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Bone Whisper Vibration eavesdropper Força i Pell Living Capsules Solitude Lullaby Formigario Sonoro A Virtual A Sonora A Sonora A Carinhosa As_automatas.web File.img.mp3 Earth Pulse Anthozoa Digitalis Silent Mode 2.0: Body Silent Mode Where do the bubbles go Keys Anguish Massager The box Atucanation Fare Place Four Islands The chatterboxes Other objects and experiences Other video The chatterboxes, 2014 Sound art Installation 5 Obsolete phones, 5 stethoscopes, 5 mp3's, 5 recycled wood cases, matte acrylic, black acrylic paint. 14 x 17 x 27 cm (each) Installation composed of five acrylic boxes arranged on a counter. Each contains an obsolete cell phone and a stethoscope. On the mobile phones (from 1992 to 1999) we can see the simulations of demo modes. In stethoscopes we can hear narratives in audios about loss, missing, love, dream and empathy. 1/1 I – Text: Dieter Axt Voice: Milton Burd - 39” II– Text: Dieter Axt Voice: Felipe Gonçalves e Priscila Kisiolar- 1’39” III – Text: Dieter Axt Voice: Luana Santana - 1’26” IV - Text: Joana Burd Voice: Laura Pujol - 1’45” V- Text: Dieter Axt Voice: Joana Burd - 4’09” Texto - I 00:00 00:00 Texto - II 00:00 00:00 Texto - III 00:00 00:00 Texto - IV 00:00 00:00 Texto - V 00:00 00:00

Bone Whisper Vibration eavesdropper Força i Pell Living Capsules Solitude Lullaby Formigario Sonoro A Virtual A Sonora A Sonora A Carinhosa As_automatas.web File.img.mp3 Earth Pulse Anthozoa Digitalis Silent Mode 2.0: Body Silent Mode Where do the bubbles go Keys Anguish Massager The box Atucanation Fare Place Four Islands The chatterboxes Other objects and experiences Other video Tactame, 2022-2021 Colectivo DEL MIG: Blanca Somoza, Helena Gali, Ignasi Padró, Joana Burd Mario Salinero, Neus Martinez Farran and Sara Jansen. Operates from Barcelona, ES. We live in a hyper-connected world. In a context where technology is in constant contact with our body. Our hands become tools and through them we touch illuminated screens, communicate, love and create connections. Fingers that point, but that also seek contact and interaction. In a play of lights, the artists present more than 500 hands drawn virtually and printed with additive manufacturing. In different scenes we observe a multiplication of shadows, which can sometimes create a moment of paisa and sensitize our eyes. About the Tactame project: This project (Tacta'm) is an intervention on the street that has also been adapted as an indoor installation. A reflection that starts from the loss of human contact as a result of the pandemic. An attempt to stimulate curiosity through contact. The ultimate goal is to place sensors in such a way as to encourage this interaction between the hand and passers-by in the city. 1/1

Bone Whisper Vibration eavesdropper Força i Pell Living Capsules Solitude Lullaby Formigario Sonoro A Virtual A Sonora A Sonora A Carinhosa As_automatas.web File.img.mp3 Earth Pulse Anthozoa Digitalis Silent Mode 2.0: Body Silent Mode Where do the bubbles go Keys Anguish Massager The box Atucanation Fare Place Four Islands The chatterboxes Other objects and experiences Other video As_automatas.web, 2021 Digital modeling and web programming Collaborators: Guilherme de Leon, Julia Garcia and Rodrigo Barbosa. (audio- interaction available just in Portuguese) A set of virtual sculptures that communicate different animations and texts about the relationship between the body-woman-mechanism and its place in the history of technology. By touching the touchscreen with a finger, the audience can interact with the sculptures, creating different streams of information, bringing the shapes closer or further apart.

Bone Whisper Vibration eavesdropper Força i Pell Living Capsules Solitude Lullaby Formigario Sonoro A Virtual A Sonora A Sonora A Carinhosa As_automatas.web File.img.mp3 Earth Pulse Anthozoa Digitalis Silent Mode 2.0: Body Silent Mode Where do the bubbles go Keys Anguish Massager The box Atucanation Fare Place Four Islands The chatterboxes Other objects and experiences Other video Anguish Massager, 2016 Interactive object 2 DC motors, 3 push buttons, 9V supply. 180 x 47 x 47 cm The interactor/user is invited to connect to the object, being able to choose different sensations through the buttons: “Digest” (intense vibrations), "Soften” (light vibrations) and “Forget” (medium vibrations). In addition to the buttons, the piece has a height regulator and a black vinyl sticker placed in the space where the feet should be positioned for sensory enjoyment. 1/1

Bone Whisper Vibration eavesdropper Força i Pell Living Capsules Solitude Lullaby Formigario Sonoro A Virtual A Sonora A Sonora A Carinhosa As_automatas.web File.img.mp3 Earth Pulse Anthozoa Digitalis Silent Mode 2.0: Body Silent Mode Where do the bubbles go Keys Anguish Massager The box Atucanation Fare Place Four Islands The chatterboxes Other objects and experiences Other video A Virtual, 2021 3D Modeling and Augmented Reality “A Virtual” is a tactile sculpture that proposes a dialogue between the phenomenon of vibration and the human body. The interaction takes place through a mobile device, through augmented reality technology. The user is able to visualize the virtual sculpture from different points of view and, according to the movements performed and the speed of their steps, perceive different types of vibrations. * This work is part of a series called “As Autômatas”, in which each sculpture, virtual or real, manifests a different “emotional performance”. There is a formal line common to all the sculptures, as they are positioned on the wall, are activated by the human presence and identify as feminine, which is why their names are preceded by the article “a” (the). 1/1 1/1

