Bone Whisper Vibration eavesdropper Força i Pell Living Capsules Solitude Lullaby Formigario Sonoro A Virtual A Sonora A Sonora A Carinhosa As_automatas.web File.img.mp3 Earth Pulse Anthozoa Digitalis Silent Mode 2.0: Body Silent Mode Where do the bubbles go Keys Anguish Massager The box Atucanation Fare Place Four Islands The chatterboxes Other objects and experiences Other video Vírus, 2016 Mouse and needles 16 x 7 x 5 cm Wallet, 2016 Keyboard internal circuit, transparent tape and a "one real" banknote. 20 x 8 cm Teleprompter, 2017 Dual screen glass projection 240 x 140 cm Alberto Semeler e Joana Burd The fugitive, 2016 Techno-Installation HD television, Arduino, RaspberryPi and ultrasonic sensor. “The fugitive” was an experiment idealized together with the artist and professor Alberto Semeler, in which the observer's movement is the driver of the image's becoming. The closer the viewer gets to the screen, the more the image escapes, reducing to just one pixel. Cadu Peixoto e Joana Burd Tomada de Consciência , 2016 Socket mirror, wooden case, connecting pipe wire, brushed steel ruler. 43 x 38 cm The expression "Tomada de Consciência " in Portuguese means "awareness-raising" or even "becoming conscious" of something. It also could mean "Conscious Power Plug" if you literally translate the words, since "Tomada" means at the same time "power plug" and 'taking". * This art work was part of the exhibition "Will to Execution" in 2016 created collectively with the artist Cadu Peixoto selected via the Public Open Call of Porto Alegre City Hall, for the occupation of Galeria Iberê Camargo at Usina do Gasômetro, Brazil. Cadu Peixoto e Joana Burd Garoupa, 2016 Matte vinyl and gold foil sticker. 140 x 300 cm Most abundant fish off the Brazilian coast, also known as merelaço, piracuca or sea chicken. They reach huge sizes, up to 3 meters and over 300 kilograms in weight. Tasty, white flesh has bright colors and inhabits tropical oceans living near the rocks, as it is intelligent and hides from possible human threats. Active predator is hermaphrodite, early in sexual maturation are females and later become males. Animal chosen from the wide Brazilian fauna for the back side of the 100.00 (one hundred) reais banknote. * This art work was part of the exhibition "Will to Execution" in 2016 created collectively with the artist Cadu Peixoto selected via the Public Open Call of Porto Alegre City Hall, for the occupation of Galeria Iberê Camargo at Usina do Gasômetro, Brazil.

Bone Whisper Vibration eavesdropper Força i Pell Living Capsules Solitude Lullaby Formigario Sonoro A Virtual A Sonora A Sonora A Carinhosa As_automatas.web File.img.mp3 Earth Pulse Anthozoa Digitalis Silent Mode 2.0: Body Silent Mode Where do the bubbles go Keys Anguish Massager The box Atucanation Fare Place Four Islands The chatterboxes Other objects and experiences Other video Joana Burd and Leo Caobelli Porn Oasis, 2019 Hacked monitor and recovered images of discarded HD's 60 x 70 x 60 cm From pornographic images collected on HD's or discarded external memories, me and artist Leo Caobelli assembled this object with a hidden and pixelated videos. 1/1

Bone Whisper Vibration eavesdropper Força i Pell Living Capsules Solitude Lullaby Formigario Sonoro A Virtual A Sonora A Sonora A Carinhosa As_automatas.web File.img.mp3 Earth Pulse Anthozoa Digitalis Silent Mode 2.0: Body Silent Mode Where do the bubbles go Keys Anguish Massager The box Atucanation Fare Place Four Islands The chatterboxes Other objects and experiences Other video Artificial Tanning, 2017 MDF, mirror, webcam, projector and javascript programming. 200 x 150 cm Artificial tanning is composed of a suspended mirror-umbrella with an interactive projection on the floor. The public can relate in various ways with this work. As you look up, your reflection is multiplied. As you look down, over your feet, a projection of yellowish vibrating circles that resemble the sun's rays. Through the Processing software, javascript code was created that interacts with the computer's webcam. Any movement (measured by saturation and brightness of the image) will be marked and recorded in the form of vibrating circles. 1/1

