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Força i Pell Living Capsules Solitude Lullaby Formigario Sonoro A Virtual A Sonora A Carinhosa As_automatas.web File.img.mp3 Earth Pulse Anthozoa Digitalis Silent Mode 2.0: Body Silent Mode Where do the bubbles go Keys Anguish Massager The box Atucanation Fare Place Four Islands The chatterboxes Other objects and experiences Other video Interviews Serviços Resultados de busca Cadu Peixoto and Joana Burd Fare Place, 2016-2019 Bus roulette, Arduino, 16x2 liquid crystal display and ultrasonic sensor. 120 x 150 x 160 cm When entering the exhibition the public comes across a bus roulette from the 60s. During the exhibition the work demonstrates through a digital counter the division of the total cost of exposure among all who passed the roulette. Equation = No. of Visitors [captured via roulette] / Total Exhibition Budget [in $ +0.00] 1/1 * This art work was created for the exhibition "Will to Execution" and today it is part of the Collection of the Museu de Arte Contemporânea do Rio Grande do Sul MACRS, Brazil.

Master in Visual Arts, focuses her research on the dialogue between sculpture, digital media and technology. Sound Art Installations Art Residencies Vibration Formigario Sonoro, 2023 Solitude Lullaby, 2022 Formigario Sonoro, 2023 Biohybrid Buzz, 2022-23 Living Capsules, 2022 Living Capsules, 2022 The Cuddler (La Cariñosa), 2021 The Virtual (La Virtual), 2021 The Sonora (La Sonora), 2021 Earth Pulse, 2021 Colab Darya Efrat | João Dias-Oliveira La Sonora, 2021 Earth Pulse, 2021 Colab Darya Efrat | João Dias-Oliveira Anthozoa Digitalis, 2020 Colab Ilana Bonder Anthozoa Digitalis, 2020 Colab Ilana Bonder Anthozoa Digitalis, 2020 Colab Ilana Bonder Silent Mode, 2019 Invitation - Silent Mode, 2019 Silent Mode, 2019 Fare Place, 2016-2019 Colab Cadu Peixoto Fare Place, 2016-2019 Colab Cadu Peixoto Fare Place, 2016-2019 Colab Cadu Peixoto Power, 2015-2020 Home, 2015-2020 Keys, 2015-2020

Força i Pell Living Capsules Solitude Lullaby Formigario Sonoro A Virtual A Sonora A Carinhosa As_automatas.web File.img.mp3 Earth Pulse Anthozoa Digitalis Silent Mode 2.0: Body Silent Mode Where do the bubbles go Keys Anguish Massager The box Atucanation Fare Place Four Islands The chatterboxes Other objects and experiences Other video Interviews Serviços Resultados de busca Formigário Sonoro, 2023 Formigário Sonoro is a biofabricated and biohybrid ecosystem that investigates relationships between surveillance, cooperation and tactile listening for insects and humans. In the image we penetrate the intimacy of a community, in its environments and details. The activation between cause and effect is carried out through sensors and microphones, where energy, rhythm and frequency are driven by behaviour and displacement in the rooms. 00:00 / 03:30 1/1 Such sound immersion was mixed from the capture and communication between two residences: that of the ants and that of artists in the 8th edition of KinoBeat Festival. Between two sonic axes, the first is presented from the abdominal and tactile vibrations in the inner dialogue of the communities. The second is driven by the anthill's chemical superorganism. The sensors of capturing light, ultrasonic movement, temperature and humidity guide the code in which the protagonists of the composition are the ants, in their way of walking, crossing, communicating and building a house. Techniques: Digital fabrication, data sonification, audio mixing, raspberry pi programming. Process: Capture of sounds in the residential environments, capture of sensor data, image, and video reproduction Support: 8th Kino Beat Festival Created at: Casa de Cultura Mario Quintana, Porto Alegre, BR. 1/1

