality, Dykinson, Madrid. https://www.dykinson.com/libros/arte-identitario-en-la-no-presencialidad/9788410707429/ Barker, Ned. Burd, Joana (2023). Living Capsules: reflections on an ongoing art-sociology collaboration. Leonardo, MIT Press Direct. Cambridge. Boston. https://doi.org/10.1162/leon_a_02466 Burd, J. B. (2023). Sound-vibration: Relations between bodies, low frequencies, and multisensory experiments. Multimodality & Society SAGE UK. https://doi.org/10.1177/26349795231211434 Burd, Joana (2021). Silent Mode 2.0: Bodies in the vibratory experience of tactility. NEW (EGO) Connected Bodies. Book Chapter. Dykinson. Madrid, Spain. ISBN: 978-84-1377-441-1 https://www.dykinson.com/libros/cuerpos-conectados/9788413774411/ Burd, Joana (2020). What vibrates within us. Adjacent journal, Telecommunications Program ITP. NYU New York University. Link: https://itp.nyu.edu/adjacent/issue-7/what-vibrates-within-us/ Burd, Joana (2020) “Tactilidades Conectivas de Inês Norton.” Revista Estúdio, artistas sobre outras obras. ISSN 1647-6158 e-ISSN 1647-7316. 11(29), janeiro-março: 88-96. Centro de Investigação e Estudos em Belas-Artes (CIEBA), Faculdade de Belas-Artes, Universidade de Lisboa, Lisboa, Portugal. (link ) Burd Joana (2019) . Corpo Vibratório : quando o movimento pede pausa. 18th International Meeting of Art, Science and Technology. OF THE ADMIRABLE ORDER OF THINGS: art, emotion and technology. Faculdade de Belas Artes da Universidade de Lisboa FBAUL. 17-19 de Outubro de 2019. ISSN: 2238-0272 (link ) Burd, Joana (2018). Corpo Vibratório : quando o movimento pede pausa. Dissertação de Mestrado, Universidade Federal do Rio Grande do Sul, UFRGS, Porto Alegre, Brazil. (link ) Burd, Joana (2018). Princípio vibratório e uma máquina para massagear a angústia. Agulha n°16. PROJETOS E INTERVENÇÕES. Psicanalistas pela Democracia. junho 19, 2018. (link ) Burd, Joana (2017). A eternização da memória e o ruído cotidiano: novas formas de pensar a arte digital e a angústia compartilhada.16th International Meeting of Art and Technology: IMAGINING THE REAL e-ISBN978-989-99839-5-3, i2ADS – Instituto de Investigação em Arte, Design e Sociedade, October 2017 p.802-812 (link ) Semeler, Alberto. Burd, Joana (2016). Repelir e fruir: a experiência do degradado como poética da sensação. In: 15° Encontro Internacional de Arte e Tecnologia (#15.ART): arte, ação e participação. Universidade de Brasilia, UNB, Brasil. v. 15. Burd, Joana (2014). Nativos digitais: uma pesquisa sobre fluxos entre arte e tecnologia. Trabalho de Conclusão de Curso, Universidade Federal do Ro Grande do Sul, UFRGS, Porto Alegre, Brasil. Other TEDESCO, Elaine. POLIDORO, Marina (org.), (2022) Exhibition Catalogue" The days when owls had fallen from the sky Elaine Tedesco Marina Polidoro (org) (ed.) Laboratório de Imagem e Tecnologia (Lit-UFRGS) Instituto de Artes, Universidade Federal do Rio Grande do Sul, BR. (link ) * only available in portuguese BURD, Joana. Ilustration "Muro Hackeado" for "Noticiário Oniropolítico" O Onírico - o primeiro jornal oniropolítico do Brazil. 1ª Ed., Porto Alegre BR. UFRGS, 2021. ISSN 2764-5258.. BOELTER, Valeria; GASPARETTO, Débora Aita; LIMA, Andrea Capssa; SANTOS, Nara Cristina (2017). A curadoria e a expografia em arte e tecnologia: os três momentos do Factors 2.0, In Encontro da Associação Nacional de Pesquisadores em Artes Plásticas, 26o. (link) Quintella, Pollyana (2014). Homo Ciberneticus. In: Catálogo IV Bienal Escola de Belas Artes. Universidade Federal do Rio de Janeiro, 2014. Exhibition Catalog "Teclas" | Textos por Fernanda Medeiros e Laura Pujol | 2016 (link ) Exhibition Catalog "Por onde se vai" | 2015 (link ) Exhibition Catalog "Sinestesia" | 2015 (link ) Exhibition Catalog EFERVESCENCIA219 | 2015 (link ) Exhibition Catalog 2Oo Salão de Artes Plásticas da Câmara Municipal de Porto Alegre | 2014

Bone Whisper Vibration eavesdropper Força i Pell Living Capsules Solitude Lullaby Formigario Sonoro A Virtual A Sonora A Sonora A Carinhosa As_automatas.web File.img.mp3 Earth Pulse Anthozoa Digitalis Silent Mode 2.0: Body Silent Mode Where do the bubbles go Keys Anguish Massager The box Atucanation Fare Place Four Islands The chatterboxes Other objects and experiences Other video A Sonora, 2021 Raspberry pi, arduino, ldr sensor, ultrasonic sensor, pir sensor. Programming in reaper. "A Sonora" is an acoustic sculpture. We listen to a 5 min piece created in collaboration with Mariana Carvalho (BR) and Sellu Herraiz (ES) that reveals a sound-bass that transpass the digestion of the human body. Through three different sensors, we incorporate words, noises, invitations to a physical interaction or we activate a motor with a contact microphone that reveals the internal noise of the machine. * This work is part of a series called “As Automatas”, in which each sculpture, virtual or real, manifests a different “emotional performance”. There is a formal line common to all the sculptures, as they are positioned on the wall, are activated by the human presence and identify themselves as feminine, which is why their names are preceded by the article “a”. Collaborators: Mariana Carvalho (BR), Nikolas Gomes (PT) and Sellu Herraiz (ES). 1/1