Bone Whisper Vibration eavesdropper Força i Pell Living Capsules Solitude Lullaby Formigario Sonoro A Virtual A Sonora A Sonora A Carinhosa As_automatas.web File.img.mp3 Earth Pulse Anthozoa Digitalis Silent Mode 2.0: Body Silent Mode Where do the bubbles go Keys Anguish Massager The box Atucanation Fare Place Four Islands The chatterboxes Other objects and experiences Other video Tactame, 2022-2021 Colectivo DEL MIG: Blanca Somoza, Helena Gali, Ignasi Padró, Joana Burd Mario Salinero, Neus Martinez Farran and Sara Jansen. Operates from Barcelona, ES. We live in a hyper-connected world. In a context where technology is in constant contact with our body. Our hands become tools and through them we touch illuminated screens, communicate, love and create connections. Fingers that point, but that also seek contact and interaction. In a play of lights, the artists present more than 500 hands drawn virtually and printed with additive manufacturing. In different scenes we observe a multiplication of shadows, which can sometimes create a moment of paisa and sensitize our eyes. About the Tactame project: This project (Tacta'm) is an intervention on the street that has also been adapted as an indoor installation. A reflection that starts from the loss of human contact as a result of the pandemic. An attempt to stimulate curiosity through contact. The ultimate goal is to place sensors in such a way as to encourage this interaction between the hand and passers-by in the city. 1/1

Serviços exclusivos Essa é a sua página de serviços. É uma ótima oportunidade para falar sobre os serviços que você oferece. Clique 2 vezes na caixa de texto para começar a editar o seu conteúdo e adicionar todos os dados que deseja compartilhar com os visitantes. Serviço Esse é um parágrafo. Clique em "Editar Texto" ou clique 2 vezes na caixa de texto para editar o conteúdo e adicionar as informações que deseja compartilhar com os seus visitantes. Serviço Esse é um parágrafo. Clique em "Editar Texto" ou clique 2 vezes na caixa de texto para editar o conteúdo e adicionar as informações que deseja compartilhar com os seus visitantes. As pessoas estão interessadas em saber mais sobre você, então não tenha medo de compartilhar histórias pessoais para criar um conteúdo amigável. Serviço Esse é um parágrafo. Clique em "Editar Texto" ou clique 2 vezes na caixa de texto para editar o conteúdo e adicionar as informações que deseja compartilhar com os seus visitantes. Serviço Sou um parágrafo. Clique em Editar Texto ou clique 2 vezes na caixa de texto para editá-la. Serviço Esse é um parágrafo. Clique em "Editar Texto" ou clique 2 vezes na caixa de texto para editar o conteúdo e adicionar as informações que deseja compartilhar com os seus visitantes. As pessoas estão interessadas em saber mais sobre você, então não tenha medo de compartilhar histórias pessoais para criar um conteúdo amigável. Serviço Sou um parágrafo. Clique em Editar Texto ou clique 2 vezes na caixa de texto para editá-la.