Força i Pell Living Capsules Solitude Lullaby Formigario Sonoro A Virtual A Sonora A Carinhosa As_automatas.web File.img.mp3 Earth Pulse Anthozoa Digitalis Silent Mode 2.0: Body Silent Mode Where do the bubbles go Keys Anguish Massager The box Atucanation Fare Place Four Islands The chatterboxes Other objects and experiences Other video Interviews Serviços Resultados de busca Silent Mode 2.0: Body, 2021 (version in Castellano) Creation and Direction: Joana Burd Sound design: Nikolas Gomes Interpretation of texts: Ángela Hernandez y Luzia Paramés ETOPIA, Centro de Arte y Tecnología, Zaragoza, ES. Support: ETOPIA, Ayuntamiento Zaragoza, Universitat de BarcelonaIdioma: Castellano Interview Silent Mode at Metropolis: Minute 12:24

Força i Pell Living Capsules Solitude Lullaby Formigario Sonoro A Virtual A Sonora A Carinhosa As_automatas.web File.img.mp3 Earth Pulse Anthozoa Digitalis Silent Mode 2.0: Body Silent Mode Where do the bubbles go Keys Anguish Massager The box Atucanation Fare Place Four Islands The chatterboxes Other objects and experiences Other video Interviews Serviços Resultados de busca "Força i Pell" (Strength and Skin), 2023 This piece emerged from a dynamic interplay between bodies, vibrations, and machines, as two artists interacted with a vibrational sculpture, producing low-frequency resonances amplified by two subwoofers. This immersive experience invites the audience to engage in a fusion of visual and audio-tactile sensations, challenging modes of listening and encouraging them to physically feel the vibrations on their skin as the movements of the performers intertwine. In the presentation, techniques such as 3D sculpture and machine learning were used to create synthetic and natural voices. The interactive sculpture draws inspiration from the "Las Automatas" series, with its initial prototype acting as the input device. Within this interaction, the object transforms itself into a touch-based sound controller, capable of translating tactile interactions on its surface, including touches and gestures. As the artists move intuitively, the device's ability to transcode code into auditory expressions becomes palpably evident, resulting in a unique and immersive sensory experience. About the performers: Cata Aguayo is a performing artist, teacher, and researcher specializing in trapeze and contemporary dance. She graduated from ESACTO in Toulouse and UNSAM in Buenos Aires, and she is a co-founder of the Franco-Uruguayan company Olga CirqAnalogique. She directs the Aerial Research Laboratory at the Bonita Cooperative in Barcelona and works with various French and Spanish companies as a performer and choreographer. www.olgacirqanalogique.com Juana O. Kippes is a performing artist and movement researcher, specializing in aerial acrobatics, contortion, and dance. She is the founder of her own company, JÅNIKA, an interdisciplinary habitat where her creations blend visual and performing arts. She also works as a performer for other projects and collaborates with artists from various fields. She currently resides in France. www.janika.net Photographs and videos by Gülçin Bekar.

Força i Pell Living Capsules Solitude Lullaby Formigario Sonoro A Virtual A Sonora A Carinhosa As_automatas.web File.img.mp3 Earth Pulse Anthozoa Digitalis Silent Mode 2.0: Body Silent Mode Where do the bubbles go Keys Anguish Massager The box Atucanation Fare Place Four Islands The chatterboxes Other objects and experiences Other video Interviews Serviços Resultados de busca Cradle, 2013 Computer keys, wire, rebar, glue and silicone. 63 x 83 x 49 cm 1/1 “The Cradle seems to suggest a new anthropomorphism. Conceiving the machine in the very structure of man, the post-human advent - although somewhat apocalyptic - serves as a reading to understand our place in contemporary times: they say that carnal matter is obsolete in the face of technological intelligence. Obsolete is still the technological material, quickly disposable and of short duration. Given Joana's work, it is up to us not to reinforce the dualism between machine and man, but to investigate its logic: if the body cannot cope with the artificial advance, what use do we make of these tools? ” Fragment of Pollyana Quintella's text "Homo Cibernecticus". Published in IV Bienal da Escola de Belas Artes/UFRJ: territórios, 2013. pages 36-37.