Bone Whisper Vibration eavesdropper Força i Pell Living Capsules Solitude Lullaby Formigario Sonoro A Virtual A Sonora A Sonora A Carinhosa As_automatas.web File.img.mp3 Earth Pulse Anthozoa Digitalis Silent Mode 2.0: Body Silent Mode Where do the bubbles go Keys Anguish Massager The box Atucanation Fare Place Four Islands The chatterboxes Other objects and experiences Other video File.img.mp3 colab with Leo Caobelli for the project 10 Desertos de Erros . Selected for Rumos Itaú Cultural, Brazil What is image and what is sound when the specifics of each language are transformed into binary code? In file.img.mp3 this question will not have an answer, but it will open up possibilities for thinking about formats. Used to saving files with extensions that characterize them as a type of media, here the names are shuffled to create images. Moving the cursor triggers random audios that are scattered (or concentrated) in a certain area of the chosen image. Among the thousands of images present in the HD database, four were selected to be the activation guides for a set of sounds that range from music to operating system audios, including game voices and an infinity of errors.mp3.

Bone Whisper Vibration eavesdropper Força i Pell Living Capsules Solitude Lullaby Formigario Sonoro A Virtual A Sonora A Sonora A Carinhosa As_automatas.web File.img.mp3 Earth Pulse Anthozoa Digitalis Silent Mode 2.0: Body Silent Mode Where do the bubbles go Keys Anguish Massager The box Atucanation Fare Place Four Islands The chatterboxes Other objects and experiences Other video Keys, 2015-2020 (All) Computer key, typed sheet in portuguese translationof the computer key word, styrofoam and glass box. 25 x 25 cm 1/1

Bone Whisper Vibration eavesdropper Força i Pell Living Capsules Solitude Lullaby Formigario Sonoro A Virtual A Sonora A Sonora A Carinhosa As_automatas.web File.img.mp3 Earth Pulse Anthozoa Digitalis Silent Mode 2.0: Body Silent Mode Where do the bubbles go Keys Anguish Massager The box Atucanation Fare Place Four Islands The chatterboxes Other objects and experiences Other video Vibrating Body, 2018 Wood, video (loop 2 ') and mapped projection. 150 x 200 cm From the desire to instigate movement and body space I invited dancer and performer Paula Finn to make a visual record that involved the vibratory movement. In the rehearsal I took vibrating motors with small batteries to be handled freely. Paula showed me how we could propagate the vibratory sensitivity through the joints, guiding the energy with the motors in a more localized way or transferring it to the whole body. From the significant body to the significant body, I directed the camera's focus to fragments of Paula's body in motion. The result of such repetitive movements by the performer turned into a mapped projection with three circular videos of two minutes. 1/1

Bone Whisper Vibration eavesdropper Força i Pell Living Capsules Solitude Lullaby Formigario Sonoro A Virtual A Sonora A Sonora A Carinhosa As_automatas.web File.img.mp3 Earth Pulse Anthozoa Digitalis Silent Mode 2.0: Body Silent Mode Where do the bubbles go Keys Anguish Massager The box Atucanation Fare Place Four Islands The chatterboxes Other objects and experiences Other video Artificial Tanning, 2017 MDF, mirror, webcam, projector and javascript programming. 200 x 150 cm Artificial tanning is composed of a suspended mirror-umbrella with an interactive projection on the floor. The public can relate in various ways with this work. As you look up, your reflection is multiplied. As you look down, over your feet, a projection of yellowish vibrating circles that resemble the sun's rays. Through the Processing software, javascript code was created that interacts with the computer's webcam. Any movement (measured by saturation and brightness of the image) will be marked and recorded in the form of vibrating circles. 1/1

Bone Whisper Vibration eavesdropper Força i Pell Living Capsules Solitude Lullaby Formigario Sonoro A Virtual A Sonora A Sonora A Carinhosa As_automatas.web File.img.mp3 Earth Pulse Anthozoa Digitalis Silent Mode 2.0: Body Silent Mode Where do the bubbles go Keys Anguish Massager The box Atucanation Fare Place Four Islands The chatterboxes Other objects and experiences Other video A Sonora, 2021 Raspberry pi, arduino, ldr sensor, ultrasonic sensor, pir sensor. Programming in reaper. "A Sonora" is an acoustic sculpture. We listen to a 5 min piece created in collaboration with Mariana Carvalho (BR) and Sellu Herraiz (ES) that reveals a sound-bass that transpass the digestion of the human body. Through three different sensors, we incorporate words, noises, invitations to a physical interaction or we activate a motor with a contact microphone that reveals the internal noise of the machine. * This work is part of a series called “As Automatas”, in which each sculpture, virtual or real, manifests a different “emotional performance”. There is a formal line common to all the sculptures, as they are positioned on the wall, are activated by the human presence and identify themselves as feminine, which is why their names are preceded by the article “a”. Collaborators: Mariana Carvalho (BR), Nikolas Gomes (PT) and Sellu Herraiz (ES). 1/1