Bone Whisper Vibration eavesdropper Força i Pell Living Capsules Solitude Lullaby Formigario Sonoro A Virtual A Sonora A Sonora A Carinhosa As_automatas.web File.img.mp3 Earth Pulse Anthozoa Digitalis Silent Mode 2.0: Body Silent Mode Where do the bubbles go Keys Anguish Massager The box Atucanation Fare Place Four Islands The chatterboxes Other objects and experiences Other video Cradle, 2013 Computer keys, wire, rebar, glue and silicone. 63 x 83 x 49 cm 1/1 “The Cradle seems to suggest a new anthropomorphism. Conceiving the machine in the very structure of man, the post-human advent - although somewhat apocalyptic - serves as a reading to understand our place in contemporary times: they say that carnal matter is obsolete in the face of technological intelligence. Obsolete is still the technological material, quickly disposable and of short duration. Given Joana's work, it is up to us not to reinforce the dualism between machine and man, but to investigate its logic: if the body cannot cope with the artificial advance, what use do we make of these tools? ” Fragment of Pollyana Quintella's text "Homo Cibernecticus". Published in IV Bienal da Escola de Belas Artes/UFRJ: territórios, 2013. pages 36-37.

Bone Whisper Vibration eavesdropper Força i Pell Living Capsules Solitude Lullaby Formigario Sonoro A Virtual A Sonora A Sonora A Carinhosa As_automatas.web File.img.mp3 Earth Pulse Anthozoa Digitalis Silent Mode 2.0: Body Silent Mode Where do the bubbles go Keys Anguish Massager The box Atucanation Fare Place Four Islands The chatterboxes Other objects and experiences Other video Solitude Lullaby, 2022 Terra Form collab for the Slow Wave project During the 40-day SBCAST artist residency in Santa Barbara, California, a 7-minute experiential piece was created together with artist Terra Form for the Slow Wave project. To experience the piece, one enters a dome and sits down in the Slow Wave chair, putting on headphones and a padded eye mask. The piece is divided into three chapters with spoken titles recorded with the voice of a robot (automaton): 00:00 / 07:34 Chapter I - Farm deep Listening At the beginning of the journey, the Slow wave chair is programmed to vibrate in patterns produced by several sound bowls. Simultaneously, the sound of the bowls are playing in the headphones. The sound was spatialized in a binaural way, when moving away or approaching, to the left or to the right, the movement is accompanied by the chair's technology, activating the skin and the spine. That is, with volume and distance strategies an immersive and dreamy space is created. As an introduction to the following chapters, here a certain relaxation may ensue. Chapter II - Tactile burrowing in my brain The medium of this segment consists of a repertoire created with more than 15 textures between small recordings and spoken poetry, in which the words are indecipherable. A walk inside our brain in a mixture of particles of sound elements, grains and non-existent substances. Between confusions, false noises of nature and the sea, curiosity is stimulated through the sounds and vibrations that are offered. Chapter III - Solitude Lullaby The final part that gives title to the work speaks of affection, care and silence. The recordings of the two artists singing are a wordless reception to an intimate rehearsal. An approximation between the body-woman-mechanism and the body-chair-machine is seen in the way in which one supports the other in this composition. Between pauses for breath and a long silence, a song of pain and love reverberates within the immersion as if everyone who hears it is connected to a great architectural structure. * Supporters: Alan Macy, Dr. North, Ryan McCullough, Terra Form, SBCAST, AGAUR-Catalunya, Universitat de Barcelona. 1/1

Bone Whisper Vibration eavesdropper Força i Pell Living Capsules Solitude Lullaby Formigario Sonoro A Virtual A Sonora A Sonora A Carinhosa As_automatas.web File.img.mp3 Earth Pulse Anthozoa Digitalis Silent Mode 2.0: Body Silent Mode Where do the bubbles go Keys Anguish Massager The box Atucanation Fare Place Four Islands The chatterboxes Other objects and experiences Other video A Carinhosa, 2021 Mega Arduino, 2 Nema 19 engines, 15 pieces with digital fabrication, aluminum tubes and 12v source "A carinhosa” (could be also translated as cuddler) is a sculpture that starts from programmed obsolescence as it is made up of recycled engines and an adaptation of a damaged printer. In addition to its oval shape, it has attached to its body a set of electronics and various parts printed with a 3D printer. As the audience approaches, the sculpture's arms slightly move horizontally, evoking the idea of affection, translated as a mechanical dance in movement. * This work is part of a series called “As Autômatas”, in which each sculpture, virtual or real, manifests a different “emotional performance”. There is a formal line common to all the sculptures, as they are positioned on the wall, are activated by the human presence and identify as feminine, which is why their names are preceded by the article “a” (the). 1/1 1/1