joana burds cv, joanaburd, joana burd curriculum, curriculo Artist, educator and researcher of haptic aesthetics. Graduated in Visual Arts in 2014 (UFRGS, Brazil) and Master in Visual Poetics in 2018 (UFRGS, Brazil). She is currently a doctoral student at the University of Barcelona, where she is also teaching Sound Art disciplines. Currently Burd is a member of the research groups: 'Connected Bodies II. New processes of creation and diffusion of the practices of identity artists in non-presentiality'(UB, ES) and ‘Biohybrid Bodies: a sociological framework for living with Living Machines" (UCL, UK). Joana has presented seven solo exhibitions, in the past year she exhibited her work in London (UCL), SBCAST (Santa Barbara, CA, USA), RIW Rio Innovation Week (Rio de Janeiro, BR) and Atelie397 / Galeria Vermelho (São Paulo, BR). E-mail: joanabburd@gmail.com My work develops within art, physics and technology through interactive sculptures, videos and sound installations, collaborating with artists, social ethnographers, performers and engineers. I focus my practice in a hybrid of low technology assemblies and open source coding platforms. The pieces aim to offer tactile experiences for the public to interact and engage their bodies with the vibration phenomenal. I research how motors and speakers can question objects of desire and the gender perspective in the digital field. I’m also interested in the affective impact of technology and how to create new forms of dialog through touch and haptic devices. Education PhD Advanced Studies in Artistic Productions [2019-23] Programa de doctorado de la Universitat de Barcelona Facultat de Bellas Artes Advisor: Laura Baigorri Thesis: Poetics of vibration: deployments of technology in contact with the body as affective memory Master in Visual Poetics [2016-18] Universidade Federal do Rio Grande do Sul Instituto de Artes Advisor: Prof. Dr. Alberto Semeler Thesis: Vibratory Body: when the movement calls for pause Graduation Visual Arts [2011-14] Universidade Federal do Rio Grande do Sul Instituto de Artes Advisor: Prof. Dr. Celso Vitelli Thesis: Digital Natives: A research on flows between art and technology Universidade Federal do Rio de Janeiro [2013] Escola de Belas Artes Academic Mobility (exchange). Duration: 1 semester Solo Exhibitions 2021 "Cold skin. The automata of wanting." Curated by Ana Urroz. October 2021. Ateneu de Fabricació Les Corts, Barcelona, ES. 2021 "The Autòmatas: sentimental prototypes", September 2021, Casa del Mig, Barcelona, ES. 2019 “Silent Mode”. September 2019, Galeria do Linha, Porto Alegre, BR. 2018 “Vibratory Body”. September 2018. Casa Musgo, Porto Alegre, BR. 2017 “SHIFT”. May 2017. Galeria do Templo, Rio de Janeiro, BR. 2016 “Keys”. October 2016 . Curated by Fernanda Medeiros. Centro Municipal de Cultura Ordovás, Caxias do Sul, BR. 2016 “Nutritive Machines”. May 2016. Galeria Lunara, Usina do Gasômetro, Porto Alegre, BR. Selected Group Exhibitions 2024 - Virada Sonica, curated by Chico Dub, Farol Santander, São Paulo, BR 2024 - SO UND DIARIES. Sonic Art Research Unit (SARU) at Oxford Brookes University, UK. 2023 - Inauguration Ceremony for the 2023-24 academic year. University of Barcelona, October 2, 2023. Barcelona, ES. 2023 - Ebre, Música & Patrimoni 2023: Acústica i noves tecnologies, Consorci del Museu de les Terres de l’Ebre, Departament de Cultura de la Generalitat de Catalunya, ES. 2023 - "Symphonic Poem for 100 Metronomes by Ligeti, from October 6, 2023, to October 15, 2023. Master's in Sound Art at the University of Barcelona, coordinated by Martí Ruiz. Museum of Music, Barcelona, ES. 2023 - ELECTRIC DAISY. A multi-sensory performance that invites you to taste a natural infusion to make your mouth vibrate in sync with a captiva ting soundscape at the Old Fire Station Studio.15th June 2023, OffBeat Festival, Oxford, UK. 2023 - PERFORMANCE: Biohybrid Buzz: an activation through tasting frequencies. 