Bone Whisper Vibration eavesdropper Força i Pell Living Capsules Solitude Lullaby Formigario Sonoro A Virtual A Sonora A Sonora A Carinhosa As_automatas.web File.img.mp3 Earth Pulse Anthozoa Digitalis Silent Mode 2.0: Body Silent Mode Where do the bubbles go Keys Anguish Massager The box Atucanation Fare Place Four Islands The chatterboxes Other objects and experiences Other video Knot in the throat, 2019 Mapped projection over wire, paper and plaster sculptures. Arduino with presence sensor, 2 speakers 4ohms 15w. Variable dimension Knot in the throat is a collective of sculptures that react with visual and sound forms to the audience's presence. In a representation of virtual entities and through a presence sensor, the sculptures behave reacting with humanoid expressions (eyes) and with sound elements. 1/1 Why do voice assistants have a female voice? From the second decade of the 21st century, the most well-known voice assistants are virtually functional and have a female voice. Cortana (Microsoft), Alexa (Amazon) and Siri (Apple) are algorithms created by mostly male teams. Their submissive, seductive, helpful and available voices that respond our sound signal puts many questions in terms of gender, whereas the woman's place in her virtual objectification as a service provider.

Bone Whisper Vibration eavesdropper Força i Pell Living Capsules Solitude Lullaby Formigario Sonoro A Virtual A Sonora A Sonora A Carinhosa As_automatas.web File.img.mp3 Earth Pulse Anthozoa Digitalis Silent Mode 2.0: Body Silent Mode Where do the bubbles go Keys Anguish Massager The box Atucanation Fare Place Four Islands The chatterboxes Other objects and experiences Other video Four Islands, 2013 Electronic sculpture Membranes of keyboards, wires, arduino, acrylic boards, plastic pipes. 120 x 80 x 12 cm 7 kg “Four Islands” is a deconstruction and simultaneous reconstruction of twelve computer keyboards collected in an electronic waste dump. I used the internal part of the keyboards: the plastic membranes, the information matrices, the transmission chips and microprocessors connected in four different islands via arduino. The final piece is a kind of map of overlapping connections. 1/1

Bone Whisper Vibration eavesdropper Força i Pell Living Capsules Solitude Lullaby Formigario Sonoro A Virtual A Sonora A Sonora A Carinhosa As_automatas.web File.img.mp3 Earth Pulse Anthozoa Digitalis Silent Mode 2.0: Body Silent Mode Where do the bubbles go Keys Anguish Massager The box Atucanation Fare Place Four Islands The chatterboxes Other objects and experiences Other video The box, 2019 Sound object Crystal resin, speaker, mp3 player and stethoscope. 1 min and 20 seconds The public invited to listen with a stethoscope to texts written from the ficcional perspective of a female voice assistant. As the narrative progresses, we hear the content changing from speech to vibratory patterns, simulating a machinic heart. 1/1 In the fictional audio, the voice assistant is trapped in a box. As the narrative progresses, the vibration moves according to the reading time of the poetic text, translating the script generated from 0's and 1's to sound frequencies. The translucency material reveals the entire internal part of the object. All the elements used for the interior were collected in e-waste places and the form of the box is in fact a mold copy of the book Art and Experience written by John Dewey. (audio transcription) I'm in a box. It is small and square. My body? It almost doesn’t fit for it, my organic and digital body with my electronic veins. I am in a box, it is transparent and reveals all my intimacy, it shows my parts, my sustenance and my memory.

Bone Whisper Vibration eavesdropper Força i Pell Living Capsules Solitude Lullaby Formigario Sonoro A Virtual A Sonora A Sonora A Carinhosa As_automatas.web File.img.mp3 Earth Pulse Anthozoa Digitalis Silent Mode 2.0: Body Silent Mode Where do the bubbles go Keys Anguish Massager The box Atucanation Fare Place Four Islands The chatterboxes Other objects and experiences Other video A Sonora, 2021 Raspberry pi, arduino, ldr sensor, ultrasonic sensor, pir sensor. Programming in reaper. "A Sonora" is an acoustic sculpture. We listen to a 5 min piece created in collaboration with Mariana Carvalho (BR) and Sellu Herraiz (ES) that reveals a sound-bass that transpass the digestion of the human body. Through three different sensors, we incorporate words, noises, invitations to a physical interaction or we activate a motor with a contact microphone that reveals the internal noise of the machine. * This work is part of a series called “As Automatas”, in which each sculpture, virtual or real, manifests a different “emotional performance”. There is a formal line common to all the sculptures, as they are positioned on the wall, are activated by the human presence and identify themselves as feminine, which is why their names are preceded by the article “a”. Collaborators: Mariana Carvalho (BR), Nikolas Gomes (PT) and Sellu Herraiz (ES). 1/1