Bone Whisper Vibration eavesdropper Força i Pell Living Capsules Solitude Lullaby Formigario Sonoro A Virtual A Sonora A Sonora A Carinhosa As_automatas.web File.img.mp3 Earth Pulse Anthozoa Digitalis Silent Mode 2.0: Body Silent Mode Where do the bubbles go Keys Anguish Massager The box Atucanation Fare Place Four Islands The chatterboxes Other objects and experiences Other video Silent Mode 2.0: Body, 2021 (version in Castellano) Creation and Direction: Joana Burd Sound design: Nikolas Gomes Interpretation of texts: Ángela Hernandez y Luzia Paramés ETOPIA, Centro de Arte y Tecnología, Zaragoza, ES. Support: ETOPIA, Ayuntamiento Zaragoza, Universitat de BarcelonaIdioma: Castellano Interview Silent Mode at Metropolis: Minute 12:24

Bone Whisper Vibration eavesdropper Força i Pell Living Capsules Solitude Lullaby Formigario Sonoro A Virtual A Sonora A Sonora A Carinhosa As_automatas.web File.img.mp3 Earth Pulse Anthozoa Digitalis Silent Mode 2.0: Body Silent Mode Where do the bubbles go Keys Anguish Massager The box Atucanation Fare Place Four Islands The chatterboxes Other objects and experiences Other video Silent mode, 2019 sound art installation 7'40" loop 5.1 audio "Silent mode" is an invitation to pause to listen with the skin, with the body. An immersive environment in which the public is invited to sit on an acoustic bench surrounded by speakers. The narrative that runs through the speakers is based on texts on improvisation by Walter Smetak, in which the voice of the recorded artists is slowly transcoded into smartphone vibration patterns. It is possible to feel the installation through cochlear (auditory) and bone (tactile) listening. Although the title of the work encourages silence, we witness a landscape of noise in 5.1 surround audio. 1/1 For the installation's sound system an immersive environment is created configuring the spatialization of ambisonic surround audio. The sound distribution occurs in the three axes (height, width and depth), from six individual audio channels, resulting in a sensory and perceptive engaged zone for those who are in the installation. In addition to the five channels of spatial distribution of sound, there is also a sixth audio channel dedicated to body listening, using a subwoofer speaker located inside the wooden bench in the center of the space. A low frequency effect channel is offered which transmits impact, pressure and weight, leading to extra auditory and bone sensory sensations. In the transcoding of the sound a vocoder is used. The voice is transformed into a mini-motor vibration from sampling ringtones. The use of this sample becomes the carrier of the voice formant, so that the recitation of the poem seems to be done by the device. 1/1 Creation and direction Joana Burd Sound design Nikolas Gomes Ferranddis Interpreters Bruno Fernandes and Bê Smidt Image capture and editing Carina Macedo _________________________________________________________________ Texts read by interpreters are adapted from the book Walter Smetak (2019). O enxerto do Takaká e outros textos. Editora: Edufba. Edição: 1ª. ISBN: 978-85-232-1832-4. The laugh without laughter The laughter without laugh The cried laugh The laugh of ignorance The laugh replacing the speech The laugh replacing the answer The answer replacing the laughter As artists, we transform “silence” into images and sounds. Images and sounds transform the artist into silences. Silence is the great source of the single cause. If there were no rumors, the silence would be very boring. Rumors are the faithful reproduction of silences. We are losing sight of the silences. We create machines that are much more sensitive than our human senses. So; we put "silent mode" on the machines so that they do not disturb our silence. Because machines also have their own lives: the noise. The “human” machine, on the other hand, is quieter, does not perceive its inner noise. In this digital world we have new possibilities for speech and new formats of silence.