10th of June, Iklectik, London , UK. 2023 - “COCOCOCU” Festival Kino Beat, Curated by Gabriel Cevallos & Adauany Zimovski, support British Council and Oi Futuro, MACRS, Museu de Arte Contemporânea do Rio Grande do Sul, BR. 2023 - FACTO 10 é Bienal Sur, Festival Arte, Ciência e Tecnologia. Natureza em Metamorfose. Labart UFSM, MACT, Santa Maria, BR. 2022 - Innovation Art Journey, R IO Innovation Week – Inovação a Favor da Cultura, Rio Pop Tech, Cais do Porto da cidade do Rio de Janeiro, BR. 2022 - "Vivemos para isso" | 'VOA 2022-2023 Call for Female Artists and Non-Binary People. Curators: Bruna Fernanda, Érica Burini, Khadyg Fares, Thais Rivitti. Galpão da Vermelho and Ateliê397, September 24 - O ctober 23, São Paulo, BR. 2022 - "Platform 10 Deserts of Errors", Project by Artist Leo Caobelli, supported by Rumos Itaú Cultural 2019-2020, Porto Alegre, BR. 2022 - 'Solitude Lullaby', created for the Slow Wave system. Invited artist in "EoYS II SYMADES 2022 UCSB Media Arts and Technology Program End of Year Show". UC Santa Barbara, 27th of May, SBCAST - Center of Art Science and Technology, USA. 2022 - "Visual Brasil Festival " curated by Ricardo Cançado, September 30 - October 01. Industrial Park, Barcelona, ES. 2022 - Materia Difusa: A look at the MACRS collection, living language cutouts. Curated by Gabriela Motta. Exhibition commemorating the 30th anniversary of the MACRS Museum. Galeria Edmundo Rodrigues do Complexo Palacete Pedro Osório, July 16 - August 21, Bagé, BR. 2022 - Installation "Tactame" DelMig Collective: Blanca Somoza, Helena Gali, Ignasi Àvila Padró, Joana Burd, Mario Salinero, Neus Martinez Farran e Sara Jansen, Verso, From April to July, Gramado, Rio Grande do Sul, BR 2021 - "Criatech Aveiro Digital Creativity & Technology." Curated by Carlos Verissimo. Festival October 11 — 16, 2021. Aveiro, Pt. 2021 - "The Days that Owls Fell from Heaven." Curated by Elaine Tedesco and Marina Polidoro. Plataforma Verter. Laboratório de Imagem e Tecnologia do Instituto de Artes da Universidade Federal do Rio Grande do Sul, BR. 2021 - "NEW(EGO) Cuerpos Conectados."Curated by Laura Baigorri. ETOPIA Centro de Arte y Tecnología." Zaragosa, ES. 2021 - "Mulheres e inserções digitais" Curated by Lara Sosa, Lisboa, PT. 2020 - "Dystopie Festival" , Errant Sound. Alte Müze. Berlin. DE. 2020 - "Criatech, Digital creativity & technology" . Museu de Aveiro/Santa Joana. Exhibition October 12 - 18, 2020. Aveiro, PT. 2020 - "30 Semanas". Galeria do Linha, Porto Alegre, BR. 2019 – “3o Prêmio de Arte Contemporânea 2019 da Aliance Française”. Paço Municipal da Prefeitura de Porto Alegre, BR. 2019 – “Desalinhos.” Curated by Carina Dias, Fernanda Almeida e Lucas Vilela Souza. Casa Baka Arte e Cultura, Porto Alegre, BR. 2019 – “Festival Internacional de Arte Computacional Em Meios# 11.0” FBAUL Faculdade de Belas Artes, Universidade de Lisbon, PT 2019 - Participation in Leo Caobelli’s solo exhibition with the art work “Porn Oasis. Fundação Ecarta, Porto Alegre, BR. 2019 - Exhibition in event. “Humanidade Aumentada”. Futuro Rio, Rio de Janeiro, BR. 2019 – “Registro No3”, Casa Baka, Porto Alegre, BR. 2018 – “5 ̊ Festival Kino Beat”. Mostra AVSD curated by Elaine Tedesco. Vila Flores, Porto Alegre, BR. 2018 – “AVSD Audio Visual Sem Destino”. Pinacoteca Barão de Santo Ângelo, Instituto de Artes da UFRGS, Porto Alegre, BR. 2018 – “Exposição ImensaMente”. Museu da UFRGS, Porto Alegre, BR. 2018 – “1a Edição do Projeto Concha”, idealized by Alice Castiel Ruas, Agulha, Porto Alegre, BR. 2017 – “Paragem”. Pinacoteca Barão de Santo Ângelo, Instituto de Artes da UFRGS, Porto Alegre, BR. 2017 – “Festival Internacional de Arte Computacional Em Meio# 9.0” Galeria da Universidade do Porto, Porto, PT. 2017 – “Qual é a sua praia?” PPGAV-IA UFRGS. Produced by Prof. Dra. Tetê Barachini. Vila Flores, Porto Alegre, BR. 2016 - “Internacional de Arte Computacional Em Meio# 8.0” Internacional. Museu da Republica, Brasilia, BR. 2016 – “Vontade de Execução”. Cadu Peixoto e Joana Burd. Galeria Iberê Camargo, Usina do Gasômetro, Porto Alegre, BR. 2016 – “Presente Rascunho.” Acervo Independente, Porto Alegre, BR. 2015 – “FACTORS 2.0, Festival de Arte, Ciência e Tecnologia do RS”, MASM (Museu de Arte de Santa Maria), BR. 2015 – “Sinestesia”, Acervo Independente, Porto Alegre, BR. 2015 – “O Feminismo é para todas as pessoas”, Acervo Independente, Porto Alegre, BR. 2015 - "E F E R V E S C Ê N C I A 2 1 9" , Acervo Independente, Porto Alegre, BR. 2015 – “Por onde se vai,” Câmara Municipal de Porto Alegre, BR. 2014 – “20o Salão de Artes Plásticas Câmara Municipal de Porto Alegre”, BR. 2014 – “Entre Atos”, Acervo Independente, Porto Alegre, BR. 2013 – “IV Bienal da Escola de Belas Artes”, Centro Municipal Hélio Oiticica, Rio de Janeiro, BR. 2013 - Event, “MoMa Pop Rally: Abstract Currents”, New York, US. 2012 – Site-specific sculptures to music concert of Dingo Bells, Ocidente, Porto Alegre, BR. Art Residences 2023 - Anthill Residence, 8º Festival Kino Beat, CCMQ, Brazil. 2022 - SBCAST , Santa Barbara Center of Art, Science and Technology, USA. 2021 - Kovent Zero , Berga, Spain. 2021 - Punt Multimèdia de Sants - Montjuïc, Casa del Mig. Barcelona, Spain. 2020 - Aveiro Criatech Artist Residence. Aveiro, Portugal. 2019 - Residência artística, Linha. Porto Alegre, Brazil. 2013-2017 Acervo Independente. Porto Alegre, Brazil. Research Grants and Awards 2022 Winner of Digital Artists Grant - Moniker International Art Fair Foundation and Creative Debuts , London, UK. 2022 Santander Investigación | ESTADES 2022, ES. 2021 Winner of LA RODA II award - art and technology for young creators, organized by the FAB Casa del Mig - Punt multimèdia. Barcelona City Council, ES. 2021 Konvent 100% Scholarship support for August 2021, Berga, ES. 2020 Scholarship Personal Investigator Novell (FI) Cuerpos Conectados, ES. 2020 Support Fund Fundação Calouste Gulbenkian, PT. 2019 Nominated Artist. 3o Prêmio de Arte Contemporânea 2019 da Alliance Française, BR. 2015 IX Azorian Award for visual Arts. Institutional Highlight. Member and Manager of the team Acervo Independente, BR. 2013 Scholarship for art investigation and studies Santander ANDIFES – Universidade Federal do Rio de Janeiro, BR. Academic Conferences 2024 - " Interdisciplinary Speculations for the Future of Biohybrid Robots" Rafael Mestre, Ned Barker, Sergey Astakhov, Aníbal M. Astobiza, Maria Guix, Joana Burd, Matt Ryan. fPET 2024, Center for Art and Media - ZKM ZKM Kalshude, DE. 2022 - Private viewing “Biohy brid Buzz 1.0”. November 23rd. Invited by Matt Lewis and Joe Hirst RCA Royal College of Arts, London, UK. 2022 - "Reverting metal on flesh: derivations from the afterlife of technology." ReMAP Research in Media Arts and Play Knowledge Lab's Seminar Room. November 10th. UCL, University College of London, London, UK. 2022 - “The entity of automatons: technology, body, affection and intimacy”, Intellectual Life , UCL Knowledge Lab IOE UCL’s Faculty of Education & Society, University College London, London, UK. 2022 - "Cold Skin, machines that vibrate us", S AR 13th SAR International Conference on Artistic Research , Bauhaus University, Weimar, DE. 2022 - "Vibrating Pulses: the skin as perceptor", Conversas Barcelona, La Social Libreria, Barcelona. ES 2022 - "Procesos de la poetica de la vibración", E.I.D 2022 Encuentro de Investigadores Doctorales del program EAPA. University of Barcelona, ES. 2021 - Artist Talk. MTF Labs 2021 . International | Aveiro, PT. 2021 - "ArchID, an online cartographic archive." BIONICAS 1.0 Conference. Women, Art, Technology and Society. BLA BLA Conference Program. TABLE 3: Archive, body and media. Authors*: Joana Burd. Celebrated December 27-30, 2021. Barcelona, Spain. 2020 - “Body, interaction and sensation: haptic aesthetics as a protagonist in times of touchscreen.” I CIVARTES International Virtual Congress: Dialogues between visual arts and visuals and other artistic mediums in times of hybridization. Celebrated on July 20-22, 2020, ES. 2020 –“Tactile connections of Inês Norton”. 2020. CSO Criadores Sobre outras obras. Lisbon, PT 2019 – “Vibratory body, when movement aks for pause.” #18art Encontro Internacional de Arte e Tecnologia, FBAUL, Lisbon, PT. 2018 – “Utopian rotations and becoming machine”. Centro de Artes UFPEL, Pelotas, , BR. 2017 – “The black mirror in information cities”. Seminário Qual é a sua praia? Vila Flores, Porto alegre, , BR. 2017 – “The eternalization of memory and everyday noise: new ways of thinking about digital art and shared anguish.” #16art Encontro Internacional de Arte e Tecnologia, Porto, PT. 2015 - Exhibition Seminar “Por onde se vai”, na Câmara Municipal de Porto Alegre, BR. 29/07. 2015 - " Visual arts teaching project: the internship experience under discussion ", na disciplina Laboratório de Projetos de Ensino em Artes Visuais I, promovida pelo Curso de Artes Visuais do Instituto de Artes, UFRGS, no dia 12 de Junho de 2015. Prof. Dr. Celso Vitelli, BR. 2014 – Seminar “Autopoiesis: Espaços de Arte e Coletivos Independentes do Rio Grande do Sul” em Caxias do Sul, BR. De 02/05 a 04/05. 2014 - “About the collaborative art project of Acervo Independente” Evento Observatório de Economia Criativa na UFRGS, Porto Alegre, BR. 15/08 Workshops 2023 - "Data sonification and Living Machines" (with Joana Burd, Ned Barker, and Nikolas Gomes) 14th of June, Oxford Brooks University, Oxford, UK. NGFDS Software Link 2023 - "Data sonification and Living Machines" (with Joana Burd, Ned Barker, and Nikolas Gomes) 10th of June, Iklectik, London, UK. 2023 - "Revealing and Sonifying Living Capsules (with Joana Burd, Ned Barker, and Nikolas Gomes) 20th May ISEA 2023 SYMBIOSIS International Symp osium of Electronic Arts, Forum de les images, Paris, FR. 2022 - Workshop Sensory Ethnography “Some Prototype Living Capsules” (with Joana Burd & Ned Barker), Bloomsbury Theatre, UCL, UK. 2022 - "Three stages of touch: an immersion in haptic aesthetics." MARGS, Museu de Arte do Rio Grande do Sul , Porto Alegre , BR. 2021 - "Video Artistic Experimentations and Co-Creation Laboratory", Experimental Workshops with the artists Diego Marchante & Joana Burd. ETOPIA, Art and Technology Center, Zaragoza, ES 2019 - “Video Mapping em on miscellaneous objects”, Edition II. At Linha. Porto Alegre, BR. 2019 - “Video Mapping on miscellaneous objects”, Edition I. At Linha. Porto Alegre, BR. 2016 - Theoretical and practical course " Art Exhibition Production ", At Acervo Independente, Porto Alegre, BR. 1/03 a 7/04 2016 – “Independent Spaces” at Campus 8, Centro de Artes e Arquitetura, Pró Reitoria Acadêmica, Universidade Federal de Caxias do Sul 21.10.2016, BR. 2015 – Teacher with Cadu Peixoto of the Course “#contemporaryart”, at Acervo Independente, Porto Alegre, BR. 2014- Course “The cloud as an exhibition space: production and post production in Visual Arts” at 28o Festival de Arte da Cidade de Porto Alegre, Secretaria Municipal da Cultura, Porto Alegre, BR. 2013 – Course “Videoarte x Low Budget” at Semana Acadêmica, Instituto de Artes UFRGS, Porto Alegre, BR. Teaching 2024 - Lecturer in the discipline "Escultura I y II " . Facultat de Belles Arts , Universitat de Barcelona, ES. 2024 - Lecturer in the discipline "Video Art and Lab Audiovisual". Lab MediaFacultat de Belles Arts, Universitat de Barcelona, ES. 2022 -2023 Lecturer in the discipline "Art Sonor" together with Prof. Dr. Josep Cerdá Ferrè and Prof. Dr. Martí Ruiz. Facultat de Belles Arts, Universitat de Barcelona, ES. 2021 - Lecturer in the discipline "Art Sonor" together with Prof. Dr. Martí Ruiz. Facultat de Belles Arts, Universitat de Barcelona, ES. 2016-2019 Visual Arts Teacher at Colegio Israelita Brasileiro, BR. 2016-2017 Teacher at the Sculpture Club at Colegio Israelita Brasileiro, BR. 2017 - Teaching Internship in Higher Education in the Laboratory of Art and Technology. 8 lessons. Total Hours: 30h. BR. Research Groups 2021- 2024 Researcher. Connected Bodies II. New processes of creation and diffusion of the practices of identity artists in non-presentiality. Center: Department Arts Visuals i Disseny. Universitat de Barcelona (PID2020-116999RB-I00. IP: Laura Baigorri Ballarin and Pedro Ortuño Mengual. ES. 2022 - Researcher and collaborating artist. ‘Biohybrid Bodies: a sociological framework for living with Living Machines’ - funded by the Leverhulme Trust. IP: Dr. Ned Barker. Faculty of Education, UCL University College of London, UK. 2021 - Researcher. IMARTE Project. Research in artistic processes and new technologies (20172019SGR1182). Center: Department Arts Visuals i Disseny. University of Barcelona. IP: Dr. Eloi Puig. ES 2020 - 2021 Researcher. Project: Connected bodies, Art and identity cartographies in Transmedia society (HAR2017-84915-R). Center: Department Arts Visuals i Disseny. University of Barcelona. IP: Laura Baigorri Ballarin and Pedro Ortuño Mengual. ES 2016- 2018. Researcher. Project: Network of digital arts experiments: visual programming, reverse engineering and 3D printing. Center: Institute of Arts. Federal University of Rio Grande do Sul. IP: Alberto Ribas Marinho Semeler. BR Others 2022 - Organization of the “EID 2022” Encuentro de Investigador@s Doctorales, from the Doctorate Program Estudios Avanzados en Producciones Artísticas, Facultad de Bellas Artes, Universidad de Barcelona, ES. 2021 - Curator of the Augmented Reality exhibition as part of the International Festival "Criatech, Aveiro Digital Creativity & Technology." Festival 11 — 16 October 2021. Aveiro, PT 2019 - Jury. NIME New Interfaces for Musical Expression. [Internacional] 2018 - Participant. Projeto Atelier na Galeria, Casa Musgo, Porto Alegre, BR. 2017 – Jury/Peer reviewer. "Exposição dos trabalhos finais da disciplina de Projeto IV" Inovação Social, no Curso de Design da ESPM Sul, Porto Alegre, 28 de Novembro de 2017. Prof. Dra. Liliane Basso, BR. 2014 – Round Table. “Encontro de Gestores – Projeto Cadernos de Gestão com apoio do edital Processos Culturais Colaborativos FAC/RS”, no Atelier Subterrânea, Porto Alegre, BR. 27/10. 2014 – Round Table. Encontro Circuito Montagem, TransLab, na Casa Duplan 15/07, Porto Alegre, BR. Collaborative Projects 2022 - "Tactame" Installation - DelMig Collective: Blanca Somoza, Helena Gali, Ignasi Àvila Padró, Joana Burd, Mario Salinero, Neus Martinez Farran e Sara Jansen. Gramado, Rio Grande do Sul, BR. 2022 - “10 deserts of errors”, project contemplated by the Rumos program of Itaú cultural. Main artist Leo Caobelli, BR. 2020-21 - Earth Pulse Art Installation project - com Darya Efrat e João Dias-Oliveira. Aveiro Criatech Artist Residences. PT. 2019 – Art installation “Porn Oasis” with the artist Leo Caobelli. 2019 – Video mapping and photo performance “corpObra” with the artist Charlene Bicalho at Art Residency PPP Península Motorhome. 2019 - Art Installation “Dizem que o Brasil está polarizado” with the artist and psychoanalyst Laura Pujol. 2018 - Vídeo and vídeo mapping “Vibratory Body” with dancer and performer Paula Finn 2018 - Vídeo “Buraco” with Carina Macedo. 2016 – Art Installation “A Fugitiva” with artist and professor Alberto Semeler. 2016 - Co-authorship, production and assembly of the exhibition. “Will of execution” with the artist Cadu Peixoto. 2015 - Video-Installation “para PerroLibre “ with the artists Cadu Peixoto, Cacau Weimer, Gabriela Stragliotto e Priscila Kisiolar. 2014 – Sound Installation “Tagarelas” in collaboration with the writer Dieter Axt. 2013 - Creation of “Acervo Independente" with Cadu Peixoto, Cacau Weimer, Fernanda Medeiros, Priscila Kisiolar, Manoela Furtado e Zeh Poeta. Languages English Português Castellano Català Collections Museu de Arte Contemporânea do Rio Grande do Sul, BR. Centro Municipal de Cultura Ordovás, Caxias do Sul, BR 2010 - present 2010 - present

Força i Pell Living Capsules Solitude Lullaby Formigario Sonoro A Virtual A Sonora A Carinhosa As_automatas.web File.img.mp3 Earth Pulse Anthozoa Digitalis Silent Mode 2.0: Body Silent Mode Where do the bubbles go Keys Anguish Massager The box Atucanation Fare Place Four Islands The chatterboxes Other objects and experiences Other video Interviews Serviços Resultados de busca Tactame, 2022-2021 Colectivo DEL MIG: Blanca Somoza, Helena Gali, Ignasi Padró, Joana Burd Mario Salinero, Neus Martinez Farran and Sara Jansen. Operates from Barcelona, ES. We live in a hyper-connected world. In a context where technology is in constant contact with our body. Our hands become tools and through them we touch illuminated screens, communicate, love and create connections. Fingers that point, but that also seek contact and interaction. In a play of lights, the artists present more than 500 hands drawn virtually and printed with additive manufacturing. In different scenes we observe a multiplication of shadows, which can sometimes create a moment of paisa and sensitize our eyes. About the Tactame project: This project (Tacta'm) is an intervention on the street that has also been adapted as an indoor installation. A reflection that starts from the loss of human contact as a result of the pandemic. An attempt to stimulate curiosity through contact. The ultimate goal is to place sensors in such a way as to encourage this interaction between the hand and passers-by in the city. 1/1

Força i Pell Living Capsules Solitude Lullaby Formigario Sonoro A Virtual A Sonora A Carinhosa As_automatas.web File.img.mp3 Earth Pulse Anthozoa Digitalis Silent Mode 2.0: Body Silent Mode Where do the bubbles go Keys Anguish Massager The box Atucanation Fare Place Four Islands The chatterboxes Other objects and experiences Other video Interviews Serviços Resultados de busca Knot in the throat, 2019 Mapped projection over wire, paper and plaster sculptures. Arduino with presence sensor, 2 speakers 4ohms 15w. Variable dimension Knot in the throat is a collective of sculptures that react with visual and sound forms to the audience's presence. In a representation of virtual entities and through a presence sensor, the sculptures behave reacting with humanoid expressions (eyes) and with sound elements. 1/1 Why do voice assistants have a female voice? From the second decade of the 21st century, the most well-known voice assistants are virtually functional and have a female voice. Cortana (Microsoft), Alexa (Amazon) and Siri (Apple) are algorithms created by mostly male teams. Their submissive, seductive, helpful and available voices that respond our sound signal puts many questions in terms of gender, whereas the woman's place in her virtual objectification as a service provider.

Força i Pell Living Capsules Solitude Lullaby Formigario Sonoro A Virtual A Sonora A Carinhosa As_automatas.web File.img.mp3 Earth Pulse Anthozoa Digitalis Silent Mode 2.0: Body Silent Mode Where do the bubbles go Keys Anguish Massager The box Atucanation Fare Place Four Islands The chatterboxes Other objects and experiences Other video Interviews Serviços Resultados de busca File.img.mp3 colab with Leo Caobelli for the project 10 Desertos de Erros . Selected for Rumos Itaú Cultural, Brazil What is image and what is sound when the specifics of each language are transformed into binary code? In file.img.mp3 this question will not have an answer, but it will open up possibilities for thinking about formats. Used to saving files with extensions that characterize them as a type of media, here the names are shuffled to create images. Moving the cursor triggers random audios that are scattered (or concentrated) in a certain area of the chosen image. Among the thousands of images present in the HD database, four were selected to be the activation guides for a set of sounds that range from music to operating system audios, including game voices and an infinity of errors.